Hindustan Times ST (Mumbai) - Brunch

Nepotism What? Fashion Millennial­s Design Their Own Future!

Following in your parents’ footsteps? Very Indian! But three fashion designers have bucked the trend, doing the same job as their parent, but in their own way

- Text by Bharat Gupta Photos shot exclusivel­y for HT Brunch by Shivangi Kulkarni in Mumbai and Vinod Aggarwal in Delhi

When your parents are legends in the fashion industry, the path for you can be lined with roses. But these millennial fashion designers aren’t afraid to take the harder route to make it on their own. We caught up with three designers and the Gen Z of fashion from their family to understand how they think out of the box.

“WHEN YOU ARE SELLING YOUR DESIGNS, PEOPLE JUDGE YOUR ARTISTRY, NOT YOUR LINEAGE” –NIKHITA TANDON

Ace couturier and legendary costume designer Neeta Lulla noticed an “initiative” towards fashion in her daughter, Nishka, from a young age. “While she had a strong coordinati­on sensibilit­y, her aesthetic truly developed when she reached her early teens,” says Neeta.

Accompanyi­ng her mother everywhere, Nishka took a keen interest in fashion. “The studio was at home, so I was always exposed to my mother’s work. Even as a child, I made outfits for my dolls. Little did I know that my first job would be making the actual Barbie outfit for Katrina Kaif through a contest I won at a Fashion Week!” says Nishka.

“SHE SAID ‘MATCH’ BEFORE ‘MOM’!” Neeta Lulla, 56, and daughter Nishka ,34

“WHILE [NISHKA] HAD STRONG COORDINATI­ON SENSIBILIT­Y, HER AESTHETIC TRULY DEVELOPED DURING HER EARLY TEENS” –NEETA LULLA

With easy access to celebritie­s and a readymade set up, what made Nishka create her own label? “Every person’s creativity is their own honest expression,” Nishka explains. “My vision was my own, to create a label that was minimal and easy to wear. It took me a while to get there. It was only after a couple of collection­s that I got to the point where my collection­s were a true expression of the designer and the person I am.”

This is very different from her mother’s label. As a parent, did Neeta think it would be obvious for her daughter to carry on the legacy?

“I stand for women pioneers. There is a sense of achievemen­t when you do something on your own. I had experience­d this and wanted Nishka to experience as well,” says Neeta.

Having a legend in your own house can be a boon or overwhelmi­ng. Nishka found a way to weave around it. “Initially, people thought I’d do collection­s that were similar to my mother’s work. But we are different and so are our design aesthetics,” she says.

Neeta adds: “The one thing our labels have in common is that both are truly Indian at heart.”

Ravi Bajaj ventured into fashion designing when it was a profession unheard of for men. “It wasn’t considered a career. When I decided to go to the UK to study fashion, the person at the foreign exchange office stared at me, dumbfounde­d. He asked if I was travelling abroad for a tailoring course,” chuckles Ravi.

The only person in Ravi’s family who had supported his decision to study fashion was his older brother. Now the same brother’s son has taken to design.

“I enjoyed sketching and was always inspired by my uncle,” says Vikram Bajaj. “My first project with my uncle was working on an outfit for Amitabh Bachchan. That really set the ball rolling.”

“HE’S TRENDY, I’M THE OLD UNCLE!” Ravi Bajaj, 56, and nephew, Vikram ,32

“WHILE I LEARNT A LOT FROM HIM [MY UNCLE], I WANTED TO EXPRESS MY OWN CREATIVITY” –VIKRAM BAJAJ

But Vikram decided to break away and start his own label. “While I learnt a lot from him, I wanted to express my own creativity,” he says.

Ravi agrees, “He has his own take on fashion. He is contempora­ry, while I’m more classic. If he continued with me, his individual­ity would never blossom. Every creative person exhibits some unique characteri­stic.”

Do they share ideas with each other? “His label is more trendy, who wants to go to an old uncle!” laughs Ravi. “But when I started, fashion magazines were limited and expensive and these days, I don’t surf the internet and don’t follow internatio­nal fashion weeks like Vikram does. Probably the one advantage I had over Vikram was that there were fewer designers in my time, so my competitio­n was less. Today, the market is huge and there is something at every price point.”

Have things changed for boys who want to do fashion? Not a lot, it appears. “Even when I went to fashion school, there were only a couple of boys in design,” says Vikram. “Most of them leaned towards fashion management or retail.”

“Ialways wanted to grow from a label to a fashion house. Nikhita made that possible,” says Reynu Taandon, an Indianwear designer. “When your father has a business in exports and your mother is a designer, your childhood is full of creativity,” says Nikhita.

Did Nikhita Tandon feel the pressure of expectatio­n when she became a designer? “It was about taking the family business ahead. When you are selling your designs, people judge your artistry, not your lineage. So for me, starting from scratch, taking my own stand and creating my own label was exciting. There is of course a benchmark, but that is a good thing. We are aesthetica­lly very different, so there is no room for comparison,” says Nikhita.

“THREADS FOR ME, SEQUINS FOR HER” Reynu Taandon, 56, and daughter, Nikhita, 36

“TECHNOLOGY IS NEW FORUS,BUTWEARE LEARNING. THE NEW GENERATION IS BETTER AT IT” –REYNU TAANDON

Reynu agrees. “I work with thread and she with sequins. Nikhita was very clear that she wanted to do her own thing. So, it is now two labels growing within the same company. I saw her sketching beautiful outfits, primarily for parties, cocktails and receptions. So with my bridal and wedding wear, I was very happy, because now our labels are becoming a fashion house,” she says.

Having a veteran designer at home has its perks. “Administra­tively, it is a huge help. Also her knowhow on making my label commercial­ly viable,” says Nikhita. “My mother is gifting me a legacy, not only profession­ally, but also in terms of values.”

Is there a generation gap in how the two of them work? “For over two decades, we’ve worked offline, understand­ing how clients like to buy,” says Reynu. “Technology is new for us, but we are learning. And of course, the newer generation is better at technology.”

 ??  ?? Reynu Taandon and Nikhita Tandon
Reynu Taandon and Nikhita Tandon
 ??  ?? Vikram Bajaj and Ravi Bajaj
Vikram Bajaj and Ravi Bajaj
 ??  ?? Neeta Lulla and Nishka Lulla
Neeta Lulla and Nishka Lulla
 ??  ?? Nepotism what? “Yes, it exists in fashion like it does everywhere else. It does make your entry more convenient, but these projects come with expectatio­ns and pressure. It’s only sheer hard work and creativity that helps us flourish.” —Nishka Lulla
Neeta Lulla wears a cape over a singlet and pants from her personal wardrobe
Nishka Lulla sports a co-ord set from her personal wardrobe
JOIN IN THE CONVERSATI­ON USING #Nonepotism­infashion
Nepotism what? “Yes, it exists in fashion like it does everywhere else. It does make your entry more convenient, but these projects come with expectatio­ns and pressure. It’s only sheer hard work and creativity that helps us flourish.” —Nishka Lulla Neeta Lulla wears a cape over a singlet and pants from her personal wardrobe Nishka Lulla sports a co-ord set from her personal wardrobe JOIN IN THE CONVERSATI­ON USING #Nonepotism­infashion
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 ??  ?? Nepotism what? “Nepotism exists in every spectrum of life. It may help people get easy breaks, but it’s their perseveran­ce, hardwork and creativity that will help them stay afloat!” —Neeta Lulla
Nepotism what? “Nepotism exists in every spectrum of life. It may help people get easy breaks, but it’s their perseveran­ce, hardwork and creativity that will help them stay afloat!” —Neeta Lulla
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 ??  ?? Nepotism what? “I’ve spent half my life here [in fashion], seen it all and hustled hard. Being connected opens doors just like networking, but it all comes down to skill and talent.” —Vikram Bajaj
Vikram Bajaj a green bandhgala with military-style long shirt and trousers from his own label
Ravi Bajaj wears a navy blue jacket with candy stripe shirt, floral tie and red trousers from his label
Nepotism what? “Humans are inherently selfish and biased. Meritocrac­y takes a back seat when it comes to one’s own. Fashion as an industryma­ybea little less notorious in this case perhaps because a lot many designers do not have offspring?” —Ravi Bajaj
Nepotism what? “I’ve spent half my life here [in fashion], seen it all and hustled hard. Being connected opens doors just like networking, but it all comes down to skill and talent.” —Vikram Bajaj Vikram Bajaj a green bandhgala with military-style long shirt and trousers from his own label Ravi Bajaj wears a navy blue jacket with candy stripe shirt, floral tie and red trousers from his label Nepotism what? “Humans are inherently selfish and biased. Meritocrac­y takes a back seat when it comes to one’s own. Fashion as an industryma­ybea little less notorious in this case perhaps because a lot many designers do not have offspring?” —Ravi Bajaj
 ??  ?? Reynu Taandon wears a black suit with intricate gold work on it from her label and jewellery from Purab Paschim by Ankit Khullar Nikhita Tandon dons a gold sequined gown from her label and jewellery from Purab Paschim by
Ankit Khullar
Nepotism what? “Honestly, we both don’t believe that nepotism in this industry really exists. You may enter the industry with someone’s support but ultimately people will buy your clothes or appreciate your work if you touch their heart. You can’t force someone to buy your clothes.” —Reynu Taandon and Nikhita Tandon
Art direction: Amit Malik Make-up: Anuj Dogra in Delhi and Shayli Nayak in Mumbai Hair: Savita Bansode in Mumbai
Reynu Taandon wears a black suit with intricate gold work on it from her label and jewellery from Purab Paschim by Ankit Khullar Nikhita Tandon dons a gold sequined gown from her label and jewellery from Purab Paschim by Ankit Khullar Nepotism what? “Honestly, we both don’t believe that nepotism in this industry really exists. You may enter the industry with someone’s support but ultimately people will buy your clothes or appreciate your work if you touch their heart. You can’t force someone to buy your clothes.” —Reynu Taandon and Nikhita Tandon Art direction: Amit Malik Make-up: Anuj Dogra in Delhi and Shayli Nayak in Mumbai Hair: Savita Bansode in Mumbai
 ??  ?? Bharat Gupta is a fashion commentato­r, consultant and stylist brunchlett­ershindust­antimes.com Follow @Htbrunch on Twitter and Instagram
Bharat Gupta is a fashion commentato­r, consultant and stylist brunchlett­ershindust­antimes.com Follow @Htbrunch on Twitter and Instagram

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