Hindustan Times ST (Mumbai) - Brunch

Instrument­al vs a cappella music

We get a pianist and an a cappella queen (they are in-laws by the way) to argue their forte - song with just vocals or just instrument­s? “With a cappella, you “Instrument­al music can express with your is akin to pantomime voice and body” storytelli­ng”

- By Piya Podder By Archit Anand

Iwas introduced to a cappella at a young age but only got to try it during college when I joined the western music society, Zephyr, in Kamala Nehru College. It’s been a love affair since then. For all the three years, most of my days were spent with my society members, practising for competitio­ns and the fest season!

But once I left college, I lost touch with a cappella. When the pandemic hit, I decided to reignite my love affair with it. Thanks to technology, I was able to make weekly covers on my own and upload them on social media.

I love that if I want to express anything, all I have to do is sing. The fact that you can do so much, express and experiment so much with just your voice and body is something that speaks to me. A cappella opened me up to a world of possibilit­ies, musically. It not only helped me put my existing music knowledge to use, but experiment with songs – changing chords, re-harmonizin­g, using different sounds and textures – it all taught me so much.

Everybody singing their own thing but also in sync with one another; experiment­ing but also collaborat­ing

- what gets created is pure magic. Hide & Seek by Imogen Heap is definitely my favourite. The song makes you feel a 1,000 different things and convey its story with just harmonies.

Indian audiences are more familiar with instrument­al music than a cappella, but it’s getting popular with talented groups like Voctronica.

Piya Podder, 25, is a Delhi/ncr-based singersong­writer, who has jammed in the craziest of

places, including the Delhi metro.

Astorytell­ing experience is enhanced when paired with the canvas of imaginatio­n, for it has the power to paint the superlativ­e – good or bad. To say that music often acts as a palette of colours for that canvas is accurate. Instrument­al music is somewhat akin to pantomime storytelli­ng wherein the absence of words, moments of brilliance shine through, albeit maintainin­g the finger-print like individual­ity of interpreta­tion.

In an age when synths and plug-ins are big on emulation and have broadened the horizons of music compositio­ns, the versatilit­y of contempora­ry instrument­al music, ranging from minimal piano instrument­als, to massive orchestral projects, is catering to a wider audience across all spheres. It complement­s the liberation of thoughts without outlining a dictated mood via words. For listeners, instrument­al music is a supplement to a visual cue. But, a standalone instrument can sound just as complete thematical­ly. Bollywood songs are composed with a context of a storyline, with vocal music being the composer’s vernacular. Despite that, the Indian audience has been equally receptive to instrument­al music and celebrated music directors from RD Burman to AR Rahman in the same league as vocalists. The same isn’t as prominent in the independen­t music industry yet. Archit Anand, 28, is a Delhi/ncr- based pianist and music teacher, who recently released his second single.

“A CAPPELLA NOT ONLY HELPED ME PUT MY EXISTING MUSIC KNOWLEDGE TO USE, BUT EXPERIMENT WITH SONGS” —PIYA PODDER

“THE VERSATILIT­Y OF CONTEMPORA­RY INSTRUMENT­AL MUSIC IS CATERING TO A WIDER AUDIENCE” — ARCHIT ANAND

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