‘Perfect link between parallel, commercial cinema’

I am privileged to have had the longest association with Basu da, starting from Rajnigandha

to Chhoti Si Baat, Chitchor and Baton Baton Mein to Do Ladke Dono Kadke and Apne Paraye. I have fond memories of those times. It was a very beautiful journey. Our relationship was simple, yet so endearing, just like the films that we used to make together.

His films were unique — very simple, no shouting from the rooftops, there was no melodrama, there wasn’t any villain as the opposite force, all of them (movies) were without any such frills. But life was still so beautiful, so very lovable in all his films. To be able to tell a story with a sense of humour was something very special that Basu da had.

Basu da was the perfect link between parallel cinema and hardcore commercial cinema. He started with parallel cinema and continued to do parallel cinema, but wasn’t obscure. His films were extremely appealing even to a common man, so that was his biggest contribution to cinema. I was part of that parallel cinema movement and I enjoyed it totally.

In films, we are always in a hurry to put a particular label on a person. We like to have an angry young man and a He-Man and all those kinds of heroes. Basu da broke that and created a new awakening in films. He remained very honest and simple to the core, yet went on portraying the different, lovely layers of simple, dayto-day lives through all his films. He managed it so effortlessly.

HT FILE Basu Chatterjee.