Hindustan Times ST (Mumbai) - HT Navi Mumbai Live

Onthe gravy trail

A new book traces the origins and evolutions of the curry, in a journey that spans nations, generation­s, fallen empires and changing tastes

- Vanessa Viegas

influenced cuisine,” she says.

“Curry” encompasse­s, for instance, Goan dishes that combine South Indian ingredient­s with Portuguese techniques (think red chilli and vinegar). It includes Hyderabadi dishes that feature fresh coconut, kari patta and tamarind. It also has the coconut-based Kerala stew said to have been created by Syrian Christians who picked up the stew bit (ingredient­s cooked slowly in stock) from Irish monks.

There are the Persian-influenced korma and do-piaza, the jalfrezi of Bengali origin, the rogan josh of Kashmir, the fiery BritishBan­gladeshi phall.

And local variations from Indonesia, such as the sambal goreng (literally, fried relish; an umbrella term for a category of curry-like dishes made from meat, seafood or vegetables flavoured with curry paste, with or without coconut milk).

The Malaysian beef rendang, which itself has numerous recipes across the Malay peninsula. And Japan’s kare raisu (for curry and rice; made with chicken, meat or fish cooked with onions, potatoes and carrots in a curry sauce sweetened with apples or honey).

By Sukhadwala’s definition, a curry is any spiced dish of Indian origin or influence, in which vegetables, meat or other protein is cooked in a pot, usually with a gravy made from tomatoes, onions, coconut, yoghurt, gram flour, nuts, cream, water or stock. This broad definition unites curries around the world, but “curry” is ultimately a category just like bread or pie, she says.

Currying flavour

Sukhadwala was born in India, to a banker and a homemaker, and moved to London with her family as a child. She remembers a childhood of her mother’s “exquisite” Gujarati food. “My mother bought ingredient­s daily, and cooked every dish from scratch, including all the pickles and snacks — something she still does,” Sukhadwala says.

She switched from a career in psychology to food writing in 2002. She had long loved food and writing “and I wanted to combine the two”, she says. Her writing (which has appeared in The Guardian, Time Out and BBC Food, among other platforms) led her into food research. She is currently working on an Indian food dictionary, an expansive effort that has already taken her four years.

One of the terms in that book, incidental­ly, is curry, which Sukhadwala traces to possible origins in the Tamil word “kari”, which means dark or black and refers to the black pepper used in curries, she says.

The hardest thing about researchin­g curries, Sukhadwala says, wasn’t the vast variety or where to draw the lines. “The biggest and most problemati­c debates to navigate are the ones going on at a global level right now, including authentici­ty, culinary appropriat­ion and decolonisa­tion of food.”

Sukhadwala doesn’t believe in “authentici­ty” when it comes to food. “It’s a problemati­c concept. In literal terms the only authentic meal would be the barley or millet gruel that the earliest Indians ate,” she says. “I do use the word ‘traditiona­l’. It is also problemati­c, but less so.”

When it comes to traditiona­l recipes, Sukhadwala says, there is much that we should be preserving. She’s been happy to see a movement in recent years towards preserving lost recipes and discoverin­g lesser-known dishes from marginalis­ed tribes and communitie­s, she adds. “Modern Indian chefs are researchin­g and reviving forgotten regional specialiti­es, so I’m hopeful that traditiona­l dishes won’t completely fade away.”

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