Hindustan Times (Noida)

Indians listened to somewhat more instrument­al and speech-like music...

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Spotify’s algorithm rates songs on a scale of 0 to 1 on what it describes as “instrument­alness” depending on the presence of vocals in the track (except “ooh” and “aah” sounds are treated as instrument­al). So, if a track’s value is above 0.5, it is more likely to be instrument­al-based than vocal. Similarly, the algorithm describes “speechines­s” as a measure of how speech-like a track is. If a track carries a value of above 0.66, it means there’s a high probabilit­y that it is made without music (such as poetry). Meanwhile, tracks carrying values in the 0.33-0.66 range suggest are likely to be rap, which generally tends to be more speech-based than other forms of music. No track on the global top 50 tracks of the year crosses the 0.5 for “instrument­alness” or 0.33 threshold “speechines­s”. However, on the India-list (which has top 75 songs), rapper Sidhu Moosewala’s “The Last Ride” and Tamil movie Vikram’s soundtrack “Pathala Pathala” were in the 0.33-0.66 range. Somewhat surprising­ly, (or perhaps because of the “aah’ and “eh” vowel sounds in the song) musical duo

Mitraz’s song Akhiyaan scores 0.7 on “instrument­alness” despite scoring just 0.05 on “speechines­s”. To be sure, while these extremes affect the mean, the median or middle value of India’s top tracks were just 1/10,000th of the index away from the global median.

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