HT Navi Mumbai

Bigg Boss maker Banijay bets big on cricket in India

PLANS ARE AFOOT TO BRING TO LIFE THE CRICKET ADAPTATION OF THE MATCH – A REALITY SHOW ON FOOTBALL

- Shuchi Bansal

Banijay Asia, the content production company known for adaptation­s like The Night Manager, Call My Agent Bollywood and The Trial (The Good Wife), is no longer associated with the The Kapil Sharma Show after the show moved to Netflix. However, Banijay is readying an arsenal of sports programmin­g and live events to de risk its business in the volatile Indian market.

Banijay Asia first acquired Endemol Shine, the maker of Bigg Boss, Khatron Ke Khiladi and MasterChef, and now plans to make India the production hub for its shows in other markets. For its foray into sports programmin­g, Banijay inked a strategic partnershi­p with Ravi Shastri’s company Sporting Beyond to leverage his expertise. Deepak Dhar, founder & group CEO at Banijay Asia and Endemol Shine India, said while live cricket is well captured, there’s room for scripted dramas, reality shows and documentar­ies around the game.

Plans are afoot to bring to life the cricket adaptation of Banijay’s internatio­nal format The Match – a football reality show in the UK. “It’s literally a football academy training people who want to be part of a football team. Here it will be a cricket team in training that will be filmed 24X7,” Dhar said. A Ficci-EY report on media and entertainm­ent said though there were fewer reality shows in 2023, they pulled in very large audiences. Drama, crime, action and thrillers were the other predominan­t genres in OTT, it said.

Dhar said the company is also developing a show on the line of the cult television miniseries from the 1980s, Bodyline. “There are so many stories about India-Pakistan, India-Australia and India-England games that can be told dramatical­ly,” he added.

Banijay is going aggressive at a time when the country’s television and streaming businesses are under enormous pressure. Pay TV connection­s are declining and OTT subscripti­ons are seeing slower growth rates and saturation in the metros.

The Ficci-EY report noted that original streaming content produced in 2023 versus 2022 remained flat at 3,000 hours. This could be owing to OTT services’ attempt at keeping costs under control, especially, since video subscripti­on revenue grew at just 6% in 2023 with premium cricket properties available free to watch on mobile. The percentage of paying subscriber­s in total OTT consumers remained less than 15%, the report added.

On the broadcasti­ng side, TV ad revenue fell by 6.5% in 2023. While pay TV homes dropped by 2 million, distributi­on income and time spent on TV improved by 2%. But the medium continued to lose premium properties in 2023 as affluent homes cut their cable connection­s.

Dhar agreed that the entertainm­ent environmen­t is challengin­g owing to consolidat­ion and the winds of change. “There is a little bit of a slowdown but having said that, people want big shows like MasterChef, Temptation Island and Survivor. Platforms still want top products with top talent.”

Yet the company is looking beyond TV and streaming to generate revenue. Last November, it entered the live events business with the entertainm­ent show it created before the India-Pakistan cricket match in Ahmedabad. In February it produced the Miss World beauty pageant. “Live entertainm­ent is big and has seen a resurgence post-Covid. Now we are pretty much in all forms of entertainm­ent,” Dhar said.

Globally, the €3.3bn Banijay Group operates in 23 markets and launched Banijay Events with the acquisitio­n of live entertainm­ent specialist Balich Wonder Studio in Milan. Dhar does not rule out acquiring an events company in India.

More recently, Banijay Asia announced expansion into South East Asia, with the formation of a new entity CreAsia Studio that will focus on local originals for key markets of Malaysia, Indonesia, Singapore, Hong Kong, Philippine­s, Vietnam, and Thailand.

“India is a powerhouse in creating content. We’ve got the infrastruc­ture and we make almost 700 days of Bigg Boss (in different languages) in one year,” Dhar said. Banijay had earlier produced Big Brother for China and filmed the show in Lonavala. “We could make Big Brother Vietnam or Malaysia out of India or shoot Survivor here for other markets,” Dhar said. “The aim is to build India as an outsourcin­g hub for content for the world. We have the creative, technical, production and logistics capabiliti­es,” he said.

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