Millennium Post

From ‘damsels in distress’ to ACTION DIVAS

Bollywood is now slowly moving on from portraying women as the shy and submissive character to kick-ass, bold WOMEN WHO CAN FIGHT FOR THEMSELVES without any male interrupti­on

- LAHARI BASU

Bachaaaooo; Help; Mujhe chhor do!!!” and such similar helpless screams of the Bollywood heroines have now changed to curses like Jhand fakir suar ki aulaad mar ja saale kamine, thank you.” From “Ek chutki sindoor ki kimat tum kya jano Ramesh babu” to “Ek ulte haath ki padegi na to tere plastic sergeon ko bhi surgery ki zaroorat padegi” – the Bollywood heroines have evolved to much bolder beings. And that is not just in terms of dialogues, but in action and appearance equally.

Even two decades ago, there were only a handful of female protagonis­ts in Bollywood, but in the last 10 years, the frequency of women-centric films have increased giving humanity a hope of progress. Some of the mention worthy films would be The Hate Story series, Samay, No One Killed Jessica, Gulab gang, Queen, Mardani, Akira, Eng- lish Vinglish, NH10, Pink, Mary Kom, Parched, Angry Indian Goddesses, Dangal to the very recent Naam Shabana. And they have also been some of the most impactful films over the box office. Even though there have been some quality films like Mother India (1957), Mirch Masala (1987), Arth (1982), Lajja(2001), Aandhi (1975) and Bandit Queen(1994) but the frequency of such superior matter has been very less as compared to the recent decade.

It’s time that girls start having some fun without men saving them from circumstan­ces. Filmmakers are pushing the limits of the definition of a ‘bhartiya nari’ with her ‘komal surili awaz’ to being an ideal wife. Life is not about being and living as someone’s wife, it’s about creating one’s own identity. Bold women were portrayed differentl­y earlier through characters which were mentally tough. Mental strength and perseveran­ce is not a sole weapon to tackle the cruel world out there, and that is where action steps in. Like all emotions, an existence of fear is necessary not just in the minds of women but also in their male counterpar­ts.

Hollywood and the Chinese film industry can be considered inspiratio­nal in terms of introducin­g female actors in action with some outstandin­g hits like Kill Bill volume I and II, Charlie’s Angels, The girl with The Dragon tattoo, Salt, Lucy, Kick-ass etc and several Chinese hits like Kung fu Hustle, Crouching Tiger Hidden Dragon (internatio­nally co-produced), Chocolate among others. The internet as well has been a major contributi­on in this progress. Quick and worldwide access to informatio­n helped people in gaining inspiratio­n from happenings around the globe.

Film viewing audience in India has a fair access to watching Hollywood and Chinese films other than Bollywood and Regional Cinema in the country. Chinese action heroines like Michelle Yeoh, Yuen Qiu, Connie Chan, Zhang Ziyi, Jeeja Yanin have done awesomely great in their films setting a good example for Southeast Asian countries, which are ‘considered to be’ not-so-favourable for women, where they are submissive, and do not have much participat­ion in decision-making processes, as opposed to the West. Action heroines from Hollywood like Scarlett Johansson, Angelina Jolie, Kate Beckinsale, Uma Thurman, Carrie –Anne Moss, Rooney Mara, Cloe grace Moretz are widely known to us but how many actions heroines do we have in our film industry? Bollywood has released very few female action films and out of the numerous potentials only Tapsee Pannu, Sonakshi Sinha, Rani Mukherjee, and Priyanka Chopra have had opportunit­ies to demonstrat­e hands-on action on screen.

Thankfully, some storytelle­rs are taking up the responsibi­lity to educate the mass about how a woman can remain a woman by not following the age-old mantras of remaining quiet and enduring violence through the big screens. Being bold is not just kicking asses and punching noses, (that’s a little part of it!) but also about knowing when to step up and say ‘NO’. Let’s hope that similar action films influence women in the country to take up martial arts and send a tough message across to bullies and potential molesters.

Tapsee Pannu’s performanc­e in Baby, Pink and now in Naam Shabana, and Sonakshi Sinha’s Akira shows that there’s always an opportunit­y for female actors in B’town to try their hand at action and yet look dapper hot. You can ditch the low waist saris, and bikinis to pick up martial arts and make jaws drop and heads turn as you walk away from your injured victim. It is not so much about strength, but a power packed combinatio­n of techniques, determinat­ion, practice and stamina, can definitely make one win the game – a crucial lesson to learn from the audio-visual media.

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 ??  ?? one of the female Meena Kumari was submissive heroine actors to play the
one of the female Meena Kumari was submissive heroine actors to play the
 ??  ?? Tapsee Pannu in ‘Naam Shabana’ fights in order to maintain National security
Tapsee Pannu in ‘Naam Shabana’ fights in order to maintain National security
 ??  ?? Bollywood heroine’s portrayal took a drastic turn with films like ‘Akira’
Bollywood heroine’s portrayal took a drastic turn with films like ‘Akira’

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