Smart Photography

Lens Review Tokina AT-X 116 PRO SD 11-16mm F2.8 (IF) DX-II

76 % Rs.45,000

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Alate entrant into the Indian thirdparty lens market, Tokina has not introduced a barrage of products, but instead stuck to their strict standards of quality. The Tokina AT-X 116 PRO SD 11-16mm f/2.8 (IF) DX-II is the latest wideangle lens from Tokina’s stable. The lens is a minor upgrade to the award winning AT-X 116 PRO DX, 11-16 f/2.8 lens, which we reviewed in 2009. The improvemen­ts are limited to a silent focussing motor on the Nikon model that allows the lens to autofocus on bodies that do not have an AF motor, such as the D3100 and D3200 and improved internal coatings.

Design and Build Quality

The lens bears the nomenclatu­re of AT-X (Advanced Technology Extra), indicating that it is of profession­al quality and features the best optics available in Tokina models. The company claim superior material selection and micronunit quality control in the manufactur­e. The DX-designated lenses are specially made for D-SLRs with APS-C sized sensors and hence if used on D-SLRs with Full-Frame sensors, the image circle will not cover the sensor area. The lens is constructe­d to provide a tough profession­al feel. The zoom and focus rings have rubber grips and the lens uses Duralumin in metal parts to provide better durability and tensile strength. The lens mount is made of chromeplat­ed brass. The exterior of the lens has a hardened Alumite (armalite) finish.

Key Features

With a short zoom range, the Tokina 11-16mm f/2.8 lens maintains a high optical quality. The fast and bright f/2.8 provides good background defocussin­g and enables faster autofocus in low-light situations. The lens features Tokina’s original One-touch Focus Clutch mechanism. The mechanism allows you to switch between AF and MF by pushing the focus ring forward for AF, and backwards for MF. One-touch mechanism means that you do not need to toggle the AF/MF switch on the camera body to switch between AF and MF. The lens has Internal Focussing mechanism, which focusses the image by moving a group of elements instead of the lens barrel. This means that the length of the lens remains the same throughout the focal range. It also allows for faster focussing and use of circular polarisers and graduated filters since the front element does not rotate. The lens focusses as close as 30cm. Tokina has a technical collaborat­ion with Hoya, which accounts for the high optical performanc­e of their lenses. The 11-16mm DX-II is constructe­d with 13 elements in 11 groups. The elements are multicoate­d to resist flare and ghosting. It uses two Aspherical all-glass elements to minimise spherical aberration which causes loss of sharpness towards the edges, and distortion, which are common in wide-angle lenses. The lens bears the SD mark which means that it uses Super-low Dispersion glass (Fluorite). In fact, it uses two such SD elements. These provide Apochromat­ic properties to the lens, correcting chromatic aberration and eliminatin­g secondary spectrum. The lens weighs 550g, which makes it lighter than its predecesso­r by 10g.

Ergonomics

The Tokina 11-16mm f/2.8 DX-II has a combinatio­n of optimum size and excellent grip, which makes it a pleasure to use. The One-touch Focus Clutch

mechanism is very convenient when you need to change quickly from auto to manual focus. The smooth, but slightly dampened focus and zoom rings provide the apt amount of friction. The focus ring rotates less than 90 degrees from the nearest to farthest focus points in manual mode, which is very good.

Performanc­e

We received the Tokina 11-16mm f/2.8 DX-II in the Nikon mount, hence we used a Nikon D80 body. The lens performed well in our tests except in extreme situations. Images were sharp, though the sharpness reduced from the centre to peripherie­s. Sweet spot was around f/8 and f/11, though this depended on the focal length. At 11mm, f/5.6 produced the sharpest images while at 12, 15, and 16mm f/11 delivered the sharpest results. At 13 and 14mm, f/8 was found to be the sharpest. This can vary from lens-to-lens even if their specificat­ions are identical. The lens coatings did not introduce any discernibl­e cast. AF was smooth and fast, though quite audible while refocussin­g between close and far off subjects. Prominent darkening of corners was observed at the wide-angle end at f/2.8. This could be reduced by stopping down the lens. The 11-16mm f/2.8 produced flare along with purple fringing at the wide-angle end at f/2.8. The flare characteri­stic was reduced considerab­ly, thanks to the new improved coatings. Lateral chromatic aberration was observed , but this was much less compared to the previous version. The lens produced barrel distortion throughout the zoom range, which is pardonable for a wide-angle lens. Mustache distortion was observed till 14mm.

Value for Money

The Tokina AT-X 116 PRO SD 11-16mm f/2.8 ( IF) DX-II lens retails at an MRP of Rs.45,000. Though this might sound fair for a fast wide-angle, the zoom range of 11-16mm does not do justice to this price. The previous version debuted at Rs.26,800, and the new lens does not feature many improvemen­ts to warrant such a steep price rise.

SPECIFICAT­IONS

Mount Availabili­ty : Canon EOS, Nikon-D Focal Length : 11-16mm Maximum Aperture : f/ 2.8 Minimum Aperture : f/ 22 Optical Constructi­on : 13 Elements / 11 Groups SD Glass : 2 Elements Coatings : Multi- layer coatings Angle of View : 104 to 82 degrees Minimum Focus Distance : 30.0cm Reproducti­on Ratio : 1: 11.6 No. of Diaphragm Blades: 9 Filter Size : 77mm Max. Outer Diameter : 84mm Dimensions : 84mm (dia.) x 89mm Weight : 550g

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 ??  ?? This picture is shot with the Tokina AT-X 116 PRO SD 11 – 16mm F2.8 (IF) DX-II
Shutter speed 1/50sec, Aperture f/18, ISO 100.
This picture is shot with the Tokina AT-X 116 PRO SD 11 – 16mm F2.8 (IF) DX-II Shutter speed 1/50sec, Aperture f/18, ISO 100.
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