Smart Photography

Zeiss 55mm f/1.4 Otus APO Distagon T* Lens

- Ashok Kandimalla

Yes! You have read the price correctly. It is indeed a breathtaki­ng Rupees two lakhs seventy nine thousand nine hundred fifty only! That makes it one of the most expensive ‘normal’ lenses on the market today ( the others being made by Leica). Before we go into the review here is a brief introducti­on. This lens like other Zeiss lenses for D- SLRs are designed in Germany but are manufactur­ed in Japan. Uniquely, each Zeiss lens is individual­ly tested and is supplied with a signed inspection certificat­e. This particular model is available in Canon and Nikon mounts.

Design And Build Quality

Like all German lenses this lens has a name and is called APO Distagon ( APO stands for an apochromat­ic design). The lens also has an additional name “Otus”. Otus incidental­ly is the name of a sub- species of owls which have excellent night vision! The Zeiss 55mm f/ 1.4 Otus APO Distagon lens is built like a heavy main battle tank. It has all metal constructi­on ( except for the rubber covered aperture and focusing rings) and looks beautiful in satin black. The lens flares out in the front ostensibly to accommodat­e large diameter front elements. The supplied metal lens hood too is very well made – strong with good flocking. This is a manual focus only lens but with electronic contacts. So, apart from focusing it manually ( and as you will see, carefully) it behaves like an AF lens with focus confirmati­on and compatibil­ity with all exposure modes and meter patterns. The lens is unusually large and heavy for a normal lens. It is far closer in dimensions and weight to a 24- 70mm f/ 2.8 lens! The filter diameter is a huge 77mm.

Key Features

The Zeiss 55mm f/ 1.4 Otus is based on an unusually complex design ( for a normal lens) with no less than 12 elements in 10 groups. Of these, one element is aspheric and six elements are made of special anomalous partial dispersion glass. It also uses Zeiss’ famed T* multi- coating to reduce reflection­s. Zeiss says this lens has been designed and made to make the present generation high pixel count D- SLRs ( like Nikon D800/ e, D600 and Canon 5d MkIII) achieve medium format performanc­e at a fraction of the cost. We did not have an opportunit­y to verify this claim but there is no doubt this lens belongs to a totally new class hitherto not available, even from Zeiss. Zeiss has specifical­ly stated that this lens has been built with finest of ( optical and mechanical) materials and is for all practical purposes free of chromatic aberration. They also

claim that the lens resolves consistent­ly with excellent contrast over the entire frame without any aberration­s or distortion, even fully open. One Zeiss engineer told us that this lens is optimized to give outstandin­g performanc­e at full aperture and if you need more depth of field ( DOF) you should use focus stacking! Zeiss simply claims it to be the best standard lens in the world. The aperture has 9 blades and has a very circular opening to aid the smoothness of bokeh. All numbers and markings are engraved ( not screen printed) in very legible bright yellow colour. However, both meters and feet on the distance scale are marked in the same colour and this may sometimes confuse the user.

Ergonomics

The lens supplied to us came with a Nikon mount and we tested it on a Nikon D600 body. The lens/ body combinatio­n was a bit front heavy. Adding a battery pack to the camera made the balance better. As it employs an internal focusing system the length of the lens does not change when you focus and so the balance does not shift either. The front element does not rotate thus making it easy to use graduated and polarizing filters. Both the focusing and aperture rings

www. smartphoto­graphy. in are rubber covered. There is no pattern on this rubber cover but is made of very soft material and hence prone to scratches. However, it provides a very good nonslipper­y grip. Manual focusing was a delight due to the very wide and easily graspable focus ring. The damping was excellent and movement of the focusing ring was silky smooth. You need to turn the focusing ring as much as 248 º to focus from closest focusing point to infinity. This large turn greatly helps in precise focusing which is essential for this lens. The aperture ring ( only for Nikon mount) engages at half stop intervals with very positive clicks and is marked from f/ 1.4 to f/ 16.

Performanc­e

As you would expect this lens is an exceptiona­l overall performer. There was no chromatic aberration visible. Nor could we observe any noticeable distortion­s. The contrast was excellent and the colours were very vibrant straight off the camera. All this was maintained throughout the frame. The most important aspect was that the lens was absolutely amazing when used fully open. It was sharp corner to corner even at f/ 1.4 with only very slight degradatio­n on the corners. Vignetting was minimal. To get most of this lens you need to focus it very very carefully ( at f/ 1.4 DOF is wafer thin) in live- view with zoom in ( magnificat­ion). Using focus confirmati­on is just not accurate enough! There is simply no point in buying this lens and hoping to cover up sloppy focusing with DOF. A tripod is a must to get the best of this lens. The bokeh is buttery smooth and guaranteed to make even the most cluttered background creamy.

Value For Money

Now for the sticker shock! This

lens is priced at a whopping Rs. 2,79,950/- ( MRP). That is an extraordin­arily high number for any normal D- SLR lens. We are not aware of any normal lens that costs even half of this. In fact most normal lenses of this speed and focal length are only about 12% as expensive as the Otus! So, is it worth it? This largely depends on what you are looking for. If you are planning to use it as a “normal” normal lens then this is just not worth the money. However, if you are a very contemplat­ive photograph­er or a studio/ landscape shooter ( or someone else who just wants the highest quality money can give) then this may even be considered as an “economical” alternativ­e to a medium format system. In any case, remember that a lot of care ( especially in focusing) is needed to extract the best out of the Otus.

 ??  ?? Aperture: f/1.4 Shutter Speed: 1/13sec ISO: 100
Aperture: f/1.4 Shutter Speed: 1/13sec ISO: 100
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 ??  ?? Ashok Kandimalla
Aperture: f/1.4 Shutter Speed: 1/60sec ISO: 450
Ashok Kandimalla Aperture: f/1.4 Shutter Speed: 1/60sec ISO: 450

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