Smart Photography

Mastercraf­tsman

As Told to Sweta Baruah

- Roshan Lal

The masters of the craft share their insights and photograph­s

was born and brought up in Ranchi. Profession­ally, he is a Gazetted Of icer in the Judiciary Department of the govt. of Jharkhand. Roshan is fascinated by Macro Photograph­y. “I used to get allured with the pictures covering delicate details of the unseen macro world- especially tiny insects, which ultimately triggered my passion towards macro photograph­y. My journey as a Macro Photograph­er started in the last quarter of the year 2018. Though I rarely get time to pursue photograph­y due to my profession, but, whatever time I manage, I love spending it with my ‘macro subjects’. Some of my favourite venues for Macro photograph­y are Horhap Jungle, Ranchi, Birsa Zoo, Ormanjhi and of course my own garden.”, says Roshan.

Instagram: @macro_roshan

What piqued your interest in Macro photograph­y?

As a photograph­er, the best genre which fascinates me is Macro Photograph­y. I used to get allured with the pictures covering the delicate details of the unseen world, especially, the tiny insects, which ultimately triggered my passion towards Macro photograph­y. My journey as a Macro photograph­er started in the last quarter of the year 2018. Initially, I used to click Marco subjects with my Nikon

D750 with a 50 mm prime lens, but, it required a lot of cropping and the results were not satisfacto­ry. I was looking for an inexpensiv­e macro filter which could yield better results for a new Macro photograph­er like me, before I could test my hand on a dedicated Macro lens. Then, I switched to Tamron 70-300 mm with Raynox 250 macro filter. After that, there was no looking back.

What kind of gear do you prefer to use for macro photograph­y?

For Macro photograph­y, I always prefer 70-300 mm + Raynox 250 combinatio­n on my Nikon D750. However, I also use Tamron 90 mm VC Macro lens. Recently, I started experiment­ing with Nikon Z6 and Laowa 100 mm Macro lens.

Have you had any formal training in this genre of photograph­y?

No, I have never gone through any formal training in macro photograph­y.

What type of challenges do you face in shooting macro?

It is a really tough genre of photograph­y, especially, when the genre is very uncommon. One cannot shoot Macro alone in an isolated jungle; you need a group of Macro enthusiast­s and also support and cooperatio­n from the forest department/local administra­tion.

Who would you say, is your mentor in the photograph­ic journey?

Since there was no Macro photograph­y mentor here in Jharkhand who could guide me, I followed the trial and error method. Till date, I have been following the same method. However, I have learnt a lot by following the posts of various Macro photograph­ers in different photograph­y groups on Facebook. I get inspired by each and every photograph­er whose work helps me in improving or improvisin­g with my own work. It is difficult to single out a particular photograph­er or artist.

How important is the process of post-processing in macro photograph­y? Do you follow a particular step by step method for it?

As far as post-processing of Macro images is concerned, I believe it should not be confined only for making the photos more vivid. Its original goal should be to make them more realistic and close to nature. No I don’t follow a particular step by step method for it. I usually capture pictures in Raw format so that it becomes easier to postproces­s the shadows and highlights, using Photoshop Camera Raw.

What advice would you give to someone who is just starting out as a photograph­er?

From my experience of two years or so in Macro photograph­y, it is my advice to the young photograph­ers that ‘patience’ is the key here. Don’t fall prey to shortcut gimmicks to gain publicity. Don’t run behind awards, let it follow you. And last but not the least, respect mother nature.

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