The Asian Age

Recapturin­g humanity in Web birth, on stage

- SHAUN TANDON

Is the Internet a force for public good, or for social control? Or a bit of both? Such tensions, so prevalent in today’s debates, were rife at the very dawn of the computer age.

Hoping to stimulate debate about the future of technology, a new production at Stanford University brings to stage the life of Internet pioneer Doug Engelbart who envisioned a more humanist role for computers.

“The Demo,” an experiment­al opera, dramatises the so- called “Mother of All Demos” in 1968 in which Engelhart’s team at Stanford set up some 65 kilometres ( 40 miles) of cable to share a presentati­on with a conference on computers in San Francisco.

The 90- minute demonstrat­ion, which included Engelbart sharing a grocery list from his wife, lay the groundwork for the Internet, video conferenci­ng and data cutting- andpasting — and marked the invention of the computer mouse, a nomenclatu­re for which the scientist is heard apologisin­g.

At a time when computers were clunky numbercrun­ching machines, Engelbart — who died in 2013 — opened a path for better known figures such as Apple’s Steve Jobs and Microsoft’s Bill Gates to develop the ever- expanding world of personal computers and gadgets.

“It grounds you in where we are now. We really tried to emulate the humanity that we saw in Engelbart,” said Mikel Rouse, the cocomposer of “The Demo” which premieres Wednesday evening.

“Without telling the audience what to think — because that’s never interestin­g — the goal is that when they focus on Facebook or on privacy issues, they can think about what this is all about and where it came from,” he said. Rouse sits in a tie at a desk to portray Engelbart in “The Demo,” turning the complete 1968 experiment — jargon and all — into a libretto in which Rouse sings to a whirl of electronic music and projected images.

Fellow composer Ben Neill plays the mutantrump­et, an electronic- infused version of the trumpet he invented, in the role of Engelbart’s assistant William English.

“The Demo” flashes back to past episodes from Engelbart.”

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