The Asian Age

Women break into Japan’s male Noh theatre

IRELAND VOTES TO REMOVE ‘SEXIST’ WOMEN REFERENCE IN CONSTITUTI­ON

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Tokyo, March 7: Kimonoclad Mayuko Kashiwazak­i delivers her lines in guttural tones and transforms into an evil snake in the lead role of a Japanese Noh play where most of the cast are women.

Noh, with its elaborate layered costumes and hand-crafted masks, is one of the most ancient surviving forms of theatre, with origins dating back to the eighth century.

Unlike kabuki, another type of classical Japanese theatre, or sumo wrestling — both steadfastl­y male — Noh has been open to performers of both genders for over a century.

But women are still a rarity in the traditiona­l Noh world, where fathers often pass the vocation to their sons. Women represent just 15 per cent of the 1,039 actors and musicians registered with the profession­al Nohgaku Performers’ Associatio­n.

And their opportunit­ies to appear on stage are “relatively limited”, 43-yearold Kashiwazak­i told AFP.

“One reason is that Noh audiences are generally older, and often see Noh as a masculine art form,” she said. But now it’s time “for women to reflect on their future in Noh, and to play a role in building that future”. Kashiwazak­i acted the principal part in “Dojoji”, a famous drama about the revenge of a betrayed woman, at Tokyo’s National Noh Theatre last weekend. Twirling a fan, and wearing a heavy kimono embroidere­d with a crane motif, the masked actor belted out her lines in an archaic, warbling style as the story slowly unfolded.

After hiding under a prop representi­ng the bell of a Buddhist temple, she emerged transforme­d as a demonic serpent character.

Dublin, March 7: Ireland is poised to vote on Friday — Internatio­nal Women’s Day — to replace constituti­onal references on the importance of a woman’s “life within the home”.

While social change in the once deeply Catholic nation has spurred the removal of bans on abortion and same-sex marriage, the constituti­on contains a clause recognisin­g “that by her life within the home, woman gives to the

State a support without which the common good cannot be achieved”.

Irish PM Leo Varadkar has pitched the vote as a chance to delete “very oldfashion­ed, very sexist language about women.” Still, some disability campaigner­s and advocacy groups have opposed the government's proposal for not placing a greater legal onus on the state to support those who give or receive care.

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 ?? — AFP ?? Mayuko Kashiwazak­i during a rehearsal for ‘Dojoji’, in Tokyo.
— AFP Mayuko Kashiwazak­i during a rehearsal for ‘Dojoji’, in Tokyo.

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