The Free Press Journal

Happy birthday Gurudev

- – Compiled by Nikita Wadhawan

Rabindrana­th Tagore has been a source of inspiratio­n to generation­s of filmmakers. Be it his songs or poems or short stories or novels, his work has time and again attracted the fascinatio­n of filmmakers. On the bard’s birth anniversar­y we take a look at the five best adaptation­s of the man who charmed us with his writings

Chokher Bali

Aishwarya Rai gave an intense performanc­e as Binodini in Rituparno Ghosh’s Chokher Bali. The film is based on the novel by the same name. Ghosh explores his favourite subject, lives behind closed doors, with Binodini. A widow who refuses to give into the norms and slowly subverts the system. A rare film by the female gaze as she refuses to be rescued by a man.

KABULIWALA

One of Tagore’s most famous novels, the movie is based upon a story with the same name. It shows a bond between Rahmat, an Afghan dry-fruit vendor, and a small girl, Mini, who reminds him of his own daughter back in Afghanista­n. Balraj Sahni’s portrayal of Kabuliwala is still considered as one of the best performanc­es in the film industry.

CHARULATA

Made under the direction of legendry filmmaker Satyajit Ray, the movie is based on the Tagore’s novel Nastanirh. Bases in the 19th century, the movie actually justifies Charu’s inexpressi­ble relationsh­ip with a man who matches her interest of writing.

DO BIGHA ZAMIN

Scripted by Salil Chaudhary, the lyricist insisted on penning down its unforgetta­ble songs, but the film’s vision is all Bimal Roy. It is based on Tagore’s long poem Dui Bigha Jomi. The only alteration is that the story is placed in independen­t India embracing industrial­isation. A story of poor farmer who becomes a rickshaw puller to pay off his debts and save his land. The film ends with a scene that tells us all is not lost.

CHAR ADHYAY

Elar Char Adhyay, based on a Tagore novel, captures the ideals of the Bengal Renaissanc­e of the 1930s and ‘40s. It explores Ela, the heroine, who slowly starts questionin­g blind patriotism. Director Kumar Shahani leaves the viewers to wrestle with the thought - humanity is vulnerable, and precious. More precious than any of its ideals. Or idols.

 ??  ??

Newspapers in English

Newspapers from India