The Free Press Journal

And here goes the legacy of Southern rock

Was the passing of Gregg Allman the death rattle of a genre nearing its end? MARILYN GORE finds out

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P erhaps you’re unfamiliar with the term ‘Southern rock’. Perhaps you’ve never heard of the Allman Brothers Band or ZZ Top or LynyrdSkyn­yrd or Creedence Clearwater Revival (CCR). But thanks to Hollywood, gamer-makers and TV show producers, you’ve probably heard many of their songs. So, perhaps, when Gregg Allman died last week and the world of music said farewell to an innovator, the moment was lost on you.

For about 40 years, Allman was frontman for the band he co-founded with his brother Duane, a band responsibl­e for Jessica, a seven-anda-half minute instrument­al that was featured on Guitar Hero II, served as the theme for BBC show Top Gear, and also featured in long-running animated show, The Simpsons.

Contempora­ries of the Allman Brothers Band, Lynyrd Skynyrd have had their songs covered by innumerabl­e artists worldwide and included in numerous films as well. Freebird is the most popular of these; the song appears in films as diverse as Forrest

Gump, Elizabetht­own and Kingsman: The Secret Service. Another Lynyrd

Skynyrd staple, Sweet Home Alabama, has not only been included on various soundtrack­s, but even lent its name to a film (based in — where else? — the American South), in addition to being featured on games such as Guitar Hero II and Grand Theft Auto.

Putting it together

It’s no coincidenc­e that the Allman Brothers Band appears in most Top 10 listings of the greatest Southern rock bands of all time. After all, this was the band that inspired the term ‘Southern rock.’

If Southern rock were a jigsaw puzzle comprising various genres that the American South has produced, then the Allman Brothers Band was among the first to put it together. The band built on work of artists like Lonnie Mack, Canned Heat and Paul Butterfiel­d, by fusing elements of blues, soul and country music — the musical influences of its founding members — with rock, and combining it with a jazz-flavoured improvisat­ional approach. Gregg Allman’s older-thanhis years-voice, his brother Duane’s virtuoso guitar work, and their use of two full drum sets largely drove the band’s sound, distinguis­hing it to that of Blues Rock musicians and bands like Jimi Hendrix, Led Zeppelin and Stevie Ray Vaughn.

The resultant grooves, long drawnout solos — usually with twin lead guitars and a keyboard — and narrative lyrics about the life of a young working-class adult eventually became the hallmarks of the genre.

The decline

The first reason for the ‘fall’ in global appeal of Southern rock was the explosion of disco in the 1980s, at a time when the Allman Brothers Band, Lynyrd Skynyrd and CCR were reeling from the death of band members, as well as other problems including drug abuse and ugly breakups. The jazz-inspired syncopatio­n and long jams inherent to Southern rock did not sit well with the listening public, who had gotten a taste of electronic­ally sampled repetitive music. The proliferat­ion of pop music and subsequent arrival of the Internet in recent decades further pushed the niche genre towards obsoletene­ss.

Moreover, Southern rock is a self-limiting genre. For any piece of music to be considered Southern rock, it has to have influences from blues, jazz, rock and roll and country music, and necessaril­y has to originate from the southern parts of the US. Today, while contempora­ry bands such as Lee Bains III &The Glory Fires and Sons of Bill are popular within the US, their global reach has been relatively limited.

Influence today

Southern rock has continued to influence artists in other genres. Most recently, the music of the Kings of Leon, self-identified as an alternativ­e rock outfit, clearly displays a bluesy, southern-rock influence. Black Stone Cherry, My Morning Jacket and the Zac Brown Band have also claimed descent from Southern rock.

Kid Rock used the genre as a vehicle to transition from hiphop and rock-rap to the more country-based music he now produces.

Allen Poe sampled the Allman Brothers Band’s Whipping Post (released in 1970) in their hiphop track Still Eatin’. Lynyrd Skynrd has been covered and sampled by 3 Doors Down, the Drive-by Truckers, Kid Rock, the Deftones and Metallica, as well as Southern rock contempora­ries Alabama.

CCR’s short but prolific career has spawned covers by everyone from Willie Nelson and Joe Cocker to Ike and Tina Turner, U2, Wyclef Jean, the Foo Fighters and Queen Bey herself, Beyoncé. Samples of their music can be found in the work of Moby, the Beastie Boys, Ice Cube and the Backstreet Boys.

However, most bands— ZZ Top, most notably — continue to perform live gigs to sold-out audiences. The Allman Brothers Band performed an annual series of shows at New York’s Beacon Theatre until 2009, and its members — including Gregg Allman — continued to perform as solo artists.

That seems to be the legacy of Southern rock: bands from the genre’s heyday still perform today, in many cases with new and newer members to replace departing and departed ones, with no one to truly carry on their music.

 ??  ?? Gregg Allman
Gregg Allman
 ??  ?? Lynyrd Skynyrd
Lynyrd Skynyrd
 ??  ?? Allman Brothers
Allman Brothers
 ??  ?? ZZ Top
ZZ Top
 ??  ?? Creedence Clearwater Revival (CCR)
Creedence Clearwater Revival (CCR)

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