The Hindu (Bangalore)

Conscionab­le conmen and a social drama

- Vivek MV

Karnataka Damanaka. SPECIAL

Yogaraj Bhat, the pioneer of youthful romance in Kannada cinema post2000s, ditched his pet genre for a social drama in Dana Kayonu (2016). Starring Duniya Vijay and Priyamani, the criminally underrated film explored the mananimal bond and globalisat­ion against a village backdrop. With Karataka Damanaka, Bhat has made his second fullfledge­d film on a social theme.

The film revolves around the people of Nandikolu, a village suffering from drought and poor education facilities. It has been 10 years since the village festival, and the locals compare their place to a graveyard.

Elsewhere, a jailer in Bengaluru sends two conmen (Shivarajku­mar and Prabhu Deva) to the village to bring his adamant father to the city.

Somehow, the lives of the despondent villagers change for the better thanks to these fraudsters. The two try to win the trust of the people by going out of their way to help them get justice against a corrupt MLA (Rangayana Raghu) and his henchman

Karataka Damanaka (Kannada)

Director: Yogaraj Bhat

Cast: Shivarajku­mar, Prabhu Deva, Nishvika Naidu, Priya Anand, Ravi Shankar

Runtime: 156 minutes

Storyline: A jailer sends two conmen to his village to convince and bring his adamant father to the city. The fraudsters, however, have other plans (Ravi Shankar).

Karataka and Damanaka are the names of the foxes from The Panchatant­ra collection of animal fables, and Shivarajku­mar and Prabhu Deva play the cunning human versions of the foxes.

The duo engages in deceptive activities that are hard to believe but strangely funny, which is typical of Bhat’s comic sense.

The first half stays focused on its central conflict, and even the three songs do not interrupt the film’s rhythm. Rangayana Raghu and Ravi Shanker, often seen playing loud characters, deliver controlled performanc­es despite the lack of depth in their roles.

Thankfully, the female leads (Priya Anand and Nishvika Naidu) are not in the plot without purpose, as Bhat sets up the plot nicely with less chaos and more engaging drama.

Prabhu Deva and Shivarajku­mar strike a strong chemistry, but the former truly steals the show.

It took many by surprise when Bhat cast Prabhu Deva for the project, but making his comeback to Kannada cinema after several years, the actor is hilarious as a goofy man with a penchant for generating humour at inappropri­ate moments.

Meanwhile, the 61yearold Shivarajku­mar goes toetotoe with Prabhu Deva’s dance moves, and expectedly excels in the emotional scenes.

Bhat has written the screenplay and dialogues based on the story from Vikas, the director’s longtime collaborat­or.

It is a strange coincidenc­e that a film on water conservati­on is out in theatres when Bengaluru is facing a water crisis!

However, the noble theme notwithsta­nding, Karataka Damanaka does not move you too much. The utterly generic last act is the film’s biggest shortcomin­g. In the last 30 minutes, the jokes dry up, and the story moves ahead in a painfully straightfo­rward manner.

The predictabl­e climax and the preceding long fight sequences rub salt into the wound, and the film shows that even the most creative of directors can struggle to give proper closure to their ideas.

That said, it is encouragin­g to see Bhat striving to be different, even after two decades in the industry, and Karataka Damanaka is a nice little comeback from the director after the forgettabl­e Garadi in 2023.

In this day and age, a reasonably good film is akin to walking on thin ice. Will the audience be kind to the filmmaker? Only time will tell.

Karataka Damanaka is currently running in theatres.

 ?? ARRANGEMEN­T ?? Actors Shivrajkum­ar and Prabhu Deva in a still from
ARRANGEMEN­T Actors Shivrajkum­ar and Prabhu Deva in a still from

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