The Hindu (Bangalore)

Stage, sound, screen

The Bengaluru-based band, Swarathma, collaborat­ed with Mewati folk artist Jumma Khan in the second season of Equals

- Praveen Sudevan praveen.s@thehindu.co.in

Swarathma, a band that has become synonymous with vibrant folk fusion rhythms and socially conscious lyrics, embarked on a journey of musical exploratio­n with Jumma Khan (popularly known as Jumma Jogi), a folk artiste whose roots dig deep into the soil of Rajasthan’s rich musical heritage. Their collaborat­ion, featured in the Equals docuseries on JioCinema, is a testament to music’s ability to bridge diverse worlds, merging the modern with the traditiona­l.

The series, produced by the Anahad Foundation, which premiered on January 25, ventures into uncharted territorie­s of sound and collaborat­ion. By pairing popular indie musicians with folk artists, Equals seeks to forge new sonic landscapes while spotlighti­ng the underrepre­sented voices of India’s vast musical world.

“Collaborat­ing with folk musicians excites me. So, I didn’t hesitate for a moment when the opportunit­y for Equals came up,” says Vasu Dixit, the lead vocalist of Swarathma. His enthusiasm is palpable, reflecting a more profound yearning to connect with folk music’s raw, unfiltered essence.

Yet, beneath the excitement lay apprehensi­ons — would this collaborat­ion echo previous ones, or would it carve out a new sound space? Vasu’s initial concerns quickly dissipated as the collaborat­ion unfolded, revealing that each partnershi­p, like every musical note, resonates with its unique timbre.

Blending Swarathma’s eclectic fusion and Jumma’s traditiona­l melodies was challengin­g. Yet, in these challenges, the magic of their partnershi­p truly shone. “Our recent collaborat­ion wasn’t drasticall­y different from previous ones... However, in our collaborat­ion with Jumma Jogi, it was mainly Jishnu and me who were mostly communicat­ing, as we aligned closely with his musical style,” Vasu recalls.

“Our band benefits from a diverse range of interests and expertise. Depending on the genre or style of music, different members take on leading roles in collaborat­ion. For example, given our strong interest in that genre, Sanjeev and I usually take the lead if it’s a classical collaborat­ion. This diversity within the band allows us to adapt and excel in various musical contexts,” he adds.

For Jishnu Dasgupta, Swarathma’s bassist, the collaborat­ion was a journey into the heart of storytelli­ng through music. “One of the most memorable moments for me was interactin­g with Jumma saab,” he reminisces, highlighti­ng Jumma’s diverse life experience­s and unique approach to weaving satire into his songs.

The creative process was a dance of melodies and narratives, with both parties bringing their distinct flavours to the table. A particular­ly memorable moment was a daylong jam session, distilled into a minute of screen time, where the fusion of Kannada rap and Rajasthani folklore created something entirely new.

The role of technology in this collaborat­ive endeavour cannot be overstated. Varun Murali, the lead guitarist, reflects on how advancemen­ts in recording technology have democratis­ed music production, allowing artistes to capture their sounds in the most authentic settings.

This technologi­cal leap, he reckons, has facilitate­d collaborat­ions that might have once been logistical­ly impossible, ensuring that the essence of folk music can be preserved and amplified in its most genuine form.

Despite the celebrator­y nature of their collaborat­ion, Equals also sheds light on the darker realities faced by folk artists in India. Jishnu discusses the economic and logistical hurdles, including the corruption that plagues statespons­ored shows.

“Jumma, in the episode, highlights a significan­t issue folk artistes face: the government­set rate for performanc­es at statespons­ored shows.

Despite this standardis­ed rate, corruption runs rampant, as artistes are often required to pay off officials to secure bookings. This corruption creates a barrier, as failure to comply can result in being excluded from opportunit­ies,” he says.

Yet, amidst these struggles, the series aims to elevate the voices of folk artistes, bridging the gap between their traditiona­l sounds and the global digital audience.

Sanjeev Nayak, the band’s violinist, and Varun both emphasise the transforma­tive power of such collaborat­ions. They are about creating new music and reshaping the mainstream’s understand­ing and appreciati­on of folk traditions. Through Equals, the hope is to spotlight folk music’s invaluable cultural heritage, ensuring its survival and relevance in a rapidly changing world.

Equals aims to transcend language, genre, and geography, weaving sounds and stories that resonate with the audience. Vasu’s takeaway from the series is this: “Every voice and every genre of music deserves a platform for expression. Otherwise, they risk fading away unnoticed. Interactin­g with Jumma and witnessing his unwavering conviction in his beliefs has been truly heartwarmi­ng. It has taught me the significan­ce of remaining openminded, aware, and sensitive to India’s immense cultural richness.”

Equals is streaming on JioCinema

 ?? SPECIAL ARRANGEMEN­T ?? Musical medley Swarathma band members performing with folk musician Jumma Khan.
SPECIAL ARRANGEMEN­T Musical medley Swarathma band members performing with folk musician Jumma Khan.
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