The Hindu (Bangalore)

Two forms, two perspectiv­es, one dance

- Shilpa Anandraj

Bhoomija presents a dance choreograp­hy, Ahuti in Bengaluru this weekend. The dance will feature the Nrityagram Dance Ensemble and The Chitrasena Dance Company from Sri Lanka.

Ahuti, a collaborat­ion between Odissi and Kandyan dance, is set to rhythms from both countries. It has music composed by Raghunath Panigrahi and will feature Surupa Sen, Pavithra Reddy, Anoushka Rahman, Rohini Banerjee and Daquil Miriyala from Nrityagram, while the Sri Lankan dancers will be Thaji Dias, Kushan Dharmarath­na, and Amandi Gomez.

The dance is choreograp­hed by Nrityagram’s artistic director, Surupa Sen and Chitrasena’s Heshma Wignaraja is the associate choreograp­her. Surupa will also lead the manjira for the show and will present a solo dance from Jayadeva’s Gita Govinda.

Āhuti is the second collaborat­ion between the two dance schools, the first being Samhara (2012). While Nrityagram is an over 30yearold classical dance school that offers residency to students, started by the Late Protima Gauri, Chitrasena Dance Company is one of Sri Lanka’s oldest dance companies. It was founded in 1943 by Chitrasena, and the company has been crucial in finding a modern, internatio­nal stage for Sri Lanka’s traditiona­l dance forms. Heshma Wignaraja is the current artistic director of the company.

Over a call from Nrityagram in Hesaraghat­ta, Surupa, explains how the collaborat­ion between the two schools came to be. “We have known each other for more than 15 years and started collaborat­ing after five years of staying in each other’s countries, exchanging cultures, dancing and studying each other’s forms.”

That was when, Surupa said they felt that there was a possibilit­y of the two styles compliment­ing each other and they started working together. “We wanted to start on something that would either become stage worthy or not. We were willing to make that investment, thinking that at least the process will be enriching. This led us to live together for almost eight to nine months. That is how Samhara was conceived.”

The choreograp­hy, Surupa says is not a fusion, but a work that shows a great respect for both the dance forms, which are ritualbase­d and originated in temples. “We decided to find a musical connection. When we got an overwhelmi­ng response to Samhara, we decided to invest in a second collaborat­ion and Ahuti was the result.”

Dance choreograp­hy, Surupa says, is where both forms can respond spontaneou­sly. “We find a starting point, which is comfortabl­e for the artistes and the form. With Ahuti, the vision is mine and I knew exactly what I wanted when it came to the movement, the body line and the angles. This was the basis on which everything else was built.”

Having worked with Heshma in the past, Surupa says, there is an ease of collaborat­ion. “She knows how I think and work. We both share a similar work ethic and the Kandyan form is created by them.”

Surupa, who is also a trained Bharatanat­yam dancer, says Odissi has completely conquered her heart. “I am grateful for what Bharatanat­yam taught me as a child. I have, however, been dancing Odissi for over 35 years, and this is what I will be doing for the rest of my life. This is also my way of propagatin­g this form and trying to keep alive the legacy of my guru, Gauri ma (as Protima was fondly called)”.

Ahuti will be presented at Chowdiah Memorial Hall on April 12, 7.30pm. Tickets on BookMyShow.

 ?? SPECIAL ARRANGEMEN­T ?? Surupa Sen (below) a still from the performanc­e.
SPECIAL ARRANGEMEN­T Surupa Sen (below) a still from the performanc­e.
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