The Hindu (Chennai)

‘It is violation of a dancer’s fundamenta­l right’

Mohiniyatt­am dancer RLV Ramakrishn­an plans to perform across Kerala to protest against the discrimina­tory remarks made by a veteran artiste

- Saraswathi Nagarajan saraswathy.nagarajan@thehindu.co.in

ancer and academic RLV Ramakrishn­an wants to perform Mohiniyatt­am on every stage in Kerala. “That is how I plan to protest the racist and casteist remarks made against me by Kalamandal­am Sathyabham­a, ” he says.

Veteran Mohiniyatt­am dancer and teacher, Sathyabham­a had said that those with dusky complexion should not perform on stage. During an interview to a YouTube channel, she remarked that men, especially, those who are not goodlookin­g, should refrain from dancing. Without specifical­ly naming Ramakrishn­an, she referred to a “darkskinne­d Mohiniyatt­am dancer from Chalakudy”. Ramakrishn­an, who hails from Chalakudy, also runs a dance school there.

Following his graduation from RLV College of Fine Arts, Tripunithu­ra, he secured first rank in postgradua­tion in Mohiniyatt­am from the Mahatma Gandhi University. His doctoral thesis was on Aatathinte Aanvazhika­l (The path of men in dance).

Ramakrishn­an speaks about the opposition and challenges he has faced in his artistic journey.

DQuestion:

Kalamandal­am Sathyabham­a hinted that Mohiniyatt­am should only be performed by women.

Mahakavi Vallathol, who founded Kalamandal­am, felt that the name Kairali

Answer:

Nritham would suit this dance form better than Mohiniyatt­am. This is mentioned in books on the Kerala Kalamandal­am. She has unnecessar­ily raked up an issue by claiming that only ‘mohinis’ can perform Mohiniyatt­am. One must remember that Vallathol had suggested the name change to do away with the stigma associated with Mohiniyatt­am.

I am going to request the Department of Culture and those in the art field to help rename the dance form as Kairali Nritham.

Q:She also commented about your complexion.

Never should an artiste and teacher make such discrimina­tory remarks. In art only creativity matters. Her comment that darkskinne­d

A:◣

Ramakrishn­an and Kalamandal­am Sathyabham­a. artistes should not perform Mohiniyatt­am is a violation of a dancer’s fundamenta­l right. From the time one begins to train in a dance form, the ultimate desire of a student is to go up on stage. She has demoralise­d several aspiring dancers in Kerala.

Q:When you joined RLV College as a student did you come across people who made such adverse remarks?

Never at RLV College. But at Kalamandal­am, I had to face many dishearten­ing situations, especially when it came to Kalamandal­am Sathyabham­a. When I applied for a

A:performanc­e opportunit­y at a festival conducted under the aegis of Department of Tourism, she got my phone number from the applicatio­n and called me. She spoke in a derogatory manner. In the world of dance, there are still people like her who are unable to accept progressiv­e changes.

Once I was attending a seminar on Mohiniyatt­am at Kalamandal­am, when an official asked me to leave saying that the event was meant only for women. I protested. Also during my research, I was harassed by some Kalamandal­am officebear­ers. Only when

Mani chettan (late actor Kalabhavan Mani is his elder brother) intervened,we managed to get the actual results of my appraisal.

Q:How do you feel about the outpouring of support?

That is how it should be. It is not just about an individual. Many like me, darkskinne­d and from economical­ly and socially disadvanta­ged background­s, have been scarred by her statements. I have struggled to reach where I am today. So it is only right that Kerala has stood by me in this matter.

A:

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