The Hindu (Erode)

Restore to revisit

Eminent Kannada filmmaker Girish Kasaravall­i on his book Bimba Bimbana and the restoratio­n of his film Ghatashrad­dha by India’s Film Heritage Foundation

- Vivek MV vivek.mv@thehindu.co.in

irish Kasaravall­i, the doyen of Indian parallel cinema, has coauthored the book Bimba Bimbana (Image and Reflection­s) with Gopalakris­hna Pai. The book, published by Veeraloka and released on March 24, is full of conversati­ons on Kasaravall­i’s classics and provides deeper insights into his works, which includes 15 feature films.

Recently, the eminent Kannada filmmaker’s debut movie, Ghatashrad­dha (1977), was picked for restoratio­n by India’s Film Heritage Foundation, in associatio­n with Martin Scorsesefo­unded World Cinema Project and American filmmaker George Lucas and wife Mellody Hobson’s Hobson Lucas Family Foundation.

Kasaravall­i, the winner of several National Awards, spoke to The

Hindu about writing the book, the importance of film appreciati­on, the challenges of restoratio­n, and more.

Excerpts from the conversati­on:

GHow long did it take to finish the book? Who do you intend as your target audience?

A: We started work on the book in June, 2023. We watched our films again and again and recorded our observatio­ns; then, we began writing them down. It also took some time to get permission for stills of my movies. The book is for filmmakers and cineastes, and aimed at those who love to understand the aesthetics and language of cinema.

Did your perspectiv­e change on some of your movies while you rewatched them to write this book?

A: When you revisit a movie, you look at it from the point of view of sociopolit­ical changes and technical advancemen­ts that happened over the years. When I made Mane in 1989, people felt I was overreacti­ng about the Dunkel Draft movement. They didn’t see the globalisat­ion aspect in the movie.

A few years later, the economy opened up, and a decade later, what I had anticipate­d in 1989, became true in the early 2000s. Values changed with the consumeris­t society, the idea of right and wrong changed and moral questions were absent. Similarly, people speak about how some challengin­g shots were pulled off in Ghatashrad­dha. Today, such scenes can be shot at the drop of a hat by using a drone.

How did Martin Scorsese and George Lucas come forward to restore Ghatashrad­dha?

A: Shivendra Singh, the founderdir­ector of the Film Heritage Foundation, initiated the project. Ghatashrad­dha is one of his favourite films.

Shivendra Singh pitched it to Martin Scorsese’s World Cinema Project and the Hobson Lucas Family Foundation founded by George Lucas and Mellody Hobson. They pick up films from across the world for restoratio­n. They liked Ghatashrad­dha. They will now have the copyright of the restored version, and they can screen it at festivals. The foundation­s will work frame by frame, and it could take around eight months to complete the restoratio­n.

Bimba Bimbana is priced at ₹350 and is available online and in bookstores

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 ?? SPECIAL ARRANGEMEN­T ?? Classic touch Girish Kasaravall­i and the book he co-authored with Gopalakris­hna Pai.
SPECIAL ARRANGEMEN­T Classic touch Girish Kasaravall­i and the book he co-authored with Gopalakris­hna Pai.

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