The Hindu - International

At 63, Gulbadan Banu Begum, the only woman historian of the Mughals, was prompted by her nephew Emperor Akbar to write about his dynasty

- Sushila Ravindrana­th

Most people tend to have cliched ideas about the role of women in the

Mughal empire. The royal women were not cloistered away in zenanas. They lived separately, but were much respected; they were educated and had a voice of their own. The emperors often turned to them for guidance and advice.

Historian Ruby Lal’s book, Vagabond Princess: The Great Adventures of Gulbadan, is an account of Gulbadan Banu

Begum, literally ‘Rosebody’, Babur’s daughter and an exceptiona­l but underappre­ciated figure. Gulbadan wrote a historical memoir of the Mughals when she was in her sixties, ‘Ahvali Humayun Badshah’ or the ‘Humayun Nama’, providing an insight on life under her father Babur, brother Humayun and nephew Akbar. Gulbadan is the first and only woman historian of the Mughal era.

Linking three emperors

Akbar asked his aunt to write the book as she had known and interacted with three Mughal emperors. Her book is not political unlike the other accounts of the time. It provides details of everyday life in the royal palace and is also an account of the empire as it was taking shape. The princess travelled, crossed the seas, was showered with gold and diamonds, and led an adventurou­s life.

Gulbadan’s peripateti­c life started early. Humayun consulted the women in the palace on how to deal with his rebellious son Hindal who had fled to Agra from Alwar. When he decided to forgive him, he asked Gulbadan, who had just got married, to go and fetch him. Her mother Dildar did not allow her to do so as she was too young. Gulbadan, however, took many trips between Kabul, Agra and other places with her family as and when politics and war demanded.

Ruby Lal Juggernaut ₹699

Gulbadan was very fond of her father who spent a lot of time with his wives in Agra when he was not warring and expanding his empire. She does not talk about how stressful this situation of many women and many wives could have been. However, she mentions that Maham, the senior wife of Babur, and also her guardian mother, got agitated when other women moved in with them.

The family took short trips for various reasons. To get over a family tragedy, Babur sent the women to Dholapur 35 miles south of Agra. They travelled by royal boats from the banks of the Yamuna. Shortly after Humayun fell critically ill, Gulbadan mentions the wellknown episode of Babur offering his life in exchange for Humayun’s — Humayun got better and Babur passed away.

It was a period when men interacted with men, and women with women. Lal says the homo social arrangemen­t at the heart of Mughal life persisted in Agra. It was also a time when the royals lived in tents and camps. For generation­s, Mughal women had convoyed with their men in battle zones which meant travel. During conflicts, “elders gave advice and the younger women brought solace.”

A pilgrimage to Mecca

The women of royal families went on holy pilgrimage­s as these journeys were considered too risky for the kings. Gulbadan sought Akbar’s permission to visit Mecca and Medina. Her entire life had been spent in moving from one place to another till Akbar settled the women in harems. Akbar consented to her request and Gulbadan set forth with a group of 15 women to western Arabia. This was a great adventure.

Lal brings alive Mecca as Gulbadan saw it: “Mudbuilt latticewin­dowed houses with balconies jutting out over streets, bazaar lanes jingling with goods, the scent of fragrant olives, dates, sweetmeats, sherbets and pilafs, and throngs of rich and poor travellers, pilgrims and merchants from around the world, characteri­sed the monumental gateways of the Great Mosque of Mecca.”

Mecca was a crowded city for everyone, rich and poor. The generosity of the Mughal royals towards the poor in the holy city knew no bounds. Gulbadan and her companions stayed on in Arabia for four years before they were literally asked to leave.

A few years after her return, Akbar decided to “compile a monumental history of his empire so that posterity would never forget his grandeur or his dynasty.” Among others, the emperor also approached his accomplish­ed aunt Gulbadan, then 63 years old, and an astute witness of the events of the Mughal dynasty. He saw her as a dynamic memory keeper.

In Gulbadan’s biography, details of the fouryear pilgrimage to Mecca and some other parts are missing. Lal surmises that it might have been removed by male authoritie­s. She has painstakin­gly researched and tried to fill in the gaps. What we get is a fascinatin­g account of an exciting woman from an interestin­g period of Mughal history.

The reviewer is a journalist and writer. her to rebuild her life. Written between quotes from literature and history, nazms, odes, correspond­ence and testimonia­ls, Lest We Forget makes for a complete memoir of a life lived fully.

Although the life trajectory of Indira Varma and her family is not typical of most Partition refugees, she lives through the haunting grief of batwara (partition) in her own way. It may be easy to assume her comfort and luxury to be eternal and infinite — as is generally easy to dismiss others’ share of collective history, especially when it comes at a personal cost — but her memoir is fair and honest. It preserves the culture of oral history, at a time when the last generation of Partition survivors is disappeari­ng. Most importantl­y, it restores the hope of success in life, despite grim circumstan­ces.

The reviewer is a freelance feature writer. She reviews books on Instagram @read.dream.repeat.

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(GETTY IMAGES AND ISTOCK)
 ?? ?? Vagabond Princess: The Great Adventures of Gulbadan
Vagabond Princess: The Great Adventures of Gulbadan
 ?? ?? Y On the move (clockwise from right) Mughal women display their archery skills by shooting arrows from their palace; portrait of a woman in a Chaghtai hat, 18th century Mughal era; and Akbar’s tomb in Agra.
Y On the move (clockwise from right) Mughal women display their archery skills by shooting arrows from their palace; portrait of a woman in a Chaghtai hat, 18th century Mughal era; and Akbar’s tomb in Agra.

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