The Hindu (Mumbai)

‘Anatomy of a Fall’: how the legal drama goes beyond the confines of labels

Is the Best Picture contender at the Academy Awards, ‘Anatomy of a Fall’, a relationsh­ip drama, a legal thriller, a whodunit, a writer’s tale, a story about a dog, all or none of them? Like all the best stories, the film goes beyond its genre boundaries

- Mini Anthikad Chhibber

hese days it is impossible to go to a film blind — unless you are living under a rock in which case you would not be watching films anyway. Since human beings have been proven to respond positively to categories, everything is put in a box.

Supermarke­t shelves are arranged like that and so too our consumptio­n of content. In fact, the first sentence of a Wikipedia entry on a book or a movie tells you what genre the work belongs to. Labels make choosing our poison easier while swimming in digital oceans of content. Romcom fans can staunchly avoid grim police procedural­s while adrenalin junkies can quickly skip serious relationsh­ip dramas spread over three generation­s and two World Wars.

TA legal drama?

And then you come across an outlier like Anatomy of a Fall, which Wiki promptly describes as a French legal drama. The Best Picture nominee at the Academy Awards is directed by Justine Triet from a screenplay she wrote with Arthur Harari. The legal drama brings to mind respected and wellloved films such as To Kill a Mockingbir­d (1962), where Gregory Peck made for a fine Atticus Finch in this adaptation of the Harper Lee classic, Sidney Lumet’s (1957) and Billy Wilder’s based on the Agatha Christie play.

Then there is Tom Cruise defending marines in Rob Reiner’s A Few Good Men (1992), where Jack Nicholson as Col. Nathan R. Jessep thundered very effectivel­y about the truth. There was also Al Pacino as the devil chewing up the scenery in The Devil’s Advocate (1997). Legal dramas also have a good history at the Oscars with Julia Roberts winning the best actress trophy for Steven Soderbergh’s Erin Brockovich (2000) and Jodie Foster for The Accused (1988), while George Clooney got a nomination for 2007’s Michael Clayton.

Anatomy of a Fall has been described as a “Hitchcocki­an procedural thriller”, and reminds one of all the courtroom thrillers where the Perry Masontype lawyer conducts their investigat­ions to prove the innocence of their client while revealing the real criminal. Courtroom thrillers also offer the opportunit­y for drama, filled with razorsharp interrogat­ion and bombastic speeches punctuated by objections and overruling.

Marriage story

While Anatomy of a Fall has a death and a trial to prove the innocence or guilt of a person, like all the best stories, the film goes beyond its genre boundaries. A person cannot just be their crime, the film suggests. In a remote chalet in Grenoble, a university professor, Samuel Maleski (Samuel Theis), is found dead from a fall from an attic window by his son Daniel (Milo MachadoGra­ner). Was it suicide, an accident or homicide? Maleski’s wife, Sandra Voyter (Sandra Hüller), a successful writer, is accused of killing Maleski on the basis of a recording of an argument between the couple.

As Sandra tries to explain how one cannot deconstruc­t a marriage on the basis of one recorded conversati­on, we get to learn more about the relationsh­ip. Sandra holds Maleski partly responsibl­e for Daniel’s accident that led to his (Daniel’s) visual impairment while Maleski resents Sandra’s success as an author and her infidelity.

Triet uses the courtroom, where incidental­ly, everyone seems to be able to talk at the same time without the judge banging the gavel and bringing the court to order, to dissect a marriage. Does that bring to mind 1979’s Kramer vs. Kramer where Dustin Hoffman and Meryl Streep play the divorcing couple fighting for the custody of their son?

Writing wrongs

In Anatomy of a Fall, Maleski accuses Sandra of plagiarism. The prosecutio­n uses a passage from one of Sandra’s novels where a minor character plots to murder her husband as proof of Sandra’s intentions. There are quite a few movies featuring writers and the creative process. There is Trumbo (2015), a biopic with Bryan Cranston playing the screenwrit­er, Dalton Trumbo, and Misery (1990) based on a Stephen King novel about a fan (Kathy Bates) forcing a writer ( James Caan) to rewrite the ending of his novel.

There is also American Fiction, another of this year’s Best Picture nomination­s, where literary author Monk Ellison ( Jeffrey Wright) writes a pulpy novel rife with stereotype­s as a joke which turns on him when the book becomes a runaway success.

And while we are at it, let us not forget the blueeyed border collie, Messi, who plays Snoop, Daniel’s guide dog. Messi won the Palm Dog award at Cannes and plays an important part in Anatomy of a Fall, just by being a dog — that is method acting of the highest degree. Messi also brings to mind What Just Happened

(2008) and the fate of the dog in Fiercely,

the film within the film.

Anatomy of a Fall, apart from being an engrossing, enthrallin­g film, also conclusive­ly proves however much we might wish to box and label events and feelings, they resist and find their own path, quite like life itself.

 ?? Anatomy of a Fall. AP ?? A scene from the
Anatomy of a Fall. AP A scene from the

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