The Hindu (Thiruvananthapuram)

Locking eyes with a ‘goral’

Stephen Alter pays homage to India’s wildlife splendour by uncovering overlooked locations and underrated species

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the plains of North India, and his interest in snakes and leggy wildlife.

‘Shared consciousn­ess’

While out searching for a species of an insectivor­ous plant near his home in Landour, Uttarakhan­d, he chances upon a young goral. For a fleeting moment, they lock eyes, “arousing in me a startling sense of shared consciousn­ess.” How did the antelopeli­ke animal perceive him? Alter’s descriptio­n of that instant calls to mind artist and critic John Berger’s influentia­l essay

in which he talks of the element of surprise when humans and animals consider each other across the “abyss of noncompreh­ension.” After tracing the historical relationsh­ip between humans and animals, Berger bemoans the physical and cultural marginalis­ation of animals in the modern era. Although he doesn’t specifical­ly say so, Alter offers a way of looking at animals in the Anthropoce­ne. In his encounters with a spectacled cobra and a dancing frog, he ruminates on how they sense him and perceive the world.

Using that springboar­d, he uncovers overlooked locations and underrated species, little known cultural and historical sites while also travelling to popular places in his quest to see charismati­c animals. His vivid descriptio­ns take readers to the cold heights of Ladakh, the arid plains of Tal Chhapar, and the murky swamps of Sunderbans, while exploring the broad theme of the book: what is our relationsh­ip with wild fauna and how do we engage with them.

Bookended by the cobra

The first and last chapters on Agumbe in Karnataka and the area’s most celebrated denizen, the king cobra, form bookends. (I had a small influence in nudging Alter to visit the place.) In the second chapter on Vrindavan, he explores the myth of Kaliya Mardan. The reviewer could be forgiven for thinking that this book was all about snakes. But then the author veers sharply to Dudhwa and its most famous resident, Billy Arjan Singh and his controvers­ial rehabilita­tion of

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