Blood, guts and gore pepper this tale of a girl in search of her father, and a squire seeking knighthood, in Jonathan Nolan’s adaptation of the popular video game
wrong with many dead, dismembered people, a result of raiders from the surface led by Lee Moldaver (Sarita Choudhury).
Lucy’s father, Hank (Kyle MacLachlan) is captured and Lucy decides to go up top to get her father back. On the surface, the Brotherhood of Steel uses “pre-war technology to nd prewar tech, to convince people not to use prewar tech.” Maximus (Aaron Moten), a squire, gets a chance to serve the irascible Knight Titus (Michael Rapaport) on an important mission — to nd Dr. Siggi Wilzig (Michael Emerson) who is travelling with a dog.
Cooper, after the nuclear holocaust, has become a gunslinger and a ghoul. It turns out that everyone is interested in Wilzig — Maximus, the Ghoul and Lucy who hopes to trade the doctor for her father.
Alliances are formed and broken, and truths and lies uncovered, as Lucy, Maximus and the Ghoul journey into the heart of darkness. Lucy’s brother, Norm (Moisés Arias), and her cousin, Chet (Dave Register) nd that all is not roses, champagne, sweetness and light in the vaults, as there are some pretty dark secrets in there too.
As our three travellers make their way through the Wasteland as uneasy allies, tentative friends or outright enemies, we are shown the past, and the insidious rise of Vault-Tec and Bud Askins (Michael Esper) with his concept of Time being “the apex predator” and Management, the all-powerful overseer. Cooper’s wife, Barb (Frances Turner), seems to have drunk the Kool-Aid, much to Cooper’s dismay.
While the opinions of fans of the game are sharply divided (Nolan himself is an avid player), Fallout oers enough adrenalin-charged thrills for newbies as well as Easter eggs and callbacks for the gaming faithful. The eight episodes zip by on neat parallel tracks of humour and horror. There is the gun spewing massive killing rounds with a digital display that urges the people to “please remain calm,” while the dining table of suicides looks like a sepia-tinted vision of a demented master and the petried bodies remind one of Pompeii.
The two stoners at the Super Duper Mart are reminiscent of Wayne and Garth from Wayne’s World, while the irony of the election in the Vaults makes you laugh so hard till you weep. Game of Thrones and more recently 3 Body Problem composer, Ramin Djawadi, does a great job with the score, while sweet, sunny pop standards by music legends including Perry Como, The Ink Spots, Bing Crosby and Johnny Cash soar in time to bones, digits and skulls being remorselessly crushed.
The vast cast from the principles to the minor characters — including Leslie Uggams as former overseer of Vault 33, Betty Pearson; Annabel O’Hagan as the heavily pregnant and vaguely deranged Stephanie Harper, Lucy’s best friend; Matt Berry as the voice of cheerily violent robot, Snip Snip; Jon Daly as the shady Snake Oil Salesman; Chris Parnell as Ben, the cyclopean Overseer of Vault 4; and Dale Dickey as the rough and ready shopkeeper in Filly, Ma June — give heft to their roles.
Fallout with its excellent production values, writing, acting and soundscape is a thrill-charged ride one would love to be on. As the stage is set for season 2, one of the questions buzzing in my over-stimulated brain was whatever happened to the dog, Roosevelt.
Fallout is currently streaming on Prime Video