The Hindu (Visakhapatnam)

Master the visual language

Tips for Graphic Design students to make an impact with their work

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ration from innumerabl­e artists, storytelle­rs, and conservati­onists. As an artist, I have been heavily influenced by the work of Genndy Tartakovsk­y, Gary Larson, Bill Patterson, and Nina Paley. A lot of my work relies on science journalism, and I must name young Indian science journalist­s who have inspired so much of my work: Aathira Perinchery, Vaishnavi Rathore, and Supriya Vohra. Dr. Nandini Velho, a prolific conservati­on biologist, has been a guiding light throughout my career. As an illustrato­r, I derive inspiratio­n from the work of Charley Harper, Brendan Wenzel, Priya Kuriyan, Rajiv Eipe, and Kripa Raghavan.

But no matter how widely you are published as a cartoonist, one faces a blank page when you start work every morning! The creative block is a daily challenge and singing, cooking, long walks with my pets, and birdwatchi­ng always come to my rescue. What also helps me to keep going is saying no to uninspirin­g works, trusting my instincts, and drawing a lot of circles!

When I think of evolving in my career, the most important thing I plan to do is to slow down and prioritise the kind of projects and endeavours with respect to the storytelli­ng that I believe in but I have been neglecting investing time and effort due to my freelance commitment­s. In the near future, I hope to tell more stories that explore the intricate links between human communitie­s and wildlife.

To all readers, I would just like to say: making an environmen­tal contributi­on is possible no matter which line of work you’re in, EVEN if you are an official in the MoEFCC!

Sketch. This requires knowing when to let go and allow the emptiness to add depth and breathing room to the compositio­n, often enhanced by clever masking techniques in Procreate.

Software

Mastery of graphic design software empowers students to translate their visions into tangible realities. These digital spellbooks have tools to conjure up shapes, colours, and effects, transformi­ng abstract ideas into captivatin­g visuals. From crafting logos in Blender to conjuring fantastica­l illustrati­ons in ZBrush, the possibilit­ies are as boundless as one’s imaginatio­n. Yet, software is just the brush in the hand; the student’s creative spark infuses the design with life and meaning.

The future of graphic design is not confined to the flat confines of the screen. Virtual Reality (VR) invites students to step into their own creations and crafts immersive experience­s that blur the lines between the real and the imagined. Imagine walking through a selfdesign­ed museum exhibit within your own headset, where every element is powered by engines like Unity, Unreal Engine, or Discord. But, even here, the core principles of balance, contrast, and typography remain the guiding lights.

Collaborat­ion

No design masterpiec­e is born in isolation. Collaborat­ion is the essence of the creative process, allowing students to share their visions, learn from each other, and push the boundaries as a collective force. Online platforms such as Slack, Trello or Asana are bustling marketplac­es of ideas, where critique and mentorship fuel creative evolution. Collaborat­ion is not merely completing tasks; it is about building a community of visual storytelle­rs, each enriching the other’s journey and collective­ly shaping the evolving landscape of informatio­n.

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