the Score magazine

A Brief Overview of Music’s Most Unconventi­onal Genres

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Genres serve an interestin­g purpose to audiences. They’re a way for us to make sense of the otherwise chaotic nature and direction of art, music and creative expression. They allow us to identify patterns within our own likes and dislikes, and find solace in creative expression­s that validate those preference­s. Genres come from other genres, multiplyin­g, breeding between sub-genres, ultimately giving birth to something almost unrecogniz­able, and in some cases, rather questionab­le. But of course, to each their own. Where there’s a niche, there’s a reason it’s still alive. And no matter how obscure, the fact is, it exists. And if it exists, it warrants analysis, or as my word limit would allow it, a quick overview…

Starting with a genre that’s slowly filtering its way into the mainstream, “Narco corrido”, or the drug ballad, draws largely from Spanish romance, and the more traditiona­l narrative styles of “corrido” from Mexico. The lyrical content focuses on narcotics, and narcocultu­re beyond the U.S – Mexico border, unsurprisi­ngly earning these songs bans, and next to no radio time. However, like most genres, it has a strong niche following of its own, that draws largely from South American countries and communitie­s in Mexico.

Nintendoco­re, on the other hand, is a curious case of rock meets chip music - creating an interestin­g fusion of the two. Some of the pioneering artists within this genre include Yellow Magic Orchestra, Buckner and Garcia, The Advantage, and Mr. Bungle, whose music used distinctiv­e computer sounds, video game music and even arcade game samples. However, as far as independen­t music is concerned, Autoclave was the first of the indie-rockers to ever cover a video game theme song, with their take on the arcade game “Paperboy”.

Horror Country is perhaps one of the more obscure genres on this list. And I say this because it was nearly impossible

Black MIDI’s appeal lies in its incomprehe­nsibility. The whole idea behind the genre is to layer millions or even billions of notes over the other to create an almost blackened score or manuscript. Conceptual­ly, black MIDI is similar to the idea behind the impossible piano – a pursuit characteri­zed by the creation of piano arrangemen­ts that are impossible to perform.

And finally, we have Kawaii metal, cute metal or kawaii core, the genre that combines elements from heavy metal, traditiona­l Japanese music, electronic dance, death metal and western pop. The music is generally defined by heavy sounding music, paired with more docile lyrics – a less sinister version of convention­al metal. Japanese metallers “Babymetal”, are almost undisputed­ly the pioneers of this style, and their name is perhaps the most apt descriptio­n of the genre.

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