The Sunday Guardian

An action-packed thriller set in a dark universe The Mummy

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Director: Alex Kurtzman Starring: Tom Cruise, Russell Crowe, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Simon Atherton, Sean Cameron Michael, Rez Kempton With this film, Universal Pictures, introduces us to its new franchise—the Dark Universe. The franchise explores the realms of the netherworl­d, making The Mummy an action packed, horror film.

While this film is astutely mounted with all the finesse of a star-studded, studioprod­uction, the end product lacks lustre in terms of its narrative.

Zooming through timezones, the premise is a bit flimsy and the one-dimensiona­l plot is equally weak with a reincarnat­ion track, ghosts, zombies et al. Neverthele­ss, the film is engaging for an awe-struck viewer.

The history in the back-story with the weird time zones, though narrated in a simplistic manner, only makes the plot seem convoluted.

The first half of the film shows tremendous promise with a kind of rollicking and goofy action sequence for a perfect summer bonanza. But gradually, by the second half the effort seems extremely conjured. However, in the larger frame it is a sound and visual extravagan­za.

Nearly 5,000 years ago, Egyptian Princess Ahmanet (Sofia Boutella) is mummified and entombed in Mesopotami­a, which is currently Iraq, because in her bid to take power of her kingdom, she killed her family and was about to stab her lover with a jewel studded dagger.

Circa 1127 AD, the jewel from the dagger is stolen by a crusading English Knight and buried along with him in a tomb in London.

Then, we are transporte­d to current day Iraq, where am- bitious soldier Nick Morton (Tom Cruise) steals a map of a hidden treasure from an acquaintan­ce, Jenny Halsey (Annabelle Wallis) and lands up in the tomb of Princess Ahmanet along with his colleague Sergeant Chris Vail ( Jake Johnson).

They inevitably liberate her soul and along with her the malevolenc­e grown over the years. The repercussi­ons are deadly as she tries to repossess the sacred dagger and turn her “chosen” one to immortalit­y.

Tom Cruise’s character is ambiguousl­y and feebly fitted into an action-hero mould, where he instead of being the hunter is the hunted and his overcoming of the obstacles is, therefore, a predictabl­e conclusion.

His saying that “we are not looters, we are liberators” insinuates that instead of being a soldier fighting insurgents, he is more interested in antiquity hunting. As a performer, he still has the chutzpah but he does comes off as a lame jaded super-star.

He is effortless­ly supported by Jake Johnson as his buddy, who gives ample scope for comic relief. Russell Crowe as Dr. Henry Jekyll with his troublesom­e alter-ego is simply campy, yet charming.

Annabelle Wallis is perfunctor­y as the intelligen­t and saucy archaeolog­ist and Nick’s love interest.

Sofia Boutella with all the lovelorn and vengeful Mummy avatar is the scene-stealer. Her persona is what makes her come alive on screen. Overall, The Mummy is a fun film that sets the Dark Universe’s ball rolling as viewers look forward to the next edition. IANS

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