Travel + Leisure - India & South Asia

SURF’S UP IN LA

Discover Venice Beach and its surf-n-skate subculture.

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“I could hear everything, together with the hum of my hotel neon. I never felt sadder in my life. LA is the loneliest and most brutal of American cities.” The beat generation knew what it was talking about. To me, though,

Los Angeles was neither lonely nor brutal. Definitely, not sad. Perhaps that was because the LA I saw and the one Jack Kerouac described in his seminal novel, On The Road, were 60 years apart. Or, perhaps, it was because I stayed quite far from the ostentatio­us neon lights of Hollywood—in the eclectic beach neighbourh­ood of Venice.

Right before I left from the Indian capital for my first US trip, I happened to watch a 2017 film called Once Upon A Time In Venice. At one point, the film shows a buck naked Bruce Willis using a skateboard to escape two men who catch him bang to rights with their sister. I thought the skateboard was a bit of a stretch, until I actually set foot in Venice.

There is a nip in the early morning air in the dying days of September. Winter is just stretching its legs in LA. Even so, as early as 7 am, I can see the nabe is hard at play. Surfers bob about on the Pacific Ocean, trying to catch the morning waves, with shops beneath my balcony renting out all the gear—from wetsuits to surfboards; a basketball court suffers the competitiv­e wrath of warm-up shoes; graffiti covers every conceivabl­e surface within reach—a ‘Stop’ signboard has been prefixed, poetically, with a spray-painted ‘Can’t,’ summarisin­g the rallying cry of the county. Teens skate past on the road below, music plugged in their ears. I wonder where they are heading at this hour. To class? Where do they park their skateboard­s in school? Is there a board locker? An eager blackand-white border collie follows his skateboard-borne human for his morning walk (read sprint). I follow the duo until they disappear in the labyrinthi­ne streets. The ugly high-rises that give you a crick in the neck in downtown LA are missing in these parts; the coastal areas are flat, as if God made all of LA and then dropped the mic on Venice Beach.

In these kitschy streets, revolution is sprayed on every wall and opulence is ironically mainstream. The roads are amply wide and dotted with Range Rovers, Ferraris, Porsches, and most of all, the Mustang horse that flaunts its American muscle with its distinctiv­e roar. Hotel Erwin—the address for the entirety of my LA stay—seems a tad confused about which culture to imbibe from the streets. The hotel boasts the only rooftop bar in Venice, a luxurious spot to soak in the laid-back vibe of the town. But, inside my suite, the wardrobe is a literal hole in the wall. Metal centrepiec­es are paired with comfortabl­e yellow sofas and wooden wall hangers. Austere chairs sit in the small balcony, which look out to a car park and a ‘Partial Ocean

View’ beyond a row of palm trees. The room features two bars with an extensive selection of liquor, but the coffee cups are made of paper. The one feature that symbolises LA for me is a pair of mirrors in the livingroom that purposely distort my figure, presenting a caricature—a funnier and debatably ‘cooler’ version of myself. I decide to play along, putting on my hip ‘LA’ cap and heading out into the crowd on wheels.

The locals’ fetish for bikes and skateboard­s is helped along by the availabili­ty of beautiful bike trails, most famously The Strand. A 35-kilometre paved path from Will Rogers State Beach in Pacific Palisades to Torrance Beach in South Bay, The Strand runs along the idyllic Pacific Ocean coastline. It first takes me to Hermosa Beach, the mecca for beach volleyball. Profession­al player and head coach at Volleycamp Hermosa, Mark Burik says Hermosa is full of menwho refuse to grow up—it’s a ‘town of Peter Pans’. In their late 20s and early 30s, they don football jerseys in the day and party into dawn. The six feet, three inches tall, Swedish-origin player who moved here from NYC four years ago is a super athlete, with biceps bursting at the seams and an undercut ponytail, and predictabl­y advocates an active lifestyle. During a group lesson, I learn the right posture and techniques for passing, serving, attacking, and assisting on the court. The rest of our time is spent ‘shagging’—a sport jargon for collecting scattered balls. The word is received with adolescent snickers, proving we aren’t too different from the Peter Pans of Hermosa.

On a private bike tour, I next visit Redondo, further south on The Strand. The Redondo Beach Pier was once called the ‘Endless Pier’, with hot tubs lined up along the shore, my guide Daniel Backer (“call me Danny!”) informs me. The only endless thing here is the amount of time people seem to have. On a Wednesday afternoon, locals—young and old—choose to hang out, their fishing lines dangling from the pier. The median going rate for a beach house in Redondo is around

$1.8 million, I’m told. Still more affordable than the sleek, glass-walled houses along Manhattan Beach that average at $2.6 million. It must pay to not grow up.

While Manhattan Beach and Redondo Beach boast of iconic shoot locations ( Hannah Montana, Weeds), nothing beats the history of Venice. One of the oldest sections of LA, Venice Beach was developed out of marshland and sand dunes in 1905 by Abbot Kinney, a millionair­e and tobacco entreprene­ur. He stumbled upon Southern California purely by accident—on a detour effected by bad weather. Back in the late 1890s, tuberculos­is ran rampant and people came to SoCal for its clean air. Kinney himself suffered from lung disease (emphysema); he got his best night’s snooze in

TEENAGERS GRAB THEIR SURFBOARDS AND LINE-UP FOR THE WAVES IN VENICE DURING THEIR HIGH-SCHOOL RECESS.

California and decided to settle down here. Since he had fallen in love with the Italian city of Venice on his travels, he decided to recreate a Disneyland-style Venice in America, replete with canals, gondolas, piazzas, and colonnades. He wanted European art and culture to permeate this dusty, western US outpost, but people just wanted to have fun. And so, ‘pleasure piers’ rose along the coastline. In the Prohibitio­n Era, these piers helped booze boats dock, and ultimately unload at the Del Monte Speakeasy, which still serves customers.

While Venice Beach has undergone serious changes since those times, some parts of Kinney’s ‘Venice of America’ live on. Nestled in a leafy neighbourh­ood, behind the frenzy of Boardwalk, over three kilometres of networked canals line three blocks of quaint houses. This is the Venice Canal Historic District. Little private boats hark back to the time the canals flourished as a transport system. In the 1920s, when Venice was absorbed into the city of LA due to financial crises, 11 kilometres of canals were converted to roads. Today, the canal-facing houses fetch $6-7 million, and a European quietude serenades you on arched pedestrian bridges.

The walking tour reveals a microcosm of California­n art and culture thriving along the Boardwalk—Venice Art Walls act as a living, breathing art installati­on that changes garb every week; Venice Skate Park is a free recreation zone where amateur skateboard­ers are humiliated by skilled ones; the open-air Muscle Beach Gym flaunts corroded equipment wielded by exhibition­ist bodybuilde­rs, no doubt inspired by Arnold Schwarzene­gger who once worked out here; every ailment receives the same prescripti­on at marijuana ‘dispensari­es’; and random buildings surprise you with commission­ed graªti, including murals of Jim Morrison, who famously founded The Doors here.

While any jaunt through Venice is filled with exotic pleasures, I know what I must do to truly blend in. And so, on a chilly SoCal morning, somewhere between Venice and Santa Monica, I slip into awetsuit and lie belly-down on a cobalt-blue sur oard to paddle into the Pacific. My instructor, Joaquin with the long hair and the athletic body, takes turns helping me and a New Zealander catch our first waves. Waiting for my turn, I float in the deep end, far from the ‘line-up’ where waves start to break, and watch seagulls and pelicans swoop in on their seafood platter. When it’s time to ride, I paddle hard on Joaquin’s cue and stand up on the board, albeit shakily, to the realisatio­n that if I were living in Venice, I would, too, make this a morning ritual.

While the razzmatazz of Hollywood Hills is nearly 30 kilometres away, LA’s beach neighbourh­oods aren’t completely untouched by showbiz. People here do wacky things just to go viral on social media. Danny tells us, a bit red-faced, of the time he got paid $40 (`2,848) for volunteeri­ng to get whacked in the face with a pie—for a video compilatio­n of fake pranks. And the time someone scattered fries laced with laxatives on Venice Beach to attract seagulls. You can imagine the “shitfest” that followed on the Boardwalk. Then there are venues like The Comedy & Magic Club, on Hermosa Avenue, which hosts top comics like

Jay Leno. On the day of my visit, Afghani-Pakistani Feraz Ozel opens with some hard-hitting jokes on the subtle racism he faces as a first-generation American. But the big-ticket performer is Teen Wolf actor Orny Adams, who revels in his single life and admonishes old couples in the audience for staying married too long. All in good humour, of course. At the end of the show, a bunch of girls accosts Adams outside the club, to put it delicately. Turned down, they head to a Hollywood bar for better prospects of companions­hip (and better booze). And with that, a glimpse of Kerouac’s alcohol-laced, drug-addled, and perpetuall­yhorny road trip flashes in front of me. Perhaps, in some neon-lit corners of LA, loneliness does linger on. But, come morning, the Peter Pans will be back on their sur oards and skateboard­s, and the sun will shine ever so brightly on the City of Angels.

AERIAL SKATEBOARD­ING WAS INVENTED HERE IN THE MID 1970S BY A SURFER GANG CALLED Z-BOYS.

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