DA MAN

The First Chapter

Troy Neff’s modeling career might have begun at the worst possible time, but things quickly turned for the better in an awesome way. This is his story

- PHOTOGRAPH­Y ( OUTDOOR) MITCHELL NGUYEN MCCORMACK PHOTOGRAPH­Y ( STUDIO) IAN PHILLIPS U.S.-BASED FASHION EDITOR/STYLIST KIMBERLY GOODNIGHT

Troy Neff’s modeling career might have begun at the worst possible time, but things quickly turned for the better in an awesome way.

Photograph­y Mitchell Nguyen McCormack and Ian Phillips

Early 2020 was, in hindsight, definitely not the best time to start a career in the fashion industry. Of course, nobody knew back then just how bad it was going to be. So, it was with high hopes and expectatio­ns that Troy Neff signed up with STATE Management—a wellestabl­ished modeling agency— in Los Angeles. And right after that, the world simply shut down. Fast forward half a year, however, and things took a surprising turn for the better when he was selected to be part of none other than Tom Ford’s spring/summer 2021 campaign and joined a shoot with the legendary designer himself. That certainly makes for an amazing origin story. DAMAN: Hi, Troy. Awesome to have you with us. How are you doing these days?

Troy Neff: I’m doing great! I am healthy and summer is almost here, so I’m excited.

DA: You’ve probably answered this question many times already, but can you tell us a bit about how your journey in modeling started?

TN: In January 2020, I really wanted to get into the fashion and do modeling, but I didn’t know how. I ended up walking in to the STATE Management office in Los Angeles, signed with them and they’ve helped take care of me.

DA: Now, we’ve also learned that your very first profession­al photo shoot was with none other than legendary designer Tom Ford for his spring/ summer 2021 campaign. How did that happen?

TN: Ironically, in the middle of the pandemic when there wasn’t much going on in L.A. for modeling, Tom Ford had me come in for a go-and-see where I met with Tom Ford and his team. From there, he chose to use me for his SS21 campaign.

DA: Of course, that shoot happened with the pandemic in full force. What was it like trying to do the shoot with so many health and safety precaution­s set in place on set?

TN: Doing a shoot in the middle of the pandemic proved to be challengin­g because not as many people were allowed on set and the total the amount of people at the shoot was way more limited, but it wasn’t impossible. Everyone kept safe and stayed six feet apart.

DA: What was it like working directly with a legend like Tom Ford? And were there any particular­ly memorable moments from the shoot that you can share with us?

TN: Tom Ford is a genius in his own right and being in his presence proved that. Beyond the beautiful clothing and eyewear, what fascinated me is how skilled he is with a camera and how very little he uses to create an amazing shot.

DA: What was the biggest surprise about a profession­al fashion shoot set that really blew your mind?

TN: Nothing was too surprising. It was a great, streamline­d experience and everyone at the shoot was very kind.

DA: What would you say was the biggest challenge that you faced on set?

TN: At first, I was really nervous because it was my first ever profession­al shoot and honestly one of my first times behind a camera like that. But as the shoot progressed, I became more comfortabl­e and got over those nerves pretty quickly.

DA: On the flip side, which parts of the job came naturally to you? Or in other words, which parts felt effortless?

TN: In general, shooting with Tom Ford was very effortless. The environmen­t was extremely fun and friendly, and he knew exactly what he was looking for with each look/shot and once we found the shot it just took some playing around with different angles and poses to get what he wanted.

“I WANT TO CREATE SOMETHING THAT LIVES BEYOND ME AND IMPACTS OTHER PEOPLE’S LIVES IN A POSITIVE WAY”

DA: Now that you’ve been at the other end of a fashion campaign, what would you say are some of the biggest misconcept­ions that the average person might have about how a fashion shoot is done or about modeling in general?

TN: I’m not sure of any misconcept­ions people may have about modeling or fashion shoots. If I had to point out one thing, it would be the amount of effort and preparatio­n that goes into creating each shot that ends up being used. Everything is very carefully cultivated.

DA: One thing we have noticed is that people often underestim­ate is the role of modeling agencies. Can you shed some light on this part of the job? For instance, what is it that an agency does and in what ways does it help a model’s career, etc.?

TN: If it wasn’t for my agency, I wouldn’t have gotten a shoot with Tom Ford. I cannot speak for all agencies as I’ve only been with STATE Management, but they play a huge role in finding me jobs. My agents are the ones that have the connection­s and relationsh­ips with companies

and get to see the new projects or jobs that are available and decide if I would be a good fit for each. In my opinion, agencies are definitely underestim­ated.

DA: Will we see you in any campaigns, shows or photo shoots in the near future?

TN: Yes, definitely. You’ll have to wait and see though!

DA: Besides modeling, what are you most passionate about right now? Any hobbies, sports, etc.?

TN: I love music, I would say that is my number one hobby

right now and although I’ve just recently committed myself to it and have a ton of work to do, it is something I want to do for the entirety of my life. I also love playing games, but balance that with going outside, exercising and staying healthy.

DA: What do you think would you be doing right now if , back in early 2020, you hadn’t gone into modeling?

TN: I would still be in school at UCSB like I am right now and not too much would be different, but I for sure wouldn’t be able to travel like I get to with modeling.

DA: If somebody came up to you and asked you for advice about becoming a model, what’s the first thing that would you tell them?

TN: Maybe try and contact agencies as much as you can until you find someone that sees what you see in yourself. Also just understand­ing your body, what your best angles are, and being very comfortabl­e in front of a camera is all important.

DA: All in all, though, is it fun being a model?

NF: It is. I love getting to travel because of it. Fashion is also one

of my biggest inspiratio­ns and I am grateful my job is surrounded by the newest clothing.

DA: What is it that motivates you to get up and your best each and every day?

NF: I think art in general is my biggest passion and it truly motivates me to do great and get up each day. I want to create something that lives beyond me and impacts other people’s lives in a positive way. So, figuring out how to do that through any medium is what keeps me going and pushing forward. I just want to help.

"MY AGENTS ARE THE ONES THAT HAVE THE CONNECTION­S AND RELATIONSH­IPS WITH COMPANIES AND GET TO SEE THE NEW PROJECTS OR JOBS THAT ARE AVAILABLE AND DECIDE IF I WOULD BE A GOOD FIT FOR EACH. IN MY OPINION, AGENCIES ARE DEFINITELY UNDERESTIM­ATED"

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T-shirt by Hugo by Hugo Boss; shorts by Y-3
Shirt by Sandro; T-shirt by Hugo by Hugo Boss; shorts by Y-3
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Shirt by Hugo by Hugo Boss; T-shirt by Versace; pants by Versace Couture; shoes by Vans
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Outfit by Bally
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T-shirt by Versace Couture; pants by Helmut Lang
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Shirt by Hugo by Hugo Boss; T-shirt by Y-3
 ??  ?? Hoodie by Sandro; pants by Heron Preston
Hoodie by Sandro; pants by Heron Preston
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Hoodie by Polo by Ralph Lauren; visor by Polaroid
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Shirt by Sandro; T-shirt by 3.1 Phillip Lim
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Outfit by Paul Smith
 ??  ?? Outfit by Hugo by Hugo Boss
Outfit by Hugo by Hugo Boss
 ??  ?? Top by Kenzo; pants by Hugo by Hugo Boss Hair Dylan Michael
Make-up Jeni Chua at Exclusive Artists Management Production and casting Media Playground PR
Top by Kenzo; pants by Hugo by Hugo Boss Hair Dylan Michael Make-up Jeni Chua at Exclusive Artists Management Production and casting Media Playground PR

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