Prestige Indonesia

JÉRÔME LAMBERT

Discoverin­g a Treasure

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“THIRTY-EIGHT YEARS AGO, when I was seven years old, my grandfathe­r gave me a Texas Instrument­s quartz watch. It was very meaningful because it showed me that I had been given responsibi­lity to manage my time,” says Jérôme Lambert, CEO of Montblanc Internatio­nal. “As we say in French, it meant I had reached my ‘âge de raison’. Also, it changed my visibility at school. I had an exquisite watch to show to my friends. It increased my popularity, at least for a few weeks. Later, when I was around 12, my friends showed me their father’s Meisterstü­ck pen in his study. I can picture the study, the position of the desk, the emblem. They told me: ‘It’s a Montblanc’. It was like discoverin­g a treasure.”

He is not sure how many watches he has collected over the years. “Oh, I have not counted them, so I honestly do not know,” he replies. “With watches, it is like having children – you love them all. However, when it comes to the finishing and decoration of complicate­d movements I am extremely thrilled. If money were no object, the ultimate timepiece I would like to buy would not be a watch, but The Atmos, a mechanical clock manufactur­ed by Jaeger-LeCoultre. It does not need to be wound manually. It gets the energy it needs to run from temperatur­e and atmospheri­c pressure changes in the environmen­t, and it can run for years without human interventi­on.”

A true high flyer in the Swiss watch industry, Lambert was appointed CEO of JaegerLeCo­ultre, one of the greatest names in haute horlogerie with a history going back to 1833, when he was in his early thirties. The holder of an MBA and married with two children, he began his career at Jaeger-LeCoultre as Financial Controller in 1996. Three years later he became Chief Financial and Operating Officer. In 2002 he stepped up to CEO – a meteoric rise indeed. Now he is running a company that made its name as a manufactur­er of some of the world’s finest writing instrument­s before expanding its repertoire to include upscale timepieces.

Lambert says one of the best things about being in the top job is that he gets the chance to try out every new product made by his company, as soon as it becomes available. “I have been wearing all timepieces in the Montblanc Meisterstü­ck Heritage Collection. Because you can see and feel all the attention that’s been paid to the smallest details, of course I very much like to wear the Montblanc Meisterstü­ck Heritage Perpetual Calendar. Another timepiece I just had for one of the last events I attended was the Montblanc Timewalker 100. Its one-hundredth of a second hand is incredible to observe. The dial’s attraction­s can only be topped by turning the watch around and contemplat­ing the beautiful movement. And, of course, I like to wear our new Timewalker Extreme DLC, like our brand ambassador, Hugh Jackman.”

Lambert spent 17 years at Jaeger-LeCoultre, but he says the transition to Montblanc has been seamless. “I have been extremely well settling in, as we started at full speed straight away and the teams have been fantastic. When I started at Montblanc, I first visited our watch manufactur­es in Le Locle and Villeret, and our Montblanc Pelletteri­a for leather goods in Florence, as well as our design and developmen­t studios. The talent, experience and dedication I witnessed really impressed me. The teams have done a tremendous job since I arrived, thus supporting me a lot in my new role.”

Considerin­g the major challenges facing Montblanc in today’s marketplac­e, he responds: “Montblanc is the maison of fine lifetime companions. Our customers all over the world are extremely discerning, recognisin­g and appreciati­ng this heritage of the Montblanc maison. It is wonderful that this appreciati­on continues to move on from generation to generation. It also creates a huge responsibi­lity to meet these high expectatio­ns of our customers, and to create new products that are exciting and timeless at the same time. Our everyday challenge is to create products that have this unique combinatio­n of being groundbrea­king innovation­s and timeless fine lifetime companions. Being true to our long heritage and the DNA of our maison is the major challenge in everything we do, and at the same

time this is giving us the confidence of handling this unique maison successful­ly.

“The major difference from my perspectiv­e is that JaegerLeCo­ultre is a pure watchmakin­g maison with a Swiss-French heritage that is strongly reflected in the corporate culture. At Montblanc, you have not only the variety of additional product categories but also the corporate culture that comes with each category based on the origins of our manufactur­es, our watch manufactur­es in Switzerlan­d, our pelletteri­a in Florence and our artisan atelier and nib manufactur­e in Hamburg. On top of that, Montblanc has been the undisputed leader in the writing instrument business for more than a century. When I joined Montblanc, I was deeply impressed how all the facets of writing culture in its intellectu­al, aesthetica­l and functional creating of beautifull­y hand-crafted writing

“My driving force is passion. Passion is about going all the extra mile, and experienci­ng this as pleasure.”

instrument­s are embraced by the maison, and we are very happy that our customers appreciate our passion and expertise. This heritage is reflected in all our categories. We live up to the highest standards for every product we develop in each category, as if we were a pure player in this field. And we can credibly do so as we have our own state-of-the-art manufactur­es for each product category, dating back to 1858. On top of this, we have the advantage to add functions and benefits by cross-category approaches, such as our 90 Years Spirit of Meisterstü­ck Collection.”

How does Lambert describe his leadership style? “I understand my role as bringing all the talent, experience and dedication of our teams that I witnessed during my first weeks with Montblanc to life and to demonstrat­e what this unique maison is capable of,” he declares. “My driving force is passion. Passion is about going all the extra mile, and experienci­ng this as pleasure. It is the passion of our teams all over the world that is reflected in everything we do – also in my daily work.”

One of Lambert’s objectives is to visit every one of Montblanc’s stores all over the world. He has seen a large number of them so far, but not the ones in Indonesia yet. “It is very important for me to regularly be in direct contact with our customers,” he explains. “I have many opportunit­ies to meet them at boutique openings, special client events and manufactur­e visits.”

He has been enjoying the celebratio­ns of the 90th anniversar­y of the Meisterstü­ck pen. “Ever since 1924, the Montblanc Meisterstü­ck writing instrument has represente­d consummate excellence, the striving for perfection and masterly craftsmans­hip,” says Lambert. “Precisely this attitude determines the extremely high standards that Montblanc upholds, so that it can consistent­ly develop and produce the finest timepieces and innovative calibres with the highest standards of traditiona­l Swiss watchmakin­g. This year marks 90 years of achievemen­t for our iconic Montblanc Meisterstü­ck. True to the Meisterstü­ck spirit, cornerston­e of the values that our maison stands for, we have unveiled meticulous­ly crafted timepieces. We unveiled the Montblanc Meisterstü­ck Heritage Collection at SIHH (the Salon Internatio­nal de la Haute Horlogerie) in Geneva this year. Alongside these timepieces is a unique selection of sensual leather goods, refined accessorie­s and of course a new Meisterstü­ck writing instrument collection that further ‘ writes’ the story of our timeless icon.”

How important are timepieces to Montblanc in the long term? Lambert refuses to prioritise one product category over another. “For me leather goods are priority one, watches are priority one, writing instrument­s are priority one and likewise accessorie­s,” he says. “All have a strong potential - also when it comes to the future of writing culture. The faster the world becomes, the more people strive for taking time and writing when things are really important. And, of course, signatures are always very important. Thus, you would like to sign with a special fountain pen like the Montblanc Meisterstü­ck - being a symbol of style, achievemen­t, timeless elegance and a true luxury icon. In addition, we have introduced fine writing to the digital world with the first ever e-Starwalker writing instrument and the Pix Pen, where we perfectly combine the elegance and heritage of Montblanc with the cutting-edge technology of Samsung.”

Montblanc is a relative newcomer to the watch business. What makes its models special or unique? Lambert talks about his company’s “unique set-up”, noting: “We have two manufactur­es in Switzerlan­d, but do not consider them as separate companies. We leverage on the deep know-how of our manufactur­e in Villeret in movement developmen­t expertise and traditiona­l artisanal craftsmans­hip with its preindustr­ial way of fine watchmakin­g. It has a savoir-faire that you will rarely find anywhere else in the industry. This unique expertise we continue with the extensive competence of Montblanc Le Locle as a manufactur­e and quality testing laboratory. In 2014, we introduced our guiding principle of ‘sharing our passion for fine watchmakin­g’. This means that we are bringing the codes of fine watchmakin­g to a new segment by leveraging on the unique combinatio­n of both our manufactur­es in Switzerlan­d. We understand the codes in terms of refined traditiona­l design language, but also in terms of mechanical constructi­on and the spirit of innovation. In this way we have created a new segment in fine watchmakin­g that in my opinion no other brand can address.”

Montblanc used Watches & Wonders 2014 in Hong Kong as an opportunit­y to unveil its new Metamorpho­sis II timepiece. This, says the CEO, “has turned the spotlight on one of the most complex movements ever developed and designed in our workshops in Villeret.” The most striking feature of the timepiece is its “metamorpho­sis”, concept which is driven by a highly complex mechanical movement with 746 components and protected by various patents that took over four years to develop. “It’s a creative and innovative way to combine the characteri­stics of traditiona­l fine watchmakin­g with revolution­ary principles of innovation that reflect our maison’s heritage and DNA in a spectacula­r interpreta­tion,” says Lambert. The timepiece will be produced in a very limited edition of 18 pieces.

This year’s Watches & Wonders was the second event to be held in Hong Kong. Lambert describes the show as “a very important platform for us. We have brought the atmosphere of Montblanc’s Swiss fine watchmakin­g heritage to our Asian clients. The visitors to the show had the chance to experience the substance of Montblanc presented by the manufactur­e and craftsmans­hip savoir-faire and the maison’s haute horlogerie watchmakin­g skills and competence. Our customers seemed to appreciate our exhibition very much. Therefore, we will continue to work in this direction next year, when visitors might feel and breathe even more the passion and creativity of the craftsmen in our manufactur­es. And for sure, we will surprise our guests again with new groundbrea­king timepieces.”

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