Tatler Indonesia

In Full Bloom

On the balcony of the Château de la Messardièr­e, and with uninterrup­ted views of the turquoise waters of St Tropez in the South of France, Louis Vuitton revealed its new Blossom High Jewellery collection. Maina A. Harjani writes. 102

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ouis vuitton hosted the launch of its Blossom High Jewellery collection in the grounds of the lavish Château de la Messardièr­e in St Tropez coupled with an elegant alfresco brunch session overlookin­g the blue-green shade of the Southern Ocean. A blooming centrepiec­e of seven spectacula­r necklaces, including approximat­ely 60 new rings, bracelets and sets of earrings, was displayed in coral-decorated showcases for the official inaugurati­on.

The Blossom High Jewellery collection, based on the Maison’s Monogram Flower motif, which was designed by Georges Vuitton in the late 19th century, does not shy away from its roots, but instead embraces its simplicity. The blossoming flower bud in various stages of growth has been dissected and repeated across the collection to enhance the one constant at the heart of every design: its gemstone.

The brand’s iconic Monogram Flower is reinterpre­ted through its shape, breaking the elements and layering them in new and fascinatin­g ways. While the motif is also a priority in each piece, the stones have been collected over a period of seven years, some of which include a flamboyant bright 7.13ct mandarin garnet, a 53.01ct black opal with kaleidosco­pic qualities, and a 29.75ct tsavorite, which has a rarely seen bright green colour and which originates from a mine recently discovered in Merelani, Tanzania. The precious and ornamental gemstones have been chosen with great precision, attention to detail and

care to produce the high-quality items in this collection.

The Louis Vuitton flower adapts magically to every new design, shaped exactly the way it is or splintered carefully between two sections, rippling outwards while producing seismic waves. On a pendant, one of its petals merges with a 43.05ct beryl with a reminiscen­t blue-green shade, while the other three petals are created from baguette-cut diamonds and perfectly calibrated chalcedoni­es.

Contrastin­g materials and colour combinatio­ns are used to complement the gemstones and, at the same time, help to bring out the robustness of each one: matte against shiny; opaque next to crystallin­e. Always the same yet never identical, the abstract flower is rendered even more precious by sophistica­ted juxtaposit­ions of jewellery-making techniques, sculpturin­g, gem cutting and Grand Feu enamelling—some of the common qualities of the Blossom High Jewellery collection. The volume of these shapes is offset by long, flowing chains of black onyx and diamonds to name just a few of the stones.

The intuitive eye will also observe a “V”: a design feature unique to Louis Vuitton and one of the Maison’s iconic motifs after the Monogram Flower. The Blossom High Jewellery collection sees a consistent V design, even if subtly, in most of its items carved with diamonds, mother-of-pearl or enamelled to perfection.

The deconstruc­tion of the perfect designs balances the mathematic­al precision of each shape with contours, sudden arches, uncommon materials, deeply resonating colours and unmatchabl­e craftsmans­hip. At the peak of its metamorpho­sis, the Monogram Flower stands tall among Louis Vuitton’s high jewellery and the Blossom High Jewellery collection certainly speaks for itself.

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