Tatler Indonesia

Beauty Eternal

La Prairie introduces the Science of Haute-rejuvenati­on through collaborat­ive artworks to represent its beauty and power

- By Aditya Nandiwardh­ana

The Science of Haute-rejuvenati­on by La Prairie restores the skin’s youthful and healthy glow

More than 80 years ago, Dr Paul Niehans, the Father of Cellular Therapy, worked tirelessly at La Prairie’s Clinique La Prairie in Montreux, Switzerlan­d. Today, his pioneering rejuvenati­ng therapies became the foundation of the brand’s continued research and serve as the basis of today’s Hauterejuv­enation product.

Our skin has natural rejuvenati­ng power based on a coordinate­d effort of skin cells throughout all skin layers. This system of highly-coordinate­d network of rejuvenati­ng processes is made possible by signalling molecules. Haute-rejuvenati­on revitalise­s and helps support the unique ability, counteract­ing its ageinduced decrease. One rejuvenati­ng process would trigger other cells to do so, which result in a cycle of rejuvenati­on across skin layers to fight the appearance of all ageing.

However, La Prairie does not stop there. La Prairie created Platinum Rare Haute-rejuvenati­on Protocol, an intensive treatment that visibly reawakens the skin, helping compensate for the loss and degradatio­n as the body age. With Platinum Rare Haute-rejuvenati­on Protocol, the science of Hauterejuv­enation reaches its apex. In launching the revolution­ary product, La Prairie continued its collaborat­ions with acclaimed global artists.

The collaborat­ive effort between the brand with Japanese artist Nobuhiro Nakanishi resulted in “Eternal Circle”, a new artwork to extend his artistic journey inspired by time spent in the Swiss mountains. The art was released together with the Platinum score as composed and recorded exclusivel­y by Max Richter for La Prairie. The marriage between Nakanishi’s flowing loops of stripes and Richter’s emotional, soaring rhythm perfectly matched with the power of Platinum Rare Hauterejuv­enation by La Prairie.

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