Belfast Telegraph

Inside... Tennis

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have given half my life to bashing typewriter­s and now most younger people I meet will never understand what that was like. They may know that the letters pad on their smart phone is laid out in an order determined by the invention of the typewriter but will they ever grasp the elegance of that planning?

If we were designing a keyboard for a computer today, we would want to bring closer together letters which were commonly used in conjunctio­n with each other like W and I or P and A. The qwerty keyboard was planned with different considerat­ions, how to space letters so that the keys they flipped up didn’t clash and stick, the way they often did anyway.

The keyboard slows you down so that the whole thing doesn’t jam.

I was too impatient as a typist. I taught myself on an Imperial portable one summer when writing my first ever article. I was in too much of a hurry to bother with touch typing or the profession­al approach of using all the fingers.

For a time the College of Business Studies tried to teach me to type properly but the bad habits had been establishe­d.

That meant that when I was a working journalist my copy always had correction­s, sometimes a couple of lines long, of xxxxx typed over the mistakes. That didn’t matter. Every other journalist I knew was as sloppy.

When I started work on the Sunday News, the typewriter allocated to me was probably several decades old. It was of the ‘sit up and beg’ style. The key sank about two inches under the finger before the lever swinging up actually made contact.

This would have been good training for karate. The roller inched along as you typed and then a bell dinged to warn you that you were approachin­g the edge of the page and might want to grab the handle and wrench the whole carriage back. I’m aware that I am not using the correct technical terms but I never knew them.

Working on a typewriter was different from managing a computer because there was no pride in the technology. A man working on a computer today would not want to be thought ignorant of basics, like how to reboot, but we had no sense of being personally committed to our typewriter­s or in any way defined by our acquaintan­ce with them.

It was just a machine. Nobody would mock you or think you any less a man if you didn’t know how to change the ribbon. Men who love the kit they work with would have been a mystery to us then.

And perhaps that was because one had a sense that a typewriter was getting in the way of writing rather than making it easier. It would always have been simpler to write in longhand. Today most writers work directly onto their computers, I suspect.

We were demeaned by our typewriter­s; they didn’t just provide a printed reproducti­on of our words but of our mistakes too.

On the Sunday News we typed all our stories in triplicate. That required two sheets of carbon paper sliced between the pages, something else you never see now.

There were few things as lovely as a fresh sheet of carbon paper straight from the box, unless perhaps the same sheet after it had been used only once, and the impress of the writing could be read off it.

But nothing was a sorrier statement about the dilapidati­on of a busy office than the old crumpled and punctured sheets of carbon paper with which you would try to make do when it was running out.

Back then, the new electric typewriter was coming in. One of these, instead of using keys had a little metal globe that danced on the platen. My own feeling was that they were too fast.

As with the later computer keyboard, one only had to touch the key lightly. This was difficult for someone whose typing was, until then, vigorous and physical, more a stabbing than a tapping.

And when writing was much like a fight and could hurt, then the emotions which informed the writing had expression in the pointed thumping.

Did we write more aggressive­ly then, or less, given that we were expending our emotions in the thrusting, battering and slinging. Ding!

I took my little Imperial to India with me in the ’70s. I had bought it for £16 in Woolworths and I grew to love it. After a few years there the white enamel keys were stained with turmeric, but it travelled with me, on steam trains and rickshaws and tongas — jaunting cars — into grim rooms in the bustling cities or hostels by the Ganges or in the Himalayas.

And it never froze on me or showed me a blank blue screen, never had to be plugged in and never lost my writing.

I never had to reconfigur­e or even reboot it. Nor did I have to register it online, download firmware or software or worry about viruses.

It didn’t remember anything, but then it didn’t forget anything either.

A wee drop of oil and a new ribbon was the only upgrade it ever needed.

I didn’t have to do the equivalent of an old A-Level to learn how to work it and I never felt inadequate in the face of its unrealised potential. It was a typewriter. You typed on it. It was lovely. IN a country not exactly noted for its sunshine, it seems bizarre in the extreme that Northern Ireland does not have a dedicated centre for those seeking to play tennis at a high level.

While the O Zone in south Belfast is open to the public, it is widely recognised by all of the main coaches in Ulster that the surface is not ideal for those wishing to develop a game for the highest level due to the speed of the court.

The Ulster squad have to rent courts from Belfast Boat Club to carry out their weekly programme which is far from ideal as they run into issues with members eager to use the courts in the bubble — a plastic covering used by many clubs.

It is also the case that the cost of using the Boat Club’s takes valuable finance away from Ulster Tennis which is starved of money, with none of their top players receiving any funding for their developmen­t — whether that be for training costs or travelling to tournament­s in England and Europe.

The need for a dedicated centre is there for all to see and this was recognised by government when Northern Ireland was offered the chance of a legacy from London 2012.

A tennis centre at Hillsborou­gh had been agreed but just as the plans were to go to the next stage the money was taken away and handed back to London.

But now is the time to revisit this and with the World Police and Fire Games coming to Northern Ireland next year, it would be ideal to have such a venue in place.

The event is to be hosted by Belfast Boat Club as part of one of the biggest events ever to be staged in Northern Ireland.

But if the weather turns sour as did last year for the Ulster championsh­ips when courts were flooded, a contingenc­y plan would be required and unless the O Zone is resurfaced there will not be one.

The O Zone is down for resurfacin­g by Belfast City Council and that would be a starting point, but the Ulster Branch and Sports Council need to look at this issue of an indoor facility for the use of our top players once more as it is badly needed.

While other sports seem to be able to garner major funding for the developmen­t of stadia with little problem, tennis is one which has been left out in the cold and that needs to change in order for our kids to have the same chance of playing at the highest level as those from England, Scotland and Wales.

Hopefully the Ulster Branch can work with the City Council and government to make this a reality.

DAVID KELLY

 ??  ?? Old hat: legendary US columnist Walter
Winchell and (below) a former Belfast Telegraph business reporter
taps out a story
Old hat: legendary US columnist Walter Winchell and (below) a former Belfast Telegraph business reporter taps out a story
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