Bray People

Spike Lee’s satire on corruption and bigotry pricks the conscience

BLACKKKLAN­SMAN (15)

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RELEASED almost exactly one year after the Unite the Right rally in Charlottes­ville, BlacKkKlan­sman handcuffs racial divisions in present-day America to the outlandish true story of a black police detective, who infiltrate­d the Ku Klux Klan in the 1970s.

Director Spike Lee’s impassione­d, conscience-pricking satire on corruption and bigotry is based on a memoir by retired Colorado Springs officer Ron Stallworth and walks a tightrope between fact and stranger-than-fiction, seising every opportunit­y to echo battle cries of the 2016 US presidenti­al election.

Thus, David Duke, the former Grand Wizard of the Ku Klux Klan, who is portrayed on screen by Topher Grace, proudly addresses a room of his ardent supporters and sincerely thanks them for putting America first.

‘America will never elect somebody like David Duke president of the United States,’ scoffs detective Ron (John David Washington) to colleagues on the force.

Lee, who co-wrote the script, makes abundantly clear his thoughts on history repeating and he bookends his callto-arms with sickening footage from Charlottes­ville of a car being driven at speed into counter-protesters, which left one woman dead and many other people injured.

A disorienti­ng opening salvo featuring Alec Baldwin as a tub-thumping white supremacis­t segues to Colorado Springs.

Ron ( Washington) is persuaded to join the local police force as part of a diversity drive.

This doesn’t include visibility because Ron is consigned to the records room, where he suffers abuse from fellow officers like Andy Landers (Frederick Weller).

Eventually, Ron compels Chief Bridges (Robert John Burke) and Sergeant Trapp (Ken Garito) to utilise him in the field and he goes undercover at a local rally organised by Patrice Dumas (Laura Harrier), president of the black student union, who has invited civil rights leader Kwame Ture (Corey Hawkins) to speak to the membership.

Back at headquarte­rs, Ron responds to a newspaper advertisem­ent for new members for the Ku Klux Klan and he impresses local chapter president Walter Breachway (Ryan Eggold).

Ron foolishly gives his own name over the telephone so when the time comes to meet Walter in person, Detective Flip Zimmerman (Adam Driver) poses as Ron and spits out racist bile on cue to perpetrate the deception.

Walter’s second-in-command Felix Kendrickso­n (Jasper Paakkonen) isn’t convinced but his concerns are overruled when the real Ron develops a telephone friendship with David Duke (Grace), who is due to visit Colorado Springs in a few weeks.

BlacKkKlan­sman nestles uncomforta­ble truths in an outlandish narrative, which pays tribute to ‘ the Jackie Robinson of the Colorado Springs police force’ as he outwits the KKK from the inside. Washington and Driver are a groovy double-act and the script strikes a pleasing balance between suspense and humour.

Lee occasional­ly over-eggs his deliciousl­y tart pudding like his choice to juxtapose climactic scenes of characters chanting ‘Black Power’ and ‘White Power’.

Sometimes, restraint lands the heaviest blows.

RATING: 8/10

 ??  ?? Adam Driver and John David Washington as detectives Flip Zimmerman and Ron Stallworth inBlacKkKl­ansman.
Adam Driver and John David Washington as detectives Flip Zimmerman and Ron Stallworth inBlacKkKl­ansman.

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