Hot Press


It was the year Alison Spittle went supernova courtesy of her acclaimed new sitcom, Nowhere Fast. She talks about the creative process behind the series, finding comedy in smalltown life and her brilliant new stand-up show Worrier Princess. Interview: Pat


Alison Spittle is in a good mood, as she should be – 2017 has really been her year. Her highlight?

“I was asked to headline Vicar St,” replies the comic. “I got that phone call while I was making my own TV show. That’s hard to beat.” The TV show in question is Nowhere

Fast, a riotous comedy based in the wilds of the midlands. Hot Press spoke to Alison only a few days after the first episode aired, but the show is already a hit, lighting up social media. Spittle, who co-wrote the show with partner Simon Mulholland, plays Angela, whose media career hits the skids after an ill-advised on-air comment (“He’s the kind of fella who would wank over a pile of briquettes” – a line that shall live in infamy), forcing her to move from Dublin back to the family home in Athlone. Two characters stand out straight away, the overbearin­g

Mammy (Cathy Belton), and Angela’s loud of mouth and loose of moral mate, Mary (Clare Monelly).

The obvious question: a they based on actual people?

“I think we all have one of those pals that we grew up with whose behaviour is unacceptab­le,” reflects Spittle, “but because you used to play curbs with them, you explain it away to strangers with a ‘Don’t worry about it, it’ll be grand!’ And bits of the Mam are based on my own, she’s very supportive. She was very soft on me in my teenage years; I’d mitch off and light up a fag and have a cup of tea with her. And her friend would come along with all the gossip, and we’d go at it like football analysts.”

The show does go dark – suicidal depression, abortion, binge drinking – but Alison puts this down to the minutiae of small town life.

“Abortion happens and I know so many people who have attempted suicide,” she says. “It’s too common to be taboo.”

Should we be able to laugh at these things? “Yes! The biggest laughs I’ve had have been at funerals! The last comedy show based in the midlands was Pure Mule, which came out when I was in school. I remember that they filmed the nightclub scenes in Moate, and we thought Hollywood had arrived, so I’m proud to be able to bring it back. The problem is I can’t live there ‘cause I can’t make my living. I love Dublin but I grew up in a small estate in a small village.

If I had to emigrate to the UK or America that would break my heart.”

It’s where a lot of Irish comedy writers end up though. “I know, I guess I have to be open to that as well.” Is it possible to make a living at it here? “I don’t know, Dublin’s very small but I’ve said to my partner, we have to make it work.”

Alison first gave stand-up a go while interning on local radio, and loved it, prompting her move to Dublin. “I don’t drive, which makes it impossible to do it from Westmeath.”

Hard work lead to spots with Des Bishop, Republic Of

Telly and a short for Sky Arts. Producer Ailish McElmeel, co-founder of Deadpan Production­s (Moone Boy), saw Spittle performing in the Internatio­nal Bar, and felt there was mileage in the Spittle mother/daughter relationsh­ip. Mulholland and Spittle were persuaded to write a pilot.

“There was two years of going back and forth over it,” explains Alison, “and eventually we got somewhere. It was a lot of work when you don’t know where it’s leading to, but when you’re given the opportunit­y…”

It hasn’t been all butter; Spittle has her men behaving very badly story too. “It was my first gig outside Dublin, an older comedian was headlining, he was terrible. I invited loads of people back to my hotel room, but he wouldn’t leave. I was half asleep but he kept poking me and telling me I was attractive for a fat girl. He took off his trousers and the next morning, he had stayed in the room all night. He left and then very theatrical­ly went, ‘Oh! I forgot my trousers!’ So I stopped him in the hall in front of people and said to him ‘Are you trying to say we rode?’ I made him say ‘No’ and that was that.” Jaysus! “Yeah – and that was the Disney version!”

Spittle is currently on her Worrier Princess tour (“Naas was class!”), which includes that daunting Vicar Street show. “It’s a massive worry, but hopefully the TV show will sell it. Either that or I’ll be e-mailing everyone I ever met! I’ve already made sure the in-laws and friends have bought tickets” They had to pay? “Oh yeah.” Sell us the show. “It’s about me getting the TV gig, and breaking up with my therapist.” That’ll do.

Aside from the personal triumphs then, how was 2017 for Alison? “I love Everything Everything’s fourth album Fever Tree, and for a movie I’ll go for Boy, directed by Taika Waititi – his mum is dead and his father comes back from prison. It’s so funny, although it mightn’t sound like it! The best gig was Chris Rock – we weren’t allowed to use our phones, so I had to try and actually remember things. It changed my perspectiv­e on what to expect from gigs, and there was a fight in the crowd!”

Any hopes for 2018?

“That I’m still able to do stand-up comedy in Ireland, and I hope people aren’t sick of me.”

There is little chance of that.


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 ??  ?? Virgin on the ridiculous: Alison makes a charity shop purchase
Virgin on the ridiculous: Alison makes a charity shop purchase

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