Irish Daily Mail

The intriguing slave girl love story in Beyoncé’s family tree

As singer reveals an extraordin­ary secret, we uncover the truth about the ...

- by Sue Reid

TIME and again, superstar singer Beyoncé has topped polls as the world’s most beautiful woman. Few who saw the front cover of the most recent edition of Vogue, which featured a dramatic photo of the multimilli­onaire music icon posing in floral headdress and white Victorian-style dress, would care to disagree.

Just as captivatin­g was the remarkably candid interview that accompanie­d it, in which the usually reserved Beyoncé opened up about her black, white and mixed-race ancestors who hailed from Louisiana, in America’s Deep South, where a brutal slave trade flourished for nearly 150 years until abolition in the middle of the 19th century.

Beyoncé explains to Vogue that her family has had its ups and downs, particular­ly with relationsh­ips.

Then she drops a fascinatin­g bombshell: ‘I researched my ancestry recently and learned I come from a slave owner who fell in love with and married a slave.’

It was a remarkable discovery, one the Mail has investigat­ed further and found that she is indeed descended from slaves.

We have traced Beyoncé’s family tree back to 1800 and found her great-greatgreat grandmothe­r, a black woman slave called Rosalie Jean Louis who was born that year.

According to US records, she escaped from a terrible life of slavery by marrying Joseph Lacey, a well-off white American merchant. The fact he owned slaves has not been confirmed by historical records. However, given the widespread prevalence of slave ownership among the population of Louisiana at the time and his relative wealth, this could certainly be the relationsh­ip between a slave owner and a slave to which Beyoncé referred in her interview.

One record shows that Rosalie’s own mother was also likely to have been a slave called Louis Mary Jean, who was not even given a surname by her slave master.

Sadly, no picture of Rosalie or Joseph has survived. However, we do know that in 1830 they had a daughter, Célestine Josephine Lacey.

Known to her family as ‘Tine’, she grew up to be a handsome woman with the same striking eyes as Beyoncé.

In the picture of her as a young woman, she looks serenely at the camera and wears a finely embroidere­d dress with scalloped sleeves and neckline which shows off her perfect figure and tiny waistline.

What happened next to Tine, the woman in this photograph, is a particular­ly intriguing part of the story of Beyoncé’s ancestry.

For this mixed-race girl became the life-long mistress of a married man of French descent called Éloi René Rosémond Broussard, who had set up a farm in the thriving sugar plantation­s of Louisiana where by 1860, four years before abolition in Louisiana, 331,000 slaves toiled under the sun.

Éloi had married convention­ally enough in 1845, when he was 24, to a local girl called Rose Hebert. They went on to have two children.

However, in what must have provoked raised eyebrows at the time, Éloi hired mixed-race Tine as the family’s housekeepe­r, whereupon the two became lovers and over the years had 13 children, one a daughter named Odelia, who was the great-grandmothe­r of Beyoncé.

According to US genealogis­t Christophe Landry, who uncovered the illicit liaison: ‘Éloi and Tine’s story is not one of rape. It is one of an open and acknowledg­ed relationsh­ip.

‘Although Éloi had married Rose, he spent most of his adult years in open concubinag­e with Tine.’

LANDRY says Éloi and Tina never married. ‘The couple, unlike many others, did not take advantage of the 1868 Louisiana constituti­on which permitted inter-racial marriages,’ he says in a blog on Beyoncé’s heritage.

‘But Éloi acknowledg­ed paternity of all of his 13 children with Tina in their birth and marriage records.’

He also attended all the civil and church ceremonies for their brood of children, when he formally stated that he was the natural father of the son or daughter in question.

‘In addition, Éloi reared his children with Tine in his own home,’ says the genealogis­t. ‘He was present at

the first of their children’s marriages in 1872 and the last before he died.’

To add to his remarkable story (for we can only wonder what his wife Rose thought of the arrangemen­t) there is the theory that Tine — by then 43 — and Éloi, six years her senior, did marry at a ceremony in Iberia, Louisiana, in 1873. A church record, which is

disputed by Landry and other genealogis­ts as a case of mistaken identity, has been found by the Mail. It states that their marriage took place a suitable amount of time after the death in 1865 of Éloi’s first wife, Rose.

It is yet another twist in this love story which, incredibly, survived the huge prejudices of the time against slaves, who had been brought by French settlers from Africa, and their descendant­s.

All this will now be known to Beyoncé, who says in the Vogue interview that she is coming to terms with finding the truth of her extraordin­ary heritage. ‘I have processed the revelation (of slave ancestry) over time,’ she told the magazine.

Éloi died in 1904 at 79, but the woman recorded in US census records as his ‘servant’ lived on. The 1920 census recorded Tine as a single woman of 90 still living in Iberia, where she died two years later.

She left behind at least ten children still living. These included Odilia, who was by now 58 and had married Eugène Derouen, a self-employed farmer.

At this stage, the fortunes of the family appear to take a dip. The couple lived in Vermilion, Louisiana, where Odilia had 18 children, two of whom died. She never attended school and was unable to read and write.

BOTH Eugène and Odilia are described in US records as ‘mulatto’, a term of the time to describe people with one black parent and one white parent or two ‘mulatto’ parents.

One can only imagine the difficulti­es they faced in this part of America, riven as it was by racial tension.

However, their youngest child was to prove a remarkable success story. Agnès Derouen, Beyoncé’s grandmothe­r, was born in 1909 and went on to become a renowned and skilled seamstress in Louisiana.

Talented and self-taught, her fame spread throughout the state where she had a host of private clients. She made their outfits stand out by decorating the fabrics she used with unique embellishm­ents of embroidery, smocking, lace, beads and jewelled buttons.

Her first marriage at 17 failed but her second, to a salt mine employee called Lumas Albert Buyincé, endured. She had seven children including Tina, the mother of Beyoncé, who has become a successful entreprene­ur. Her surname is listed on her birth certificat­e as Beyoncé, although she often uses the spelling Beyincé.

As Agnès prospered, she took her family off to Galveston in Texas, where the children were sent to private school.

In an interview with Ebony magazine, Tina once recalled that her mother made altar boy robes and other garments for the church so her children could attend Catholic schools.

In a sign of her admiration for Agnès, Tina named her fashion line House of Dereon — an adaptation of Derouen, her mother’s maiden name.

A picture of Beyoncé and Tina showed the two promoting the business surrounded by racks of glossy outfits. In a large silver frame on the shelf beside them is a charming photograph of Agnès in her youth.

It has been placed prominentl­y to catch the full attention of all who see the photograph.

Yet look at Agnès (pictured in the family tree above) carefully. You can see the remarkable likeness to both Beyoncé and her handsome great-great-grandmothe­r, who was born the child of a slave.

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