Irish Daily Mirror

Killer thrillers

Fava beans and chianti will never taste the same

- BY CHRIS HUNNEYSETT Mirror Film Critic

THEY are edge-of-the-seat viewing. Nail-biting and hair-raising. Suspensela­den thrillers have been a favourite of films fans since the early days of cinema. To mark a new season of the genre at the BFI this autumn, we look at the best thrillers of all time...

Double Indemnity - 1944

A glorious tale of greed, lust and betrayal, this fiendish film noir set the template for decades ahead. Directed by the legendary Billy Wilder, it was a box office smash and nominated for seven Oscars. Barbara Stanwyck, as the femme fatale, seduces Fred Macmurray’s insurance salesman, pictured, into killing her husband. With Edward G Robinson, the three were paid a third of the film’s £500,000 budget.

Notorious - 1946

A debonair British actor playing a spy, a gorgeous girl, an exotic location and the deadly pursuit for a cache of uranium... Alfred Hitchcock’s classic was a huge influence on the James Bond series. A ticking clock of post-war nuclear paranoia, spook Cary Grant seduces Ingrid Bergman, above, to foil a Nazi plot.

The Asphalt Jungle - 1950

Directed by John Huston, this tale of backstabbi­ng thieves is a pulsequick­ening look at moral corruption. Marilyn Monroe, at 24, shimmies through a brief appearance on her way to mega-stardom as the moll to a lawyer who finances a jewellery store heist. A big plus is the acting of Sterling Hayden, above.

Night of the Hunter - 1955

Loathed by critics, ignored by audiences and the Brit director Charles Laughton never made another movie. But in the years since, this southern gothic nightmare has been re-evaluated and is now hailed as a masterpiec­e. An attack on religious hypocrisy, Robert Mitchum, pictured, is an evil, money obsessed preacher pursuing Shelley Winters’ kids.

Point Blank - 1967

A counter-culture critique of the rat race where huge financial rewards are always one promotion away and crime has gone corporate. Angie Dickinson, below, stars with Lee Marvin at his hardboiled best as an ex-con chasing $93k from the mob.

All the President’s Men - 1976

The fall of President Nixon and the breakdown of trust in the political system was the catalyst for Hollywood to create a series of intelligen­t, gripping, socially aware, critically lauded thrillers. This is the third instalment of director Alan J Pakula’s “paranoia trilogy”. Dustin Hoffman and Robert Redford, above, star as the Watergate journalist­s.

Body Heat - 1981

Kathleen Turner was thrust from TV soap star to sultry big-screen siren in this erotic thriller, purring the line: “You aren’t too smart, are you? I like that in a man.” In this update of Double Indemnity, Turner is the trophy wife who seduces William Hurt, above, into murdering her husband.

The Silence of the Lambs - 1991

Graphic tendencies also infected horror films, which were given a big budget nip and tuck with this all-consuming monster success. Opposite FBI agent Jodie Foster, above, Anthony Hopkins, left, was catapulted into the big time for his portrayal of cannibalis­tic serial killer Dr Hannibal Lecter. Fava beans and chianti will never taste the same any more.

Basic Instinct - 1992

Over a decade of raunchy fare followed Body Heat – with films such as Fatal Attraction – reaching a crotch-flashing climax here. Starring Michael Douglas, Sharon Stone, above, and the appropriat­ely named Jeanne Tripplehor­n, it is controvers­ial due to its rape scene and exploitati­ve treatment of lesbian characters.

Get Out - 2017

This year’s minibudget breakout hit is a sharp story of a mixed race couple caught up in a missing persons murder mystery. Starring Brit Daniel Kaluuya and Allison Williams, above, it offers an honest and uncomforta­ble view of the world. BFI Thriller, runs from Friday, October 20 to Sunday, December 10 at BFI Southbank, online on BFI Player, and at selected UK venues. chris.hunneysett@mirror.co.uk

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