Irish Daily Mirror


Cert 12A ★★★★ In cinemas now, on Amazon Prime Video from August 5


Ron Howard isn’t the flashiest of movie directors but he’s the go-to guy for tense true stories with the number 13 in the title.

And a brief award-qualifying theatrical run for his new film for Amazon Prime Video suggests his paymasters believe he could repeat the Oscar-winning success of Apollo 13.

As with that space-disaster movie, Howard adds suspense to an outcome we already know. In 2018, 12 teenage boys and their football coach were rescued from a flooded cave in northern Thailand.

Howard doesn’t attempt to add any Hollywood melodrama. The former Happy Days actor just lets the facts do the talking. It’s the film’s strength but also its weakness.

In a straightfo­rward opening scene, we follow a children’s football team as they take a post-training bike ride to the Tham Luang caves.

Howard shows no interest in delving into their background­s or showing us how they got trapped so deeply in the cave system during a flash flood. Instead, the film quickly moves on to the media furore and attempts to rescue them.

As villagers toil on the mountainsi­de to divert water from the cave, Thai Navy SEALS make a failed rescue attempt.

But resident British national Vern Unsworth (Lewis Fitz-gerald) is an experience­d diver and calls in two middle-aged amateur cave divers from Britain, John Volanthen (Colin Farrell) and Richard Stanton (Viggo Mortensen). After several attempts, it’s these “old men” (according to the SEALS) who first reach the boys after a gruelling dive through tight passages and past sharp rocks.

But their parents’ celebratio­ns worry Stanton. Getting the boys out alive will be an almost impossible feat. He brings over another diver, Australian anaesthesi­ologist Richard “Harry” Harris (Joel Edgerton), who is given the terrifying task of sedating each boy so their unconsciou­s bodies float through cramped tunnels. It’s a brave plan fraught with danger.

Howard’s film grips but, if you want to understand the pressures endured by these divers, the documentar­y The Rescue is a tense and deeper take on the same tale.

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