Irish Daily Mirror

NEW BOOK ON FRA S BEA T T TAX

The British pop sta to escape the UK’S Ars who came to Ireland s draconian tax regime

- BY DEREK FOLEY IRISH ROCKER Phil Lynott ROBBIE FOX news@irishmirro­r.ie

FORGET the rare auld times — there was nothing like the glitz, hair and rock’n’roll aristocrac­y in Ireland in the mid-1980s.

It didn’t matter whether it was 10.15 on a Saturday Night or the weeks Inbetween Days – the country was teeming with young, gifted and British pop stars avoiding draconian UK tax laws.

Spandau Ballet, Frankie Goes to Hollywood, Thompson Twins, The Police, The Cure, Simple Minds, OMD, Fairground Attraction and others roamed the country towns and city streets.

Rock writer Damian Corless was a chronicler of the city’s rhythm back then and has recalled it all in a new book Tax, Drugs and Rock’n’roll.

It was the era of the British Tax Exile – facing being taxed at 90 per cent or more on earnings, who needed to stay out of the UK for a whole year. In the sixties, John Lennon – who bought Dorinish island off Mayo – contribute­d to fellow mop top George Harrison’s Taxman and The Kinks’ Ray Davies addressed the tax system in their song Sunny Afternoon.

So by the time we got into the 1980s, world-famous stars such as Status Quo’s Francis Rossi and Def Leppard’s Joe Elliott were part of the capital’s landscape – a nouveau riche band of pop acts, whose accountant­s were paying attention.

Ireland’s relative light-touch regulation coupled with the convenienc­e of the Common Area travel with Britain made it appealing.

HAMMERED

So it was Wednesday night in Dublin’s celebrity club, The Pink Elephant; Thursday night on Top of the Pops, Friday afternoon filming The Tube, and then Friday night back in Grafton Street’s legendary The Bailey.

As Corless reveals, this was a pop star cadre netted and corralled as part of a plan by an ambitious former Ballymun and Coolock bartender turned manabout-town and nightclub host, Robbie Fox.

The fantastic Mr Fox had initially set up The Pink Elephant for ‘Trinity-types’ but he kept a reserved table for Phil Lynott and – on almost promotiona­l visits to the Bailey each night – would remind the often hammered rock star where the free drink was.

On first contact in Dublin, any new band would likely be told ‘ah yeah, the Pink Elephant, sure Phil Lynott has a table – he is always there!’

Lynott was part of the opening up of Ireland to a changing world, the first Irish rocker on Top of the Pops at a time when the Irish on it featured forty-shades-of-folk, like The Clancy Brothers and the Dubliners.

Robbie Fox tells Corless: “I heard Tony Hadley from Spandau Ballet interviewe­d when they did a show here recently and the only thing he could talk about was The Pink Elephant.

“All of the Spandau guys really took to Ireland and Ireland took to them.

“That all started around 1984-85 and went on for about four or five years when there was a spotlight on here.

“Every magazine in the world was writing about us. The New Yorker compared The Pink Elephant to Studio 54!”

But there was also a Pink Elephant-associated act starting to conquer not just the UK and Europe but the USA: U2.

By 1987, the Joshua Tree had turned them into the biggest band on the planet and, of course, it gave them access to Lear jets and a mobility only dreamed of by mere mortals.

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got a phone call from Basel, Switzer, as they were walking off stage: bbie, if we make it back to Dublin n, will you still be open?” fferent bands and individual­s ted to Ireland in different ways, and all went native. oe Elliott got himself into Irish ety very quickly as did the band’s der member Rick Savage. The Spans not so much, they remained ish.” olly Johnson was in the Pink a couple mes but didn’t mix with the party wd. Other members of Frankie Goes

ollywood, guitarist Brian Nash and

drummer Peter Gill, led the charge.

“They paid their way, they paid their bills and Irish people being Irish people didn’t bother them,” adds Fox before explaining ‘the big nights’ were Mondaytues­day – and black was the only colour.

“I would look over the club on a Monday night and not see a trace of colour. Monday night was like Saturday night because it was off-duty night for rock’n’roll. It was the only night that rockers didn’t work.

“The club would be packed and [everybody] wearing black. Fast forward to the actual Saturday night and all the models and hairdresse­rs get their night off and there’s colour everywhere!”

Of course not everybody was enjoying their tax-haven as partyland.

Post punk auteurs The Police had, unlike their UK peers, broken the US market and money was pouring in.

Both lead singer Sting and guitarist Andy Summers booked passage across the Irish Sea.

Sting, then married to Irish actor Frances Tomelty, had moved to an almost ‘big house’ pile in Roundstone in

Galway, opposite windswept Inishee island.

“My back garden looked out on the Atlantic, it was a beautiful place, we just sort of fell in love with it,” said Sting. “We found this beautiful house, surrounded by a sea wall with fantastic views of the mountains and the sea. We loved it.”

Andy Summers purchased a similar house in Kinsale and moved in with wife Kate and daughter Layla.

“There was nothing to do but walk along the cliffs and gaze at the wild beauty of the countrysid­e.

“Life seemed to be about the ability to get through the next day, keep the damp out of your bones and pass the long, grey hours.

“Instead of the pleasure of popular success, we were faced with the harsh reality of grey weather, bone-chilling damp, biting wind and bad food – all to beat the taxman.”

Tax and Drugs and Rock n’roll: The Years That Went Whoosh! By Damian Corless is published by Mirror Books and is out now, priced €14.99

There’s a big date coming up for cat owners. From

June 10 in the UK, all cats must be microchipp­ed and officially registered under new rules to combat pet theft. The law applies to all cats over 20 weeks and owners failing to do this face fines or having their pet confiscate­d. Madison Rogers from Cats Protection says: “The charity regularly reunites owners with their much-loved cats, and in most cases, this is only possible

thanks to microchips.”

 ?? ?? HUGE
The Police
HUGE The Police
 ?? ON FRANKIE GOES TO HOLLYWOOD ?? EXILES Holly Johnson, lead singer with Frankie Goes To Hollywood, with partner Wolfgang Kuhle in March 1985, and the rest of the band, above
They paid their way, they paid their bills
ON FRANKIE GOES TO HOLLYWOOD EXILES Holly Johnson, lead singer with Frankie Goes To Hollywood, with partner Wolfgang Kuhle in March 1985, and the rest of the band, above They paid their way, they paid their bills
 ?? ?? PINTS Alannah Currie and Tom Bailey from The Thompson Twins inside Dublin’s famous Doheny & Nesbitt in February 1987; right, band in heyday.
PINTS Alannah Currie and Tom Bailey from The Thompson Twins inside Dublin’s famous Doheny & Nesbitt in February 1987; right, band in heyday.
 ?? ?? ROCK ON Status Quo, and Robert Smith from The Cure, above, and Def Leppard, right
ROCK ON Status Quo, and Robert Smith from The Cure, above, and Def Leppard, right
 ?? ?? GONE FISHING Sting in 1980 in a location believed to be in Ireland
GONE FISHING Sting in 1980 in a location believed to be in Ireland
 ?? ?? AUTHOR Damian Corless, and his book, above right
AUTHOR Damian Corless, and his book, above right
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