Irish Independent

THE CITY AS A STAGE

Private residentia­l homes are opening their doors for Open House, writes Róisín Carabine

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Landmark buildings, boats and private homes take part in Open House 2017

The beams are painted green and pink, creating the illusion of depth

IN TWO weeks’ time, over 100 of the capital’s buildings will fling open their doors to let the public enjoy spaces usually closed to them, as part of Open House Dublin.

Run by the Irish Architectu­re Foundation, and taking place from October 13 to 15, the theme for this year’s free celebratio­n of the city’s best architectu­re is ‘The City as a Stage’.

As well as granting entry to landmark buildings such as Berkeley Library at Trinity College and the new Central Bank of Ireland, RIAI award-winners and a number of global corporate ‘homes’ including Airbnb and Facebook HQ also feature.

Exhibits include an energy-efficient housing scheme for senior citizens, a pioneering family home made from shipping containers and several Grand Canal houseboats.

But Open House is useful on many different levels. For example, if you’re looking to build your own home extension and want someinspir­ation — or the right architects for the job.

There’s a number of private residentia­l homes on this year’s list. If you’re among the 21pc of Irish homeowners planning on carrying out repairs and renovation­s this year and hoping to take advantage of the extension to the Government’s Home Renovation Incentive (HRI) scheme, Open House is a great opportunit­y to see how others have pulled it off.

Whether you’re revamping a tired period property or struggling to make the most of your shoebox semi-d, it might be worth heading out to glean a few tips from the experts.

Here’s our pick of the best home extensions (with renovation­s) on view, including one extension so new, it’s still being finished.

STUDIO FOR A STAINED GLASS ARTIST

This glazed, box-clever extension on the back of a terraced house in Dublin 8 proves that thoughtful­ly designed, small-scale additions can be just as transforma­tive in bringing in light and connecting spaces.

Designed by architect Eamon Peregrine as a studio for a stained glass artist and keen gardener, this tiny 80 sq ft extension takes its inspiratio­n from a bookcase that Peregrine designed with fellow architect Tom Maher as part of their collaborat­ive furniture project, 8by4.

“The structure of the studio is made from horizontal and vertical interlocki­ng planks, cut from 8 by 4 sheets of birch plywood with minimum waste, and supports a frameless glazed box,” says Peregrine.

The plywood also cleverly provides shade from direct sunlight and shelving to display the clients’ collection of glass objects.

It’s a masterpiec­e of constructi­onal genius, given that the whole plywood structure slots together without the use of fixings or glue, while seamlessly and effortless­ly opening up the back of the house to the garden.

Outside, a shed at the rear of the garden, which houses a glass kiln, has been cleverly disguised using mirrors, which allow it to visually disappear into its surroundin­gs.

Number 12 St Alban’s Road, Dublin 8 is on view Saturday, October 14, 11am to 5pm.

CONSERVATO­RY ROOM

The transforma­tion of this two-up, two-down in Killester, North Dublin is a lesson in how to successful­ly tackle that tricky fusion of modernity with 1950s suburban Irish architectu­re.

Rather than follow the current trend of contrastin­g old with new, where add-ons are a dominant feature, this rear garden extension by London-based Irish architect David Leech takes a more ‘whole-istic’ approach. The result is a building that reads as one singular entity.

The modest 410 sq ft ‘conservato­ry room’ takes its cue from the house’s Edwardian characteri­stics and is reminiscen­t of a traditiona­l orangery.

“The idea was to create something both familiar but also new by exaggerati­ng and amplifying existing features without doing a pastiche,” says Leech.

This is expressed in the extension’s clever yet stunningly simple structural constructi­on using readily available, off-the-shelf building materials presented in new and creative ways.

The roof is a prime example. Exposed beams are laid at 45 degrees, creating a striking shallow coffer. The beams are painted green and pink where the roof glazing is, creating the illusion of depth.

Outside, a pilaster wall continues from the extension connecting to an outhouse to create a courtyard with an open trellis overhead providing shelter and shade.

Number 22 St Brigid’s Road, Killester, Dublin 5 is on view on Saturday, October 14, 2pm to 5pm.

DIAGONAL ADDITION

Designed by architectu­ral practice Architectu­ral Farm, this 1930s two-bed semi-d in Raheny was given an injection of light and a new lease of life with the addition of a large 1,022 sq ft two-storey extension to the rear, upping its footprint to 1,776 sq ft.

Shane Cotter and architect partner wife Catherine Wilson are brilliant with difficult spaces and on this large west facing, wedgeshape­d site, it shows.

The brief was to create an open-plan family living/dining/kitchen space that connects to the garden but doesn’t forget the old house, creating a master bedroom and bathroom upstairs.

“The new structure at ground floor takes its design cue from the garden site, twisting to create diagonal views through the house from the original front living space through the new hallway and out to the garden via a cantilever­ed window seat,” says Cotter.

It’s designed both inside and out in stark contrast to the old. Sliding orange doors separate the old house from the new living space with its polished concrete floors, exposed timber roof beams and pale grey walls.

Number 512 Howth Road, Raheny, Dublin 5 is on view Saturday, October 14, 11am to 5pm.

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 ?? PHOTOS: STE MURRAY, DAVID LEECH ARCHITECTS, ROS KAVANAGH ?? Clockwise from top: A studio for a stained glass artist, and inset, architect Eamon Peregrine; conservato­ry room and, inset, architect David Leech; the studio from the outside with shed, on left, disguised using mirrors; courtyard outside the conservato­ry room with open trellis overhead; a diagonal addition to a two-bed semi-d and, inset, architects Shane Cotter and Catherine Wilson, Architectu­ral Farm
PHOTOS: STE MURRAY, DAVID LEECH ARCHITECTS, ROS KAVANAGH Clockwise from top: A studio for a stained glass artist, and inset, architect Eamon Peregrine; conservato­ry room and, inset, architect David Leech; the studio from the outside with shed, on left, disguised using mirrors; courtyard outside the conservato­ry room with open trellis overhead; a diagonal addition to a two-bed semi-d and, inset, architects Shane Cotter and Catherine Wilson, Architectu­ral Farm
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