Line-up announced for Spilt Milk Festival
THE line-up for the fourth annual Spilt Milk festival has been announced.
After three years of multi-venue hopping around various pubs, clubs, galleries, cafes and spaces across Sligo town, the north-west festival dedicated to experimental and alternative sounds, returns to The Model, its new primary home.
Over three days, from November 18 to November 20, the festival will once again prod the margins of Ireland’s leftfield musical spheres. For the fourth edition, the curatorial approach remains unchanged with this year’s line-up featuring a mix of returning faces, some in new guises, along with a selection of debuts and rare appearances from Ireland’s experimental, electronic, punk and folk scenes.
Junior Brother will make their first trip to Sligo and for their performance at Spilt Milk will play as a five-piece. The project of Co. Kerry singer Ronan Kealy, it conjures music that is both excitingly forward-looking and anciently evocative. Autumns is an outlet for electronic post-punk, fused with elements of dub and sound experimentation. The Number Ones make a welcome return to the live stage with a new iteration, these eastcoast rockers will bring their energetic power-pop.
Across the weekend, Clara Tracey will sprinkle her jazz-infused sounds, The Bonk evoke elliptical rhythms and repetitive ritualistic wordplay and Rún, the experimental collaboration of Tara Baoth Mooney, Rian Trench and Diarmuid MacDiarmada offer a visceral sonic feast. Elsewhere, expect pounding rhythms from melodic post-punk trio Extravision also resurfacing with a new line-up, while new bands come in the shape of Snake with their blistering cacaphony of hardcore punk and Moving Statues, a new collaboration from Galway veterans Brian Kelly and Keith Wallace offering up noise-damaged synth pop.
Marge Bouvier return to Split Milk after their debut appearance in 2019, the Simpsons-dubbed Sligo experimental outfit provide local-flavoured absurdities and making the furthest journey is the Cork-based DIY stalwart Declan Synnott, re-working his new album based around synthesised and accidental sound for a live setting.