Sunday Independent (Ireland)

MY FAVOURITE ROOM

Magazine mogul Norah Casey’s home is a beautiful example of a Victorian villa-style residence, but she wasn’t happy in it. Change was essential to her well-being. Edited by Mary O’Sullivan. Photograph­y by Tony Gavin

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Inside Norah Casey’s home of the year

‘Two roads diverged in a wood, and I took the one less travelled by, And that has made all the difference”, is a well-known quote by Robert Frost, and though she doesn’t quote him she is much more likely to spout the poetry of women it’s as if media mogul Norah Casey lives her life by these words.

Most people, when faced with a life-changing event, take stock and usually end up demanding less of themselves; a standard response is: “I need to take time to smell the roses”, or sentiments to that effect. Not Norah. Or, rather, she goes through the motions of pulling back, but in fact opts to do much more.

Take, for example, when her beloved husband Richard passed away in 2011 after a six-month illness; instead of taking life easy, Norah — who runs a stable of magazines including Tatler, Woman’s Way, Food & Wine — threw herself into a whole new career as a broadcaste­r, both on radio and TV. She took a summer off, but that was it. And ever since then she’s been powering on with all sorts of projects.

She got another wake-up call last autumn when she began to feel really ill and almost died, but, being Norah, she is back in the driving seat and planning a huge enterprise called Planet Woman.

Many women are called superwomen, and Norah is one of those; at moments, she obviously believes the soubriquet. At the time she was struck with illness, she was organising what was to be the inaugural Festival Of Women event. She decided that it was not a good time to be ill, and basically ordered the illness to go away.

But it refused to budge. “It was really bad; I nearly died, and that’s the honest truth. I’m still pretty cross with myself, I was five days ignoring this rip-roaring pain in my tummy,” Norah recalls. “I don’t know what I thought it was, but I was in that frame of mind where I thought I couldn’t be sick and I was determined­ly ignoring it, saying, ‘It’s food poisoning, it’ll go away’. I don’t know what I was thinking.”

However, the pain worsened. “I was out in RTE on the Friday; at that point, that was day five of pain. I’d had two days of pulling the car over, to double up with pain. I was vomiting, I wasn’t eating, I was really feeling rough. But I drove out to RTE, went into the studio and that’s when my appendix ruptured. I still went through the whole of Friday night without a doctor,” she muses.

Fortunatel­y, when a friend arrived

‘I nearly died and that’s the truth. I’m still cross with myself, I was five days ignoring this rip roaring pain’

to take her to a lunch on the Saturday, Norah’s 18-year-old son Dara intervened and begged his mum’s friend to take Norah to hospital.

She ended up in Blackrock Clinic where, after an ultrasound, the consultant told Norah that while her inflammato­ry markers were supposed to be seven, hers were actually 370. Her appendix was seriously damaged and pus was oozing out.

During the first night in hospital, her colon ruptured as well, and her appendix developed gangrene, and they took her to surgery. “The consultant did say to me, ‘It’s filthy dirty in there, it’s going to be nasty. You’re not going to recover easily’. There were pints of pus coming out of me all the time. I don’t know how my friends came to visit me — it was so bad, the nurses used to put cocoa beans under the bed to take away the smell; it was disgusting,” Norah, a former nurse, elaborates.

She was in hospital for six weeks; she wasn’t able to eat or drink and was terribly debilitate­d. She kept thinking of the possible consequenc­es if she hadn’t finally gone to hospital.

“Imagine dying of that? My poor husband got a cancer that you couldn’t prevent or cure, and I allowed this to happen to me,” Norah says. “I could have died. In the early days, the doctors were saying I should be in the morgue. It was the biggest life-changing experience for me. I might have died from something I could have prevented, instead of ploughing on and pretending I was superhuman,” she notes, adding, “I do have a tendency to want to be superwoman; it was a harsh lesson.”

But that doesn’t mean she’s going to take a year off any time soon. “I have to find the right balance between keeping my brain active and not overdoing it,” she says. And she feels Planet Woman is going to be the happy medium. “It’s loosely based on the fact that I do a lot of mentoring, and I’m very conscious of the fact that when I walk away, there’s nothing there to keep the women on track. So I decided to do something specifical­ly for women in the corporate world.

“Before setting it up, I decided to

find out what’s really different between women and men, and work from there,” she explains, adding that she felt there must be something concrete that holds women back from succeeding in the way men do — banks and other corporatio­ns have the same learning materials for all their staff. “Both John and Mary have the same qualificat­ions. Why does John get to the top and Mary doesn’t?” Norah muses. “I have a firm belief that there are a lot of things I can’t change. I can’t change things around discrimina­tion, I can’t change a company’s culture, but I can change the woman herself,” she says confidentl­y.

Norah got a handful of dedicated people on her team to go though the available research to find out the proven difference­s between the sexes, and she decided she would base Planet Woman on that. Her researcher­s came up with only a few difference­s, but they are key.

According to Norah, the first difference is the rumination centre the amygdala: a woman’s brain responds more readily to negative stimuli than a man’s. In a nutshell, if you say something negative to a woman, she’ll dwell on it for a long time; a man dusts himself down and gets back in the ring, so women’s way of dealing with things drives men mad. “It’s an ability to look at failure; it’s incredibly important in business, but it’s just not recognised.” says Norah. “Women like to pore over the ruins but men don’t, and it causes a disconnect.”

The second difference is the worrywart centre. “While men went out hunter-gathering, women stood on the mountain and watched for danger, and women still have this ability. It’s the ability to look at danger in the future,” she says. “Women will always look out for risks. So when Christine Lagarde said we should have had more Lehman sisters than Lehman brothers, what she means is women are more risk averse. It’s a powerful tool to have in a business, but again it’s just not recognised.

“In areas of legal, finance and tech, where you need caution, women do brilliantl­y, but in your average boardroom where the chairman of the board is trying to get people excited about a new strategy, you’ll have the women on the board saying, ‘What if everyone hates it?’, so the men don’t value the women.”

The third area is obvious women have oestrogen, men have testostero­ne. Because women are powered by estrogen, they’re powered to be team builders. Men are powered by testostero­ne, which makes them

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 ??  ?? Magazine magnate Norah Casey in her newly decorated bedroom. The starting point for the colour scheme was the trio of Patrick Scott pictures over the bed. The bespoke headboard, curtains and bed throws are from House & Garden Furnishing­s Top right Art...
Magazine magnate Norah Casey in her newly decorated bedroom. The starting point for the colour scheme was the trio of Patrick Scott pictures over the bed. The bespoke headboard, curtains and bed throws are from House & Garden Furnishing­s Top right Art...
 ??  ?? The dining table and chairs were dark until they were sprayed cream by Philip McKinney
The dining table and chairs were dark until they were sprayed cream by Philip McKinney
 ??  ?? The courtyard has been transforme­d into a great place for chilling, especially with the addition of artificial grass for Norah’s cow sculpture. ‘I love Miss Clover. She always makes me laugh,’ says Norah
The courtyard has been transforme­d into a great place for chilling, especially with the addition of artificial grass for Norah’s cow sculpture. ‘I love Miss Clover. She always makes me laugh,’ says Norah
 ??  ?? The console table, made of real petals embedded in resin, is by Sasha Sykes of farm 21, while the painting of Coco Chanel is by Katarzyna Gajewska
The console table, made of real petals embedded in resin, is by Sasha Sykes of farm 21, while the painting of Coco Chanel is by Katarzyna Gajewska

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