Sunday Independent (Ireland)

WHAT LIES BENEATH

Niall MacMonagle

- Rocco by Cayce Zavaglia

SAMPLERS and fire screens belong to a more pious, different era. But Cayce Zavaglia has made embroidery her own. Born Valparaiso, Indiana, Zavaglia says there wasn’t much of “Paradise Valley” about it — “it is flat and full of corn fields”. Aged one, her family moved to Australia, later to Dallas, aged 13. She said: “It was 1984 — the era of big money, big oil, big hair, a great culture shock for this little girl from Sydney.”

Cayce/Casey? Is there an Irish connection? “Yes, my roots on my mother’s side go all the way back to Ireland and my mum and grandma taught me a bit of cross stitch and embroidery as a kid but I am selftaught.

“I like to think that my work will resonate with Irish readers and the long-standing history of the handmade in Ireland and the wool industry.”

Zavaglia trained as a painter but switched to embroidery when she began having children.

Embroidery “is non-toxic and I could work in bits and spurts. Fiber is definitely the F-word of the art world. I hate the title ‘fiber artist’”. Between 2001-2008 I had four kids and worked from home in St Louis, Missouri. Each piece used to take six months to complete; now 6-8 weeks. She will not portray celebritie­s, nor will she accept commission­s.

This portrait is of her son Rocco, aged eight. She said: “It’s really important for me to portray those I know best, only family and friends. My way of documentin­g becomes a visual diary.

‘‘I had never sewn Rocco before and he was thrilled to see himself at the entrance to my 2014 exhibition at the Contempora­ry Art Museum, St Louis.

“For the longest time, the art world has kept a distance from this kind of work and it’s natural for me to want the viewer to approach the work with the assumption that it is a painting and then a medium magic occurs when they discover it’s embroidery.”

Sometimes a two-sided frame shows front and back.

The back is “abstract, slightly disturbing but we each possess two sides — the side that ages and everyone sees and the side we let few or no one see”.

She really has it all sewn up.

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