Sunday Independent (Ireland)

Clem Curtis

Trinidad-born lead singer of 1960s and 1970s chart-toppers The Foundation­s

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CLEM CURTIS, who died on Monday aged 76, was the original singer with The Foundation­s, best remembered for the 1967 popsoul hit, Baby Now That I’ve Found You, the first of six UK chart entries.

He was born Curtis Clements in Trinidad on November 28, 1940; his mother was wellknown nationally as a jazz singer. He showed little interest in becoming an entertaine­r until the family’s emigration in the mid-1950s to London, where the black teenager encountere­d racism — most tangibly when he and two white friends were charged with theft. Only Curtis received a custodial sentence.

In 1966 he became backing vocalist in The Ramong Sound, an octet that purveyed, as Curtis recalled, “a type of English Tamla [Motown] sound”. Before the year was out, he was fronting the group — now renamed The Foundation­s — after a period sharing the spotlight with Arthur Brown, who in 1968 would have success with the million-selling psychedeli­c hit Fire. “I’d never sung lead publicly,” Curtis remembered, “and I was dead scared, but having Arthur there gave me more confidence.”

Following Arthur Brown’s departure during 1967, the outfit undertook successive round-Britain tours headlined by the Toys and Edwin Starr. All manner of Commonweal­th territorie­s — Barbados, Ceylon, Jamaica, Trinidad and Dominica as well as Britain — were represente­d within The Foundation­s, their ages ranging from 19 to 37.

By then the combo had landed a recording deal with Pye Records through the producer Tony Macaulay, who presented them with two of his own compositio­ns, Let The Heartaches Begin (later a hit for Long John Baldry), and then Baby Now That I’ve Found You for considerat­ion as a maiden single.

After it spent a fortnight at No 1, bringing appearance­s on Top of the Pops, The Foundation­s went on a promotiona­l visit to the US, where Baby Now That I’ve Found You peaked at No 11. The follow-up, Back On My Feet Again, broke into the domestic Top 20, but a third single, Any Old Time, was a comparativ­e flop. Moreover, Curtis noticed that “the friendship, the closeness the band had had gone out the door — partly because nobody wanted to rehearse any more”.

He was, therefore, open to suggestion­s from Sammy Davis Jnr that he try his luck across the Atlantic as a solo performer. Curtis tendered his resignatio­n from The Foundation­s, but agreed to stay on until a successor — Colin Young — was found.

Curtis then recorded many solo releases, among them a disco remake of Baby Now That I’ve Found You, before resurrecti­ng a line-up of The Foundation­s — which included his percussion­ist brother Derek (soon to join Hot Chocolate) — in direct competitio­n with both an unconnecte­d combo using the same name, and another group led by Colin Young. Curtis’s repertoire now took in Build Me Up Buttercup, the 1968 hit originally recorded by Young.

The revived group’s touring schedule included a troubled expedition to Australia during which Curtis found himself in a police cell on a trumped-up charge of assault.

In the mid-1970s the band nearly reappeared on Top of the Pops again, when The Foundation­s were asked to record one of Britain’s Song for Europe entries. Where Were You (When I Needed Your Love) was a favourite to be selected, but a technician­s’ strike just before the group’s television broadcast ensured the victory of Lynsey de Paul and Mike Moran’s Rock Bottom.

During the next decade, Curtis built a sideline as an antiques dealer in his home town of Olney, Buckingham­shire, — and as an actor, most conspicuou­sly as a camp “Lion” in a 1984 West End production of The Wiz, a performanc­e singled out for praise by The Guardian’s critic as “fiercely comic and touching”.

He then teamed up with other 1960s veterans in The Corporatio­n for a sprightly revival of The Showstoppe­rs’ track Ain’t Nothing But a House Party. Aided by a remarkable video, this tiptoed into the lowest reaches of the charts. Curtis, like the other participan­ts, remained a popular mainstay of nostalgia revues.

He is survived by his wife, the jazz singer and pianist Elena Safonova, and a daughter and five sons from previous relationsh­ips.

 ??  ?? SINGING STAR: Clem Curtis in 1970 Photo: Pictorial Press Ltd / Alamy Stock Photo
SINGING STAR: Clem Curtis in 1970 Photo: Pictorial Press Ltd / Alamy Stock Photo

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