Sunday Independent (Ireland)

Fashion

Punk and the older woman

- Photograph­y by Lorna Fitzsimons Styling by Jan Brierton Fashion edited by Constance Harris

If we change how we look at things, we change what they are. Today’s generation of older people are refuting what was. Like the punk-rockers they might have been, fashion is theirs to rule and use

Mature woman. Who is she?

If she can’t see it, she can’t be it, so the feminists proclaim.

So true. I wrote an angry article over 15 years ago — provoked by the experience of walking a mile of London’s Oxford Street noticing that all its huge advertisin­g billboards showed only images of youth. There was not one image of an older person. No wonder women and men had a problem with aging, maturing — they saw no images of themselves, of their lives, anywhere.

Maturity didn’t count as far as retail was concerned.

Thankfully, now that the new age of the new millennium is that bit more mature itself, that mono-vision is changing.

People might love to knock millennial­s, but what I like about them is that they find older people interestin­g. Older people tell the truth. And they are fearless in their quiet way. They know there is no time to waste on bullsh*t.

And who are the millennial­s’ grandparen­ts? Why, the baby boomers. The rebellious and revolution­ary 1960s gen. Lovers of pop music, TV, advertisin­g, sex, contracept­ion, computers, cars, designer clothes, self-expression, palm devices, advancemen­t, more advancemen­t.

Never ones to accept the status quo, the baby boomers are not going to cut off their hair, and their sexuality with it, to conform to what their self-conscious adult children would like, and toddle off towards the afterlife quietly. They are going to fight with their every last breath for more life.

On The Graham Norton Show a few months back, 70-something Diane Keaton stole the sartorial gong — and the whole show — dressed in unrelentin­g and fantastica­lly mannish black tailoring, with layers of goth jewellery. With her fabulous, free-flowing grey hair framing a face that has never allowed a surgeon to amend its history and glory, Diane took over the couch, charmed and beguiled her fellow A-lister guests, and seduced an audience too young to know her. Diane took no prisoners. She didn’t have to. She showed them that mature life force was something to be reckoned with.

I love that Kildare Village is a place that I can send fabulous older women to and know that there they will be able to dress as amazingly as they themselves are.

“Kildare Village has soul and heart, and it has always been about reflecting community,” says Valerie Forde, PR and communicat­ions director of Kildare Village. “Last year, we used Olivia Tracey in our campaign, and the feedback was tremendous. It showed that older women resonated with people. As a younger

woman, a woman in her late 50s resonated with me. Fashion is for everyone. And there is a wisdom and elegance in older women that we all need to learn from and embrace.”

Maturity does not benefit from faddish trends with their blunt, crude, un-thoughtout style rules. Maturity favours character, personalit­y, lifestyle. Which is why stores that are not focused on ‘what’s hot this season’ but rather on quality and purity of creative integrity and design, are where it is really at.

At Kildare Village, due to its excellent brands, every person’s true flavour can be identified, supported, expressed. As evidenced by what our stunning model, Mary Dunne, is wearing on our pages today — wildly diverse labels, such as All Saints, Diane Von Furstenber­g, Escada, The Kooples, Gerard Darel, Hobbs, Wolford, LK Bennett, Kate Spade, Holland Cooper, Dune, Nike, and so on.

With personal shoppers on hand, private rooms available for groups of pals to hang out — not to mention luxury dog kennelling for woman’s best friend, and car valet and other services for multi-tasking focused customers — at Kildare Village, an in-demand lady can get a lot done in one day.

“The shoot exudes confidence without Mary having to try. Mary is herself. She has that long, flowing hair. She didn’t turn 50 and cut it. She loves life,” says Valerie. “She is a really important audience, which many forget, as everyone is chasing millennial­s. This year, we are celebratin­g women in all her aspects and strengths

— young women, older women, women in sport, women entreprene­urship... Women.

“For us, inclusive is the real exclusive,” states Valerie. “We want to create imagery with soul behind it. That is how we are speaking to our customer. We are delighted and proud to be doing campaigns like this — that will empower people. Make people think differentl­y about fashion and style. Style is a mindset. It isn’t an age bracket.”

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 ??  ?? LEFT: Linen-mix blazer, €190, The Kooples. T-shirt, €49; jeans, €104, both Kate Spade. Kitten heels, €95, Dune. Bracelets, €32 each, Fossil. Watch, €190, Links of London
RIGHT: Trench, €190, Hobbs. Bodysuit (worn underneath), €59, Wolford. Trousers, €279, Escada. Shoes (not in shot), €80, Carvela, Kurt Geiger. Watch, €74, Kate Spade. Hoop earrings, €26, Fossil
LEFT: Linen-mix blazer, €190, The Kooples. T-shirt, €49; jeans, €104, both Kate Spade. Kitten heels, €95, Dune. Bracelets, €32 each, Fossil. Watch, €190, Links of London RIGHT: Trench, €190, Hobbs. Bodysuit (worn underneath), €59, Wolford. Trousers, €279, Escada. Shoes (not in shot), €80, Carvela, Kurt Geiger. Watch, €74, Kate Spade. Hoop earrings, €26, Fossil
 ??  ?? Jacket, €250, Aquascutum. Pleather trousers, €150, Wolford. Stilettos, €80, Carvela, Kurt Geiger. Earring, €25, Diane Von Furstenber­g
Jacket, €250, Aquascutum. Pleather trousers, €150, Wolford. Stilettos, €80, Carvela, Kurt Geiger. Earring, €25, Diane Von Furstenber­g
 ??  ?? ABOVE: Leather biker jacket, €320, All Saints. Silk maxi dress, €387, DVF. Ankle boots, €139, Mint Velvet. Earrings, €69, Kate Spade
ABOVE: Leather biker jacket, €320, All Saints. Silk maxi dress, €387, DVF. Ankle boots, €139, Mint Velvet. Earrings, €69, Kate Spade

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