Sunday Independent (Ireland)

‘A concoction of lies’: Trump lawyers say ‘Apprentice’ film is election interferen­ce

Former US president takes legal action over docu-drama given standing ovation at Cannes

- JADA YUAN AND JANAY KINGSBERRY

Alawyer for Donald Trump has accused the makers of a new movie — The Apprentice —of defamation and illegal election interferen­ce in a cease and desist letter obtained by US reporters. The docu-drama, which premiered to a huge standing ovation at the Cannes Film Festival last Monday, stars Sebastian Stan as Trump and tracks his rise to power and malevolenc­e as a New York real estate mogul in the Seventies and Eighties. It depicts Trump as a rapist, and has been broadly attacked by his lawyers as a politicall­y-motivated fabricatio­n.

“The movie presents itself as a factual biography of Mr Trump — yet nothing could be further from the truth,” Trump attorney David A Warrington wrote in the letter, sent last Wednesday to the film’s director and writer. “It is a concoction of lies that repeatedly defames president Trump and constitute­s direct foreign interferen­ce in America’s elections.”

Much of the three-page letter is spent attacking people involved with the movie for previous statements about Trump. It notes that Jeremy Strong, who plays Trump’s old political fixer Roy Cohn, compared the former president’s rhetoric to that of Joseph Stalin, Mao Zedong and Joseph Goebbels in a statement from the actor that director Ali Abbasi read aloud at a Cannes news conference.

It accuses screenwrit­er Gabriel Sherman — a political journalist at Vanity Fair — of having “Trump Derangemen­t Syndrome” for his own attacks on the former president.

The letter also cites Abbasi’s IranianDan­ish heritage and the film’s funding from countries such as Ireland, Denmark and Canada.

“It is illegal for foreign nationals to contribute or donate money in connection with a federal election,” Warrington wrote, citing Bluman v Federal Election Commission, an early 2010s election-finance case whose relevance to The Apprentice is unclear.

The US Supreme Court has repeatedly affirmed that movies are protected under the free speech clause of the US first amendment.

In 1952’s Burstyn v Wilson case, the judges ruled that the US constituti­on prohibited the censoring of the movie Miracle as sacrilegio­us. Further decisions in 1973, though, did determine that in certain cases distributo­rs of films may be subject to laws regulating obscenity and pornograph­y.

Trump’s threats of legal action against the film date back to the night of the premiere.

“We will be filing a lawsuit to address the blatantly false assertions from these pretend filmmakers,” Trump’s campaign spokespers­on Steven Cheung said in a statement before seeing the film.

“This garbage is pure fiction which sensationa­lises lies that have long been debunked.” Cheung also said the film “doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store.”

The filmmakers have taken the threats in their stride. “Everybody talks about Trump suing a lot of people. They don’t talk about his success rate, though.” Abbasi said at a Tuesday news conference.

Docu-drama tracks the rise to power of Trump – and depicts him raping his first wife

On Friday, producers released a statement in response to the letter: “The film is a fair and balanced portrait of the former president. We want everyone to see it and then decide.”

The film, which Abbasi has said he hopes to release in mid-September during the presidenti­al debates, still has no US distributi­on. According to a source with the film, there has been “intense” interest from buyers at Cannes — all of whom have had to bring lawyers with them, to parse out the issues of releasing the film under the threat of being sued.

The letter gives the filmmakers a deadline of May 27 to respond to their “gross violation of president Trump and the American people’s rights.”

Ahead of its premiere, The Apprentice was the centre of massive intrigue and questions about its tone. It portrays Trump’s origin story in a dark and chilling light, containing graphic scenes of him having plastic surgery and sexually assaulting his first wife Ivana — allegation­s based on her 1990 divorce deposition.

Maria Bakalova, the Oscar-nominated Bulgarian actress from Borat Subsequent Moviefilm, plays the late former model.

Ivana said in her deposition that Trump raped her a year earlier in a fit of rage caused by a painful scalp reduction surgery with Ivana’s plastic surgeon. She described the incident as a “violent assault” in which Trump also ripped out chunks of her hair, sparking a nationwide debate around the then-little-discussed concept of marital rape.

In 1993, however, Ivana recanted her descriptio­n of the alleged incident, saying she felt “violated,” but that nothing criminal had happened.

Trump also previously denied the allegation — along with Ivana’s claim that he had scalp reduction surgery.

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