The Irish Mail on Sunday

THE BEST NEW FICTION

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The Broken Mirror Jonathan Coe Unbound €11.20

Eight-year-old Claire finds a fragment of mirror that reflects things not as they are but as they could be if the world were a better, more beautiful place. As she grows older, the reflection­s become less vivid but still show a hopeful alternativ­e to her drab home town with its closed library, scheming councillor­s and racist vandals. Can her vision be translated into reality? Coe’s fable will resonate with adults as an obvious – perhaps too obvious – allegory of Brexit Britain and Trump’s America, but with its ingenious illustrati­ons by Chiara Coccorese it’s more likely to appeal to politicall­y aware teens.

Anthony Gardner

They Know Not What They Do Jussi Valtonen Oneworld €22.10

An American researcher’s work with lab animals puts him and his family in the crosshairs of activists who may include the son of a Finnish woman he divorced almost 20 years ago. A new drug promises teens confidence, and a new device with diabolical marketing value feeds virtual experience­s directly to the brain. Meanwhile, cicadas make their cyclical appearance to supply a colourful metaphor of unclear import. The Finnish writer’s smart, slightly futuristic, nicely-plotted but glacially paced novel delves into a range of social issues, domestic crises and academic conundrums. It all makes for a chewy but often toothsome read. Jeffrey Burke

Heather, The Totality Matthew Weiner Canongate €17.99

The creator of Mad Men and The Sopranos makes his literary debut with a lean slice of noir that sets America’s upper- and under-classes on a collision path. Teenager Heather Breakstone has grown up hearing that she’s her parents’ most precious possession – no small feat given their acquisitiv­e upmarket Manhattan lifestyle. Meanwhile, budding sociopath Bobby Klasky stumbles towards adulthood ignored by his heroinaddi­ct mother. When Bobby gets a job with the constructi­on crew working in Heather’s building, their fates seem sealed. There’s a fine line between spare and skeletal, and this bleak drama can feel overly distilled, despite the twist in its tail.

Hephzibah Anderson

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