The Irish Mail on Sunday

A MASTER OF DECEPTION IN THE BATTLEFIEL­DS OF LOVE AND WAR

- SIMON GRIFFITH BIOGRAPHY

Joseph Gray’s Camouflage Mary Horlock Unbound €23.99 ★★★★★

Joseph Gray was an Englishbor­n artist who found himself working in Scotland at the start of the First World War and enlisted in the Black Watch regiment. His first-hand experience of trench warfare informed his haunting portraits of fallen comrades and for a time he was held in high esteem as a war artist, but his traditiona­l style of painting fell out of fashion in the Modernist 1920s and today he’s all but forgotten. He doesn’t deserve to be, because his contributi­on to Allied victory in the Second World War was even more striking than his record in the First.

Gray is the subject of this unusual and surprising­ly poignant biography by his great-granddaugh­ter, who never knew him but found herself increasing­ly baffled by a family history full of mysterious gaps. For Joe, as she refers to him throughout the story, became a master of deception during the Second World War, and the secrecy that was necessary for his army work spilled over into his private life as well.

Camouflage was Joe’s field of expertise, and the contributi­on he made to bamboozlin­g German intelligen­ce was as remarkable as it was ingenious. His interest in camouflage had been stirred in the Flanders trenches, where his artist’s eye had immediatel­y discerned that the neatness and uniformity so prized by senior officers were worse than useless in combat. Nature is irregular, and the only way to fool the enemy was to break up the contours of artificial constructi­ons such as tanks and buildings. Joe’s discovery that steel wool was much more flexible than traditiona­l painted nets was a game-changer and undoubtedl­y saved many lives. Joe was equally adept at camouflagi­ng the love affair that led to the break-up of his marriage, and Mary Horlock’s painstakin­g unmasking of his double life is as expertly drawn as any of his portraits. She doesn’t judge, she simply reveals, and in so doing she brings a remarkable time, and a remarkable man, vividly to life.

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 ??  ?? trompe l’oeil: Joseph Gray, c 1916. Above: a dummy farmhouse made of steel wool, c 1941
trompe l’oeil: Joseph Gray, c 1916. Above: a dummy farmhouse made of steel wool, c 1941

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