The Irish Mail on Sunday

Jose Show is vanity project that struggles to hide an inconvenie­nt Spurs truth

- Oliver Holt

THERE is an inconvenie­nt truth that sits in the corner of the changing room, the manager’s office, the treatment room, the canteen and the boardroom at Tottenham like a giant elephant throughout the elongated Daniel Levy-Jose Mourinho vanity project that is the Amazon Prime documentar­y series All or Nothing.

All or Nothing is a trite title anyway, a generic name for what often appears to be a scripted reality show that is a poor man’s Made in Chelsea. But when the answer to the inherent question it poses about Mourinho’s months in charge of Spurs last season is not ‘all’ but ‘nothing’, it succeeds only in drawing attention to the club’s failure.

As this season dawns and Spurs prepare to face Everton in their opening game today, there is no prospect that Mourinho will be fighting for the title this season. He

is not that guy any more. The Carabao Cup? Maybe. The FA Cup? Perhaps. The biggest prizes? Not any more. That’s why, when you get beyond Tom Hardy’s narration and the atmospheri­c soundtrack, there is emptiness at the heart of All or Nothing.

‘Nothing’, because yet again Spurs did not win a trophy, even though chairman Daniel Levy said on-screen at the office party that he wanted one for Christmas. ‘Nothing’, because, despite Mourinho’s obsession with catching Chelsea, they finished seven points adrift of them. ‘Nothing’, because they didn’t get close to making it into the Champions League, the task Mourinho was brought in to achieve.

‘Nothing’, because they have fallen backwards since Mauricio Pochettino’s last full season at the club. And ‘nothing’ because, as Mourinho pointed out bitterly on

Friday, finishing in sixth place, with the early commitment­s to the Europa League it brings, has condemned Spurs to an insane start to the season that might see them playing nine games in 22 days. That’s not a fixture pile-up. That’s gridlock.

Sure, All or Nothing has some redeeming features: the players come across well. It is hard not to like Eric Dier for his grit and his telling taciturnit­y, Japhet Tanganga for his openness, Dele Alli for his humour and Danny Rose for the courage and intellectu­al honesty that appears to disarm and disconcert those of a more Machiavell­ian nature.

Levy’s a bit David Brent, a little bit too pleased with himself, a little bit of a star-lover. Find me someone who looks at me the way he looks at Mourinho. It’s usually the second season when they learn. Sadly, that inferno is going to come too late for All or Nothing. Even Mourinho is not without likeable moments, although he acts like a man who swears to try to impress the cool kids, not because he feels it.

That’s a metaphor for the series, really. It’s hard to know what anybody’s really feeling because so much of it seems false and selfconsci­ous and airbrushed.

Henry Mance, writing in the Financial Times, called it ‘the first draft of hagiograph­y’, which nailed its reverentia­l tone towards Jose in particular and the club in general.

Show me a more subservien­t assistant than Joao Sacramento and you’ll be going some. He’s Phil Neal in An Impossible Job, a yes-man extraordin­aire, but All or Nothing never gets close to providing the same insight as the documentar­y that gave us ‘Do I not like that’. The unintentio­nal comedy Sacramento provides does not appear to have made the cut.

We always knew Mourinho was a good actor anyway. And I mean football’s version of Oscar-worthy. And he has such fierce charisma he dominates the series.

Levy is part of the support cast in orbit around the star. And the players are extras living in a Jose Wonderland, except it’s a Wonderland that’s Blackpool on a dreary day.

It is a shame that the series tries to ignore the fact that Spurs have become bit-part players again after Pochettino reached for the stars.

They finished 40 points behind Liverpool last season and yet so far they have only signed Matt Doherty, Pierre-Emile Hojbjerg and Joe Hart in the summer window. All are good players but, taken alone, they do not speak of great ambition to start closing the gap.

The truth is that Mourinho is camouflage. That is the purpose he serves now. Both on the small screen and at a football club.

The force of his personalit­y, the glare of his charisma and the skill of his management hide a supporting cast of weaknesses and problems. Look at the bright, shining star and try to ignore the fact that the team are fading away into the nothingnes­s outside the top four.

Even before Spurs have kicked a ball this season, Mourinho is complainin­g about the fixtures and struggling to sign a striker who can act as back-up to Harry Kane. Tottenham may well be an improved side this season but the feeling is that others will have improved more. Instead of closing the gap, it may be that teams like Everton will overtake them.

So I’m looking forward to the final three episodes and watching the anti-climax of the battle for sixth dressed up as a great triumph. Spurs fans better get used to it. Sixth might be as good as it gets for a while.

In All or Nothing, any thought that Tottenham would be competing for big trophies were over by the end of episode one.

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