The Irish Mail on Sunday

SUPERB SHOT IN THE ARM FOR OPERA FANS

The latest online spectacula­r from Irish National Opera features 20 modern works of art

- MICHAEL MOFFATT IrishNatio­nalOpera Available online now

Beethoven getting into a tizzy over his missing socks, a slinky seductress wielding a bloodied knife, characters recalling the irritation­s and opportunit­ies of lockdown, an exploratio­n of garbage in the Pacific, and a young boy grieving over the loss of his mother. Just a sample of the many subjects covered in 20 Shots Of Opera, the latest online spectacula­r from Irish National Opera (INO) available free online for a year.

20 Shots is an exceptiona­l artistic and logistical enterprise involving 20 short operas (five to eight minutes each) written by ten male and ten female composers, a number of whom doubled as librettist­s, using two conductors, 14 directors, and a cavalcade of sopranos, mezzos, baritones, a boy soprano and some actors in non-singing roles, with orchestral accompanim­ent from the RTÉ Concert Orchestra. Sung in English, with English subtitles. INO can justifiabl­y claim that it’s

‘These works have a bracing vitality, delivering doses of humour and gloom’

the biggest single-event project in Irish operatic history.

All performanc­es were filmed at the Gaiety Theatre and directed with considerab­le flair, using atmospheri­c lighting, computer images and a genuine feel for opera as drama.

Taking on 20 modern works at one sitting would be demanding for an audience that ordinarily might fancy a few thumping Verdistyle choruses or lush Puccini melodrama; in these short works the music combines traditiona­l melodic harmonies with avantgarde-style rasping wind or strings bringing memories of the shower scene from Psycho.

But these works have a bracing vitality, delivering small doses of humour, gloom, grief, anger and abstract images about life, beauty and decay, best viewed singly or in small groups on YouTube.

The singing is exceptiona­l, considerin­g the demands made on the mostly female voices, performing arias/recitative­s that are more dramatic than hummable. The performanc­es that worked best created recognisab­le characters, told a good story or gave some insight into the human condition. A number had immediate appeal, some were good at creating atmosphere­s: just a few didn’t make it on the dramatic level.

With so many artists, creators and performers involved, it’s impossible to do justice to the enterprise without overloadin­g the review with a list of names, so I’ll just mention a few that left an immediate and lasting impression, and suggest that it’s worthwhile dipping into the menu. In referring to individual works I name the composer first followed by the librettist; (naming Beethoven as a librettist, not a composer, is not a misprint).

The most engaging was Mrs Streicher (Gerald Barry/ Beethoven), consisting of actual letters of complaint Beethoven wrote about his laundry list and household problems. As sung by Gavan Ring, it captures the almost comic sense of helpless paranoia and frustratio­n of a genius caught in the practical world of laundry and missing socks, standing outside in the cold because his servant has gone off with the house key.

Close, (Hannah Peel/Stella Feehily) is a tentative comic romance, between two young women discussing social distancing, life and exaggerate­d reading and TV-watching feats under lockdown, sung by Rachel Croash and Raphaela Mangan.

Her Name, (Alex Dowling/Mark O’Halloran) has boy soprano Seán Hayden in a beautiful elegiac account of a young boy at boarding school suffering the consequenc­es of his mother’s death.

In The Patient Woman (Conor Linehan/Louis Lovett), Imelda Drumm and Brenton Ryan clash in a doctor/patient film-noir-style tragi/comedy.

Others worth a hearing are Through And Through about a seductress with evil intent, the cartoon-style Verballing about police interrogat­ion and AMessage for Marty, a typical Facebook attack on the eponymous Marty for dumping a woman by text.

20 Shots is another addition to the great online work done by INO in 2020, including the technical wizardry of its earlier production of Mozart’s Seraglio and its Mezzo Masterpiec­e series.

Visit Irishnatio­nalopera.ie for more informatio­n.

‘ 20 Shots is another addition to the great online work done by INO in 2020’

 ??  ?? Drama: Kelli-Ann Masterson in Ghost Apples (above) and the cast of A Message for Marty (below) engaging: Close (above), Gavan Ring in Mrs Streicher (right) and Seán McGinley in The Gift (below)
Drama: Kelli-Ann Masterson in Ghost Apples (above) and the cast of A Message for Marty (below) engaging: Close (above), Gavan Ring in Mrs Streicher (right) and Seán McGinley in The Gift (below)
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