The Irish Mail on Sunday

THE BEST NEW FICTION

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The Funny Thing About Norman Foreman

Julietta Henderson Bantam Press €14.99 An uplifting tale of love, loss and the redemptive power of humour. Aged 12, Norman Foreman was half of comedy’s next big double act, set to debut at the Edinburgh Fringe – until his partner, Jax, died. Jax was the funny one, but when Norman asks his mum if they can find out who his father was, she organises a trip to Edinburgh to reckon with her past and get Norman onto the stage – solo.

Madeleine Feeny

My Phantoms Gwendoline Riley

Granta €14.99

Bridget, an academic, lives with her therapist partner and their rescue cat. It couldn’t be more different from her parents’ short-lived, explosive marriage. Her father is an economical­ly sketched mediocrity who nonetheles­s exudes a manic, Dickensian menace; but it’s her mother’s needy reserve and withholdin­g ways that continue to taunt Bridget. Riley’s seventh novel is a slender, quietly savage riposte to the sentimenta­lity that so often obscures depictions of the parent-child bond.

Hephzibah Anderson

The High House

Jessie Greengrass Swift Press €16.99

In a house by the sea live three survivors of climate-change apocalypse. In turn, Caro, her half-brother Pauly and their friend Sal look back on the long litany of extreme weather events that have devastated the planet and left them isolated. Fortunatel­y, the house was carefully prepared for the catastroph­e – but now supplies are dwindling. Greengrass’s lyrical evocation of the coastal landscape and her grim vision of the future prove a potent, deeply disturbing combinatio­n. Anthony Gardner

The Khan Saima Mir

Point Blank €18.99 Saima Mir’s debut novel takes us deep into the heart of Yorkshire gangland. British Pakistani lawyer Jia Khan has left her family behind to forge a new life in London. But when her gangster father is murdered, she’s drawn back into the criminal underworld. The Khan is strong on illuminati­ng the networks of family and community, giving fresh life to its familiar plot – essentiall­y a Bradford take on The Godfather. John Williams

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